For this soundtrack, I mainly worked in the key of A major, exploring shades between A major and D Lydian. This choice wasn’t random — besides adding brightness and movement, I wanted to play with the acronym A-D-A-M (Major), integrating the idea of tonal duality into the project’s musical identity.
In terms of time signature, I chose 3/4, alternating phrases of three and five bars to maintain an organic pulse that matched the video’s rhythm, while avoiding the predictability of a typical 4/4 pattern.
I also carried out sound design using Kontakt instruments such as Ferrum, to bring a more cinematic character and physical texture to the sound. In several cases, I bounced MIDI tracks to audio to further edit and manipulate them with greater flexibility.
Additionally, I incorporated foley elements, recording everyday objects, drills, bottle caps, printers, among others, to bring more life and realism to the visuals.
Finally, I performed a simple yet precise mix, focusing on adjusting dynamics, cleaning frequencies, applying subtle saturation for character, and finishing with a master that balanced the spectrum and enhanced the overall energy of the track. advert…For this soundtrack, I mainly worked in the key of A major, exploring shades between A major and D Lydian. This choice wasn’t random — besides adding brightness and movement, I wanted to play with the acronym A-D-A-M (Major), integrating the idea of tonal duality into the project’s musical identity.
In terms of time signature, I chose 3/4, alternating phrases of three and five bars to maintain an organic pulse that matched the video’s rhythm, while avoiding the predictability of a typical 4/4 pattern.
I also carried out sound design using Kontakt instruments such as Ferrum, to bring a more cinematic character and physical texture to the sound. In several cases, I bounced MIDI tracks to audio to further edit and manipulate them with greater flexibility.
Additionally, I incorporated foley elements, recording everyday objects, drills, bottle caps, printers, among others, to bring more life and realism to the visuals.
Finally, I performed a simple yet precise mix, focusing on adjusting dynamics, cleaning frequencies, applying subtle saturation for character, and finishing with a master that balanced the spectrum and enhanced the overall energy of the track. advertWW…