Browse Freelancers
Sound Designer
+1 filter£150 per day (GBP)
Expert in: Pro Tools, Short Film, Mix + 3 more
Hello! I am a sound designer/editor with experience across different lines such as films, commercials or audiobooks. Experience and advanced skills in recording, mixing, editing, Foley, sound design, Ambisonics, de-noising.
https://www.luisdelptaudioworks.com…Hello! I am a sound designer/editor with experience across different lines such as films, commercials or audiobooks. Experience and advanced skills in recording, mixing, editing, Foley, sound design, Ambisonics, de-noising.
https://www.luisdelptaudioworks.comWWWW…
More info £500 per day (GBP)
Expert in: Jingle, Logic Pro, Mix + 4 more
Oguz Kaplangi is a composer, sound designer and music producer based in Edinburgh and London. He mainly composes for film, television and advertising.
He has scored music for sixteen feature films including Turkish box office hits as well as Turkey’s first animation film “Bad Cat”. He has written music for several documents and UK shorts.
In the United States, his music has been used in TV shows including A&E’s Emmy-nominated, “Wahlburgers”, “Donnie Loves Jenny”, “Nightwatch”, “Lock Up”, “Sexy Beasts”, “According To Alex”, “Killer Kids”, “Young Marvels”, “Big Brew Theory” and “Bizarre Foods”.
As a jingle writer, he has composed numerous commercials and sound ids. He has been commissioned by CP+B (London), Wieden+Kennedy (Amsterdam), Ogilvy & Mather, Leo Burnett, DDB, BBDO, Saatchi & Saatchi, Thompson, MullenLowe, McCann Erickson and many boutique agencies and film production companies (Istanbul).
Oguz is the producer of several ethnic-electronic albums such as Istanbul Calling and Techno Roman Project; he has arranged several tracks for international artists including Valderrama (Spain), Alkistis Protopsalti (Greece), Suzy (Israel) and Encarna Salazar (ex-member of Azucar Moreno). He was a member and producer of Turkish electro-rock bands Zi Punt and Rebel Moves.
Oguz is the owner of music production companies “Creatrax” in Edinburgh, “Elec-Trip” in Istanbul and he is the music supervisor of “Express Jingles”, a library music catalogue represented in many countries.…Oguz Kaplangi is a composer, sound designer and music producer based in Edinburgh and London. He mainly composes for film, television and advertising.
He has scored music for sixteen feature films including Turkish box office hits as well as Turkey’s first animation film “Bad Cat”. He has written music for several documents and UK shorts.
In the United States, his music has been used in TV shows including A&E’s Emmy-nominated, “Wahlburgers”, “Donnie Loves Jenny”, “Nightwatch”, “Lock Up”, “Sexy Beasts”, “According To Alex”, “Killer Kids”, “Young Marvels”, “Big Brew Theory” and “Bizarre Foods”.
As a jingle writer, he has composed numerous commercials and sound ids. He has been commissioned by CP+B (London), Wieden+Kennedy (Amsterdam), Ogilvy & Mather, Leo Burnett, DDB, BBDO, Saatchi & Saatchi, Thompson, MullenLowe, McCann Erickson and many boutique agencies and film production companies (Istanbul).
Oguz is the producer of several ethnic-electronic albums such as Istanbul Calling and Techno Roman Project; he has arranged several tracks for international artists including Valderrama (Spain), Alkistis Protopsalti (Greece), Suzy (Israel) and Encarna Salazar (ex-member of Azucar Moreno). He was a member and producer of Turkish electro-rock bands Zi Punt and Rebel Moves.
Oguz is the owner of music production companies “Creatrax” in Edinburgh, “Elec-Trip” in Istanbul and he is the music supervisor of “Express Jingles”, a library music catalogue represented in many countries.WWWW…
More info £50 per day (GBP)
Expert in: Logic Pro, Soundtrack, Game Design + 2 more
**TO SEE ALL MY WORK; PLEASE VISIT MY WEBSITE BELOW**
https://alperenkurbetci.wixsite.com/alpasonic
I am a sound & electronics engineer/designer and a professional musician.
**A Quick Intro**
My idea is to fuse my technical and creative skills to craft authentic work and experiment. I bring an artist's imagination and an engineer's analytic approach to the table.
**My Background**
As a sound designer with an MSc Sound Design diploma from the University of Edinburgh and as a professional musician; I constantly create sonic ideas, compose pieces for commercial use, mix and master for static and interactive works and play live with different musicians varying from Jazz to Rock.
As an IEEE engineer, I find both software and hardware solutions to my sonic ideas, varying from plugins to pedals and synths.
**Employment and project experience**
• Scored the soundtrack of "Jack Walker - Ethereal VR Game" and "TattooVerse VR Game" of ROG Studios. Composed for "Plush Empire Mobile Game".
• Recorded high-quality 5.1, 7.1 and Ambisonics recordings for Impulse Responses and films. Conducted professional field and studio recordings in mausoleums, museums, and concert halls. EBU R128 standards are met for every recording. Industry-standard plugins are used for every take.
• Sound designed and sound engineered in Unity and Wwise for various games as a freelancer.
• Write JUCE plugins and samplers. A “BitCrusher Synth”, an “AM-FM arpeggiator Drone”, and a
“Multi Distortion Buzz Box” are some of my projects.
• Performed in respectable jazz venues and composed for movies with Kerem Türkaydın.
• Create Max MSP patches to simulate and test sound engineering and design ideas.
• Do an acoustical analysis of stages, lecture halls, reverberant places etc. I usually do a "Reverberation Time" analysis, "Average Absorption Coefficient" calculation, insulation analysis, background noise measurements, geometrical analysis, sine sweep frequency response, impulse and sine sweep amplitude response using field recordings and MATLAB.
• Build pedals for professional use including “Atari Synth”, heavy fuzz pedal, and 2 distortion pedals with adjustable capacitors. Modified 2 of my pre-built pedals (Tube Screamer TS8 & Boss Flanger)
• Perform with my funk-jazz band "Lunar Lust" on respected stages and festivals such as “Istanbul Culture & Arts Festival”.…**TO SEE ALL MY WORK; PLEASE VISIT MY WEBSITE BELOW**
https://alperenkurbetci.wixsite.com/alpasonic
I am a sound & electronics engineer/designer and a professional musician.
**A Quick Intro**
My idea is to fuse my technical and creative skills to craft authentic work and experiment. I bring an artist's imagination and an engineer's analytic approach to the table.
**My Background**
As a sound designer with an MSc Sound Design diploma from the University of Edinburgh and as a professional musician; I constantly create sonic ideas, compose pieces for commercial use, mix and master for static and interactive works and play live with different musicians varying from Jazz to Rock.
As an IEEE engineer, I find both software and hardware solutions to my sonic ideas, varying from plugins to pedals and synths.
**Employment and project experience**
• Scored the soundtrack of "Jack Walker - Ethereal VR Game" and "TattooVerse VR Game" of ROG Studios. Composed for "Plush Empire Mobile Game".
• Recorded high-quality 5.1, 7.1 and Ambisonics recordings for Impulse Responses and films. Conducted professional field and studio recordings in mausoleums, museums, and concert halls. EBU R128 standards are met for every recording. Industry-standard plugins are used for every take.
• Sound designed and sound engineered in Unity and Wwise for various games as a freelancer.
• Write JUCE plugins and samplers. A “BitCrusher Synth”, an “AM-FM arpeggiator Drone”, and a
“Multi Distortion Buzz Box” are some of my projects.
• Performed in respectable jazz venues and composed for movies with Kerem Türkaydın.
• Create Max MSP patches to simulate and test sound engineering and design ideas.
• Do an acoustical analysis of stages, lecture halls, reverberant places etc. I usually do a "Reverberation Time" analysis, "Average Absorption Coefficient" calculation, insulation analysis, background noise measurements, geometrical analysis, sine sweep frequency response, impulse and sine sweep amplitude response using field recordings and MATLAB.
• Build pedals for professional use including “Atari Synth”, heavy fuzz pedal, and 2 distortion pedals with adjustable capacitors. Modified 2 of my pre-built pedals (Tube Screamer TS8 & Boss Flanger)
• Perform with my funk-jazz band "Lunar Lust" on respected stages and festivals such as “Istanbul Culture & Arts Festival”.WWWW…
More info £250 per day (GBP)
Expert in: reaper, Soundtrack, Unreal Engine 4 + 2 more
Bonjour! I'm Arthur, an Edinburgh-based Sound Designer and Game Developer.
I achieved a dozen of short films and documentaries as a Sound Recordist, Boom Operator, Sound Mixer and Designer with my own recording material (Mixpre 10, lavaliers and shotgun microphones...) and home studio.
I also made games for the past 6 years and specialised in Audio Design and Programming, mainly working with Reaper Wwise and Unreal Engine.
Let's connect and explore the exciting world of sound and game development!…Bonjour! I'm Arthur, an Edinburgh-based Sound Designer and Game Developer.
I achieved a dozen of short films and documentaries as a Sound Recordist, Boom Operator, Sound Mixer and Designer with my own recording material (Mixpre 10, lavaliers and shotgun microphones...) and home studio.
I also made games for the past 6 years and specialised in Audio Design and Programming, mainly working with Reaper Wwise and Unreal Engine.
Let's connect and explore the exciting world of sound and game development!WWWW…
More info £150 per day (GBP)
Expert in: ableton live, Pro Tools, adobe audition + 4 more
Hi there!
My name is Denis Falencik and I'm an experienced audio producer passionate about creating high-quality audio that brings stories to life. With over 5 years of experience in the industry, I've had the pleasure of working on a wide range of projects, including podcasts, audiobooks, and sound design for film and video.
I have a strong attention to detail and a commitment to ensuring that every project I work on sounds its absolute best. I take the time to understand my client's needs and goals, and work throughout the production process to ensure closely with their vision is fully realised.
Whether you need help with recording, editing, mixing, or mastering, I have the skills and expertise to bring your project to the next level. So if you're looking for an audio producer who is dedicated, professional, and easy to work with, please don't hesitate to get in touch!…Hi there!
My name is Denis Falencik and I'm an experienced audio producer passionate about creating high-quality audio that brings stories to life. With over 5 years of experience in the industry, I've had the pleasure of working on a wide range of projects, including podcasts, audiobooks, and sound design for film and video.
I have a strong attention to detail and a commitment to ensuring that every project I work on sounds its absolute best. I take the time to understand my client's needs and goals, and work throughout the production process to ensure closely with their vision is fully realised.
Whether you need help with recording, editing, mixing, or mastering, I have the skills and expertise to bring your project to the next level. So if you're looking for an audio producer who is dedicated, professional, and easy to work with, please don't hesitate to get in touch!WWWW…
More info £300 per day (GBP)
Expert in: Adobe Audition, Adobe Photoshop, Adobe Premiere Pro + 5 more
I am a professional audio producer, with a background in podcast production, music production, radio imaging and creative sound design, who loves to create ear-catching audio.
CREATIVE SOUND DESIGN:
My recent long-form sound design project was a 3D (binaural) audio production A Ghost's Tale that was presented at 2018's Edinburgh Festival Fringe. 3D audio is an emerging and highly engaging way of storytelling and I'm happy to help you create a project that would suit your needs. Besides mixing sound for video, I have also created an innovative sample pack for music producers and sound logos for brands.
My services include:
- 3D audio production (Spatial audio recording, sound design, edit, mix and master. I work with an experienced scriptwriter, that I can bring along if needed.)
- sonic logos,
- sound design for video,
- the sound mix for video,
- sound effects production (Foley, SFX, ...).
MUSIC PRODUCTION:
I have worked with a two time Slovenian Eurovision winner, Omar Naber, Maja Zaloznik, and a list of music producers like Kinambroi, Kant Sleep, BMD, Roots in Session, ...
I am very excited to help you with:
- mixing music and preparing it for mastering,
- original music production for podcasts, jingles, video promos, ...,
- music production or selection for advertisements.
PODCAST PRODUCTION:
I am highly skilled in podcast production - I have overseen recording sessions, edited, mixed and mastered podcasts with high profile guests (please see my portfolio). I restore, edit and clean up interviews done over a telephone line on a daily basis. I have produced numerous jingles (some with my original music) and promos, and help my clients launching their new podcasts. The superb final quality of your podcast is guaranteed.
Depending on your needs, I can offer a complete audio production of your podcast including:
- Audio restoration and repair (noise, clicks, pops and reverb removal, distortion repair, ...),
- editing and mixing (cleaning up mistakes and excessive repetitions, sound equalisations, dynamic processing, final mixdown, ...),
- an original intro and outro production,
- production of intermediate jingles and advertisements (I come with 7 years of experience in radio imaging and advertisement production),
- uploading to hosting platforms,
- technical support (guidance and advice on hardware, software, workflow and recording process),
- critical thinking and creative input based on years of experiences (only if you are open to it).
RADIO IMAGING AND RADIO ADVERTISEMENT PRODUCTION:
I have 7 years of experience in producing jingles, sweepers, promos, radio commercials, drop-ins, and other transitional elements for local music radio stations and global news networks. (please see my portfolio for examples).
I am looking forward to creating great content with you.…I am a professional audio producer, with a background in podcast production, music production, radio imaging and creative sound design, who loves to create ear-catching audio.
CREATIVE SOUND DESIGN:
My recent long-form sound design project was a 3D (binaural) audio production A Ghost's Tale that was presented at 2018's Edinburgh Festival Fringe. 3D audio is an emerging and highly engaging way of storytelling and I'm happy to help you create a project that would suit your needs. Besides mixing sound for video, I have also created an innovative sample pack for music producers and sound logos for brands.
My services include:
- 3D audio production (Spatial audio recording, sound design, edit, mix and master. I work with an experienced scriptwriter, that I can bring along if needed.)
- sonic logos,
- sound design for video,
- the sound mix for video,
- sound effects production (Foley, SFX, ...).
MUSIC PRODUCTION:
I have worked with a two time Slovenian Eurovision winner, Omar Naber, Maja Zaloznik, and a list of music producers like Kinambroi, Kant Sleep, BMD, Roots in Session, ...
I am very excited to help you with:
- mixing music and preparing it for mastering,
- original music production for podcasts, jingles, video promos, ...,
- music production or selection for advertisements.
PODCAST PRODUCTION:
I am highly skilled in podcast production - I have overseen recording sessions, edited, mixed and mastered podcasts with high profile guests (please see my portfolio). I restore, edit and clean up interviews done over a telephone line on a daily basis. I have produced numerous jingles (some with my original music) and promos, and help my clients launching their new podcasts. The superb final quality of your podcast is guaranteed.
Depending on your needs, I can offer a complete audio production of your podcast including:
- Audio restoration and repair (noise, clicks, pops and reverb removal, distortion repair, ...),
- editing and mixing (cleaning up mistakes and excessive repetitions, sound equalisations, dynamic processing, final mixdown, ...),
- an original intro and outro production,
- production of intermediate jingles and advertisements (I come with 7 years of experience in radio imaging and advertisement production),
- uploading to hosting platforms,
- technical support (guidance and advice on hardware, software, workflow and recording process),
- critical thinking and creative input based on years of experiences (only if you are open to it).
RADIO IMAGING AND RADIO ADVERTISEMENT PRODUCTION:
I have 7 years of experience in producing jingles, sweepers, promos, radio commercials, drop-ins, and other transitional elements for local music radio stations and global news networks. (please see my portfolio for examples).
I am looking forward to creating great content with you.WWWW…
More info $250 per day (USD)
Skilled in: Mix, Soundtrack
Recently graduated from MSc Sound Design at the University of Edinburgh. This degree covered audio work for film as well as game audio, sound art, and design of effects and digital instruments - with an experimental approach throughout. As a freelancer my focus is currently on film sound and sound design for theatre.
Previous film post-production:
A Gap in the World - https://www.youtube.com/watch?v=21YFjtZ0n4E
Entertainment - http://adamcastle.com/Entertainment (private viewing link available on request)
I am a keen field recordist, sensitive to subtle ambiences and the nuances through which sound can add so much weight to your work without drawing attention to itself - however, when the project calls for it, I'm not afraid to pull out all the stops! I am always eager to explore novel approaches when the opportunity arises, and with a head for programming, and designing bespoke generative systems and effects, I will tackle those projects that fall outside conventional boundaries.…Recently graduated from MSc Sound Design at the University of Edinburgh. This degree covered audio work for film as well as game audio, sound art, and design of effects and digital instruments - with an experimental approach throughout. As a freelancer my focus is currently on film sound and sound design for theatre.
Previous film post-production:
A Gap in the World - https://www.youtube.com/watch?v=21YFjtZ0n4E
Entertainment - http://adamcastle.com/Entertainment (private viewing link available on request)
I am a keen field recordist, sensitive to subtle ambiences and the nuances through which sound can add so much weight to your work without drawing attention to itself - however, when the project calls for it, I'm not afraid to pull out all the stops! I am always eager to explore novel approaches when the opportunity arises, and with a head for programming, and designing bespoke generative systems and effects, I will tackle those projects that fall outside conventional boundaries.WWWW…
More info $250 per day (USD)
Bookings:
_<Email available after hire>_
This is the story of a man raised and nurtured in the beating heart of four-to-the-floor club music. A man who took a wander down some strange and twisted alleyways. A producer who, while exploring the outer edges of electro, hip-hop and breaks, never stopped listening to and mixing techno, finding in its linear progression a different kind of complexity to the SF-inspired, bass-driven experimentalism of his first clutch of releases. This is the story of Ghost by Nature, an alias of producer Gary Crowne, aka Black Lantern mainstay Krowne.
In a way, Ghost by Nature is the first alias, the source code, the ghost in the machine that is Krowne himself. Growing up, his biggest love was techno music, but it wasn't until he became involved with regular Edinburgh techno shindig 4X4, as promoter and resident DJ, that he decided to finally release some techno.
The new beats required a new alias, and so Ghost By Nature was born. Like his work as Krowne and as one half of Kromatic, liquid funk basslines drive the tracks. They are laced with with deep, percussive synth riffs, shimmering across driving, many-layered rhythms.
It is futuristic, and futurist, like all good techno. With ghostly washes of acid house, Detroit techno and slick electro felt througout the tracks, this is an album as rooted in electronic music history as it is in science fiction's speculative approach.
A new era for Krowne, and a new sound for Black Lantern.
Ghost by name...…Bookings:
_<Email available after hire>_
This is the story of a man raised and nurtured in the beating heart of four-to-the-floor club music. A man who took a wander down some strange and twisted alleyways. A producer who, while exploring the outer edges of electro, hip-hop and breaks, never stopped listening to and mixing techno, finding in its linear progression a different kind of complexity to the SF-inspired, bass-driven experimentalism of his first clutch of releases. This is the story of Ghost by Nature, an alias of producer Gary Crowne, aka Black Lantern mainstay Krowne.
In a way, Ghost by Nature is the first alias, the source code, the ghost in the machine that is Krowne himself. Growing up, his biggest love was techno music, but it wasn't until he became involved with regular Edinburgh techno shindig 4X4, as promoter and resident DJ, that he decided to finally release some techno.
The new beats required a new alias, and so Ghost By Nature was born. Like his work as Krowne and as one half of Kromatic, liquid funk basslines drive the tracks. They are laced with with deep, percussive synth riffs, shimmering across driving, many-layered rhythms.
It is futuristic, and futurist, like all good techno. With ghostly washes of acid house, Detroit techno and slick electro felt througout the tracks, this is an album as rooted in electronic music history as it is in science fiction's speculative approach.
A new era for Krowne, and a new sound for Black Lantern.
Ghost by name...WWWW…
More info $250 per day (USD)
The musician career started relatively late, when I was 17 y.o., the same way it happened to many fellow bass players: I had to play bass in a band.
Since I just moved to Rome, I spent more time practicing the instrument than anything else. Apparently, the Eternal City did not strike me as much as Florence did. In fact, I moved back to Florence when I had the chance, and entered in a Viking Metal band called Wolfingar. We had a good success, making it to the newspapers a couple of times and winning the public vote during the Maggio Off, an event held by the illustrious Maggio Musicale Fiorentino. Unfortunately, after some disagreement with other group members, me and the keyboardist left the band. From there on I focused my musical work mainly on personal projects: Maelstrom, Northern Mass, Ferdinando Valsecchi are the ones I’ve already published online, however there are more, waiting for me to polish them and get them out. Other projects have seen myself working as a composer, mainly for fixed media and video games.
As a Sound Designer and Post-Production engineer I've started working fairly early on music related content. I've then focused on the sound and mixing for fixed media in my final undergraduate year at the University of Florence, writing 33000 words on the work of Christopher Nolan and how the sound was approached differently in two of his movies (Inception and The Dark Knight Returns). Right now I'm doing a Master in Sound Design at the University of Edinburgh, where I've had the chance to approach "sound" from several points of view. In Edinburgh, I've started collaborating with an independent production company called Outer Limits Prod., both as a Sound Designer for some of their work (alongside Dee O'Leary) and as a Mixing/Online engineer. I've also gained experience in many fields other than the fixed media, such as video games, programming audio (Max MSP) and sound design for small devices (i.e. a smartwatch).…The musician career started relatively late, when I was 17 y.o., the same way it happened to many fellow bass players: I had to play bass in a band.
Since I just moved to Rome, I spent more time practicing the instrument than anything else. Apparently, the Eternal City did not strike me as much as Florence did. In fact, I moved back to Florence when I had the chance, and entered in a Viking Metal band called Wolfingar. We had a good success, making it to the newspapers a couple of times and winning the public vote during the Maggio Off, an event held by the illustrious Maggio Musicale Fiorentino. Unfortunately, after some disagreement with other group members, me and the keyboardist left the band. From there on I focused my musical work mainly on personal projects: Maelstrom, Northern Mass, Ferdinando Valsecchi are the ones I’ve already published online, however there are more, waiting for me to polish them and get them out. Other projects have seen myself working as a composer, mainly for fixed media and video games.
As a Sound Designer and Post-Production engineer I've started working fairly early on music related content. I've then focused on the sound and mixing for fixed media in my final undergraduate year at the University of Florence, writing 33000 words on the work of Christopher Nolan and how the sound was approached differently in two of his movies (Inception and The Dark Knight Returns). Right now I'm doing a Master in Sound Design at the University of Edinburgh, where I've had the chance to approach "sound" from several points of view. In Edinburgh, I've started collaborating with an independent production company called Outer Limits Prod., both as a Sound Designer for some of their work (alongside Dee O'Leary) and as a Mixing/Online engineer. I've also gained experience in many fields other than the fixed media, such as video games, programming audio (Max MSP) and sound design for small devices (i.e. a smartwatch).WWWW…
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