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Dorico
Expert in: Dorico, Instrumental, Logic Pro
Award winning Conductor/composer with over 10 years of experience
Kent won multiple prizes as a orchestral conductor and composer.
In 2022 He started MoussaultArts-Music for media-music and has composed for film, games and corporate companies. He has scored multiple shortfilms and game soundtrack packs.
Kent Moussault (1993) studied composition at the Conservatory of Amsterdam with Willem Jeths, Joël Bons and Wim Henderickx. He studied orchestral conducting at the Royal Conservatoire of The Hague with Jac van Steen, René Gulikers and Kenneth Montgomery and his Master in conducting at the Royal Conservatoire of Scotland with Garry Walker, and Martyn Brabbins. Other mentors have included Otto Tausk, Mark Wigglesworth, Junichi Hirokami and Jan Stulen and Ulrich Windfuhr. He also
Kent’s musical life started at the age of two when he received his first cello from his parents - a modified viola. However his real love of music started when he started composing music, composing his first symphony when just seventeen years old, incidentally also the first piece he conducted.
He conducted several professional orchestras including The Hamburger Symphoniker (DE) the PHION-orchestra(NL), the Dutch Royal Military Band (KMKJWF), Royal Scottish National Orchestra(UK) Instituzione Sinfonica Abruzze (IT) BBCScottish Symphony Orchestra(UK) and the Noord Nederlands Orkest (NL).
He has also been the assistant to several conductors such as Otto Tausk, Jac van Steen and Martyn Brabbins at a variety of European orchestras.
Kent regularly works with contemporary composers and has conducted several world premieres with ensembles such as Catchpenny Ensemble, Red Note Ensemble and Hebrides Ensemble. Furthermore he was the conductor/artistic director of the European Medical Student Orchestra and Choir(EMSOC) 2018 and conductor/artistic director of the Siebold Project Orchestra.
Kent also worked as a conductor for opera companies such as the Dutch National Opera Academy, Music theatre Hollands Diep in Dordrecht and JKTyl Theatre Pilsen.
Kent has been selected by the School of Excellence Musik Akademie Basel for the Pasantia Basel post-master conducting course.
In 2016 he received a scholarship for the Wagner Festival in Bayreuth provided by the International Association of Richard Wagner Societies.
Kent received financial support from the Kersjesfonds and Prins Bernhard Culturfonds on several occasions during his study. He also received a Scolarship by the Royal Conservatoire of Scotland for his study.…Award winning Conductor/composer with over 10 years of experience
Kent won multiple prizes as a orchestral conductor and composer.
In 2022 He started MoussaultArts-Music for media-music and has composed for film, games and corporate companies. He has scored multiple shortfilms and game soundtrack packs.
Kent Moussault (1993) studied composition at the Conservatory of Amsterdam with Willem Jeths, Joël Bons and Wim Henderickx. He studied orchestral conducting at the Royal Conservatoire of The Hague with Jac van Steen, René Gulikers and Kenneth Montgomery and his Master in conducting at the Royal Conservatoire of Scotland with Garry Walker, and Martyn Brabbins. Other mentors have included Otto Tausk, Mark Wigglesworth, Junichi Hirokami and Jan Stulen and Ulrich Windfuhr. He also
Kent’s musical life started at the age of two when he received his first cello from his parents - a modified viola. However his real love of music started when he started composing music, composing his first symphony when just seventeen years old, incidentally also the first piece he conducted.
He conducted several professional orchestras including The Hamburger Symphoniker (DE) the PHION-orchestra(NL), the Dutch Royal Military Band (KMKJWF), Royal Scottish National Orchestra(UK) Instituzione Sinfonica Abruzze (IT) BBCScottish Symphony Orchestra(UK) and the Noord Nederlands Orkest (NL).
He has also been the assistant to several conductors such as Otto Tausk, Jac van Steen and Martyn Brabbins at a variety of European orchestras.
Kent regularly works with contemporary composers and has conducted several world premieres with ensembles such as Catchpenny Ensemble, Red Note Ensemble and Hebrides Ensemble. Furthermore he was the conductor/artistic director of the European Medical Student Orchestra and Choir(EMSOC) 2018 and conductor/artistic director of the Siebold Project Orchestra.
Kent also worked as a conductor for opera companies such as the Dutch National Opera Academy, Music theatre Hollands Diep in Dordrecht and JKTyl Theatre Pilsen.
Kent has been selected by the School of Excellence Musik Akademie Basel for the Pasantia Basel post-master conducting course.
In 2016 he received a scholarship for the Wagner Festival in Bayreuth provided by the International Association of Richard Wagner Societies.
Kent received financial support from the Kersjesfonds and Prins Bernhard Culturfonds on several occasions during his study. He also received a Scolarship by the Royal Conservatoire of Scotland for his study.WWWW…
More info Expert in: Audio, Dorico, Instrumental + 12 more
Timothy Juliano is a Los Angeles–based composer whose work spans feature documentary, television, interactive media, and production music. His early musical foundation was shaped by classic Motown recordings introduced to him by his grandfather, whose own passion for composition—and personal
correspondence with legendary songwriter Harry Warren—sparked Tim’s initial interest in scoring and storytelling through music.
Driven to deepen both his creative and technical skills, Tim attended the Berklee College of Music, where he studied Contemporary Writing & Production. While at Berklee, he developed a strong foundation in orchestration, composition, and studio recording, including composing for large ensemble, an experience that solidified his commitment to a career in film and media scoring. He
graduated Cum Laude and returned to California with a clear focus on working in visual media.
Since relocating to Los Angeles, Tim has contributed music to a wide range of professional projects, including feature-length documentaries, television series, virtual reality experiences, and national broadcast campaigns. His credits include work for Discovery+, Digital Domain, Sandia National
Laboratories, the U.S. Department of Defense, and the University of New Mexico, as well as ongoing composition for APM Music across multiple catalogs. His experience includes collaborating closely
with directors, editors, and producers, recording live musicians at major studios, and delivering music within broadcast and studio production pipelines.…Timothy Juliano is a Los Angeles–based composer whose work spans feature documentary, television, interactive media, and production music. His early musical foundation was shaped by classic Motown recordings introduced to him by his grandfather, whose own passion for composition—and personal
correspondence with legendary songwriter Harry Warren—sparked Tim’s initial interest in scoring and storytelling through music.
Driven to deepen both his creative and technical skills, Tim attended the Berklee College of Music, where he studied Contemporary Writing & Production. While at Berklee, he developed a strong foundation in orchestration, composition, and studio recording, including composing for large ensemble, an experience that solidified his commitment to a career in film and media scoring. He
graduated Cum Laude and returned to California with a clear focus on working in visual media.
Since relocating to Los Angeles, Tim has contributed music to a wide range of professional projects, including feature-length documentaries, television series, virtual reality experiences, and national broadcast campaigns. His credits include work for Discovery+, Digital Domain, Sandia National
Laboratories, the U.S. Department of Defense, and the University of New Mexico, as well as ongoing composition for APM Music across multiple catalogs. His experience includes collaborating closely
with directors, editors, and producers, recording live musicians at major studios, and delivering music within broadcast and studio production pipelines.WWWW…
More info Expert in: Composition, Digital Performer, Dorico + 3 more
I am Larry Tuttle. I compose music both for media and for the concert stage - I’m equally at home in both worlds. Over the years I have built up a small mountain of music writing for various production music libraries, writing in a wide variety of styles. I love music that is uplifting, joyous, exuberant and fun, and I love using my music to help tell a story on-screen.
My main background is in orchestra (I learned the orchestra the fun way, from inside the bass section). I can provide virtual orchestration, and strings are a specialty of mine, both in a full orchestral setting and in smaller settings.
I’m an expert in a couple of different notation softwares, which I use to do scores, lead sheets, orchestrations and charts of all kinds. I’m a thirty-year Finale user, but. these days I primarily use Dorico.…I am Larry Tuttle. I compose music both for media and for the concert stage - I’m equally at home in both worlds. Over the years I have built up a small mountain of music writing for various production music libraries, writing in a wide variety of styles. I love music that is uplifting, joyous, exuberant and fun, and I love using my music to help tell a story on-screen.
My main background is in orchestra (I learned the orchestra the fun way, from inside the bass section). I can provide virtual orchestration, and strings are a specialty of mine, both in a full orchestral setting and in smaller settings.
I’m an expert in a couple of different notation softwares, which I use to do scores, lead sheets, orchestrations and charts of all kinds. I’m a thirty-year Finale user, but. these days I primarily use Dorico.WWWW…
More info Expert in: Composition
I am a composer of music for film, as well as for individuals who require music for personal projects. Whether you have been a filmmaker for years or just starting out, or are a person who has a personal project that needs music, I believe you will find me to be easy to work with and dependable. I look forward to working with you.…I am a composer of music for film, as well as for individuals who require music for personal projects. Whether you have been a filmmaker for years or just starting out, or are a person who has a personal project that needs music, I believe you will find me to be easy to work with and dependable. I look forward to working with you.WWWW…
More info Expert in: Composition, Dorico, Finale + 10 more
Over a decade of professional experience as a composer, orchestrator and audio engineer with professional studies (Bachelor's, Master's, and Ph.D level) from top-ranked universities. Credits as composer include several PBS documentaries, feature-length independent films, dozens of stage works and an opera. I have extensive experience in several audio engineering roles, from recording to mixing and mastering. Expert in music preparation for live performers.…Over a decade of professional experience as a composer, orchestrator and audio engineer with professional studies (Bachelor's, Master's, and Ph.D level) from top-ranked universities. Credits as composer include several PBS documentaries, feature-length independent films, dozens of stage works and an opera. I have extensive experience in several audio engineering roles, from recording to mixing and mastering. Expert in music preparation for live performers.WWWW…
More info Expert in: Logic Pro, Pro Tools, Dorico + 8 more
Tianyue is a highly versatile film and media composer with a strong command of storytelling through music. Skilled in composing across a wide range of genres and formats, Tianyue creates emotionally driven, cinematic scores that enhance narrative, character, and visual impact.…Tianyue is a highly versatile film and media composer with a strong command of storytelling through music. Skilled in composing across a wide range of genres and formats, Tianyue creates emotionally driven, cinematic scores that enhance narrative, character, and visual impact.WWWW…
More info Expert in: Dorico, Finale, Music Theory + 3 more
Todd Skrabanek is a pianist, accompanist, and composer well known in the Atlanta area for his sight reading, technical command and sensitivity. He was found to have perfect pitch at age 8, and under the instruction of William Noll III won or placed in the Atlanta Music Club, Atlanta Steinway Society, Young Keyboard Artists Association, and National Federation of Music Clubs piano competitions while in high school. He graduated with honors from the University of the Arts in Philadelphia, studying under Susan Starr, having won the UArts Concerto Competition with Beethoven 2nd and the Upper Darby Piano Competition. He attained his Master’s from GSU under Cary Lewis, and while there performed Stravinsky Rite of Spring (for 2 pianos), Bartok Sonata for Two Pianos and Percussion, and Liszt Transcendental Etudes. He has been coached by John Perry, Robert Levin, Ian Hobsen, Misha Dichter, Leonard Shure, and Yehoved Kaplinsky, and jazz with Ted Howe.
In Atlanta he has accompanied or played for the Ritz-Carlton Atlanta, the Atlanta Opera, Choral Guild of Atlanta, Capitol City Opera, Dorsey Schools of the Performing Arts, the Choraliers of the Candler School of Theology, Meridian Herald, and Glenn Memorial United Methodist Church. As Director of Music at St. Patrick’s Episcopal he composed over 60Psalm Responses and a Passion Cantata. He served as staff accompanist at Agnes Scott and Reinhardt Colleges. In the 2000’s he accompanied the Atlanta Symphony Orchestra Chorus, performances including 8 critically acclaimed Carnegie Hall concerts and 3 collaborations with the Berlin Philharmonic. He also was pianist for the Alabama
Todd Skrabanek
Symphony Orchestra conducted by Justin Brown and a substitute pianist for the Atlanta Symphony Orchestra, playing under Robert Spano, Donald Runnicles, John Adams, Pinchas Zuckerman, Emanuel Krevine, Charles Dutoit, and Roberto Abbado. In 2011 He accompanied the Robert Shaw Choral Workshop in preparations of the Berlioz Requiem with the Orchestra of St. Luke’s in Carnegie Hall.
As a soloist he has performed Chopin Etudes Op. 10, Stravinsky Petrouchka, and Schumann Fantasy in C major among others (see repertoire list) and in 2012 gave the SE premiere of and recorded Andrew Rudin’s 12-tone Museum Pieces (see YouTube). In 2013-14 he composed church anthems on Psalms 23, 33, 51, 67, and 100. His Ruminations for viola de gamba and piano was recently selected as a winner in the Call For Scores by gambist Andrew Arceci. He likes yoga, reading and sports, and enjoys doing transcriptions of recordings into Finale, weddings, private functions, and custom recordings.…Todd Skrabanek is a pianist, accompanist, and composer well known in the Atlanta area for his sight reading, technical command and sensitivity. He was found to have perfect pitch at age 8, and under the instruction of William Noll III won or placed in the Atlanta Music Club, Atlanta Steinway Society, Young Keyboard Artists Association, and National Federation of Music Clubs piano competitions while in high school. He graduated with honors from the University of the Arts in Philadelphia, studying under Susan Starr, having won the UArts Concerto Competition with Beethoven 2nd and the Upper Darby Piano Competition. He attained his Master’s from GSU under Cary Lewis, and while there performed Stravinsky Rite of Spring (for 2 pianos), Bartok Sonata for Two Pianos and Percussion, and Liszt Transcendental Etudes. He has been coached by John Perry, Robert Levin, Ian Hobsen, Misha Dichter, Leonard Shure, and Yehoved Kaplinsky, and jazz with Ted Howe.
In Atlanta he has accompanied or played for the Ritz-Carlton Atlanta, the Atlanta Opera, Choral Guild of Atlanta, Capitol City Opera, Dorsey Schools of the Performing Arts, the Choraliers of the Candler School of Theology, Meridian Herald, and Glenn Memorial United Methodist Church. As Director of Music at St. Patrick’s Episcopal he composed over 60Psalm Responses and a Passion Cantata. He served as staff accompanist at Agnes Scott and Reinhardt Colleges. In the 2000’s he accompanied the Atlanta Symphony Orchestra Chorus, performances including 8 critically acclaimed Carnegie Hall concerts and 3 collaborations with the Berlin Philharmonic. He also was pianist for the Alabama
Todd Skrabanek
Symphony Orchestra conducted by Justin Brown and a substitute pianist for the Atlanta Symphony Orchestra, playing under Robert Spano, Donald Runnicles, John Adams, Pinchas Zuckerman, Emanuel Krevine, Charles Dutoit, and Roberto Abbado. In 2011 He accompanied the Robert Shaw Choral Workshop in preparations of the Berlioz Requiem with the Orchestra of St. Luke’s in Carnegie Hall.
As a soloist he has performed Chopin Etudes Op. 10, Stravinsky Petrouchka, and Schumann Fantasy in C major among others (see repertoire list) and in 2012 gave the SE premiere of and recorded Andrew Rudin’s 12-tone Museum Pieces (see YouTube). In 2013-14 he composed church anthems on Psalms 23, 33, 51, 67, and 100. His Ruminations for viola de gamba and piano was recently selected as a winner in the Call For Scores by gambist Andrew Arceci. He likes yoga, reading and sports, and enjoys doing transcriptions of recordings into Finale, weddings, private functions, and custom recordings.WWWW…
More info Expert in: Composition, Music Theory
I am a composer and sound artist. Specializing in electroacoustic music and music technology. My work is heavily focused on acousmatic and sound design. My music and art can be found under the pseudonym 'JaneIsNotAcoustic'. I aim to create immersive sound experiences that connect with audiences through innovative installations and compositions.…I am a composer and sound artist. Specializing in electroacoustic music and music technology. My work is heavily focused on acousmatic and sound design. My music and art can be found under the pseudonym 'JaneIsNotAcoustic'. I aim to create immersive sound experiences that connect with audiences through innovative installations and compositions.WWWW…
More info Expert in: Composition, Dorico, Soundtrack + 2 more
Alessandro D’Acconti is an Italian film composer whose work weaves emotional intensity with subtle playfulness. He collaborates with filmmakers to create scores that support the narrative while evoking wonder and reflection.
He has worked across a wide range of genres, from dramatic fiction to comedy and documentary. He recently completed the score for the indie film “Io quando esco da qua,” produced by the Centro Sperimentale di Cinematografia in Palermo and directed by Laura D’Angeli, and collaborated on the documentary “Los Cantos de la Flor de Coco,” directed by Paraguayan filmmaker Giuliano Franco Ochipinti.
Trained as a classical guitarist, he grew up captivated by the bold, expansive sounds of 1970s progressive rock, forging a musical voice that unites the directness of pop and rock with the timbral and harmonic richness of the European classical tradition. He holds a Master’s degree in Classical Guitar Performance and has expanded his expertise through advanced studies in music production, sound engineering, and film scoring.
He is passionate about scoring films where emotion and imagination merge in vivid, boundless worlds.…Alessandro D’Acconti is an Italian film composer whose work weaves emotional intensity with subtle playfulness. He collaborates with filmmakers to create scores that support the narrative while evoking wonder and reflection.
He has worked across a wide range of genres, from dramatic fiction to comedy and documentary. He recently completed the score for the indie film “Io quando esco da qua,” produced by the Centro Sperimentale di Cinematografia in Palermo and directed by Laura D’Angeli, and collaborated on the documentary “Los Cantos de la Flor de Coco,” directed by Paraguayan filmmaker Giuliano Franco Ochipinti.
Trained as a classical guitarist, he grew up captivated by the bold, expansive sounds of 1970s progressive rock, forging a musical voice that unites the directness of pop and rock with the timbral and harmonic richness of the European classical tradition. He holds a Master’s degree in Classical Guitar Performance and has expanded his expertise through advanced studies in music production, sound engineering, and film scoring.
He is passionate about scoring films where emotion and imagination merge in vivid, boundless worlds.WWWW…
More info Expert in: DaVinci Resolve Studio, Ableton Live, Final Cut Pro X + 8 more
Hi, I’m Han Yu, a film and media scoring composer trained at Berklee College of Music and the USC Master of Screen Scoring program. I create music for film, animation, and games, blending traditional orchestration with contemporary sound design. My projects range from competition scores to graduation game soundtracks, with performances and collaborations at institutions like SVA, Sorbonne University, Emerson College, and various film festivals.
I enjoy collaborating with performers and directors to tell stories through sound, refining my craft through master classes and specialized programs, and expanding my toolkit with advanced music editing and modern scoring tech. I’m currently pursuing a Master of Screen Scoring at USC (2025–2026) with a Warren Prize scholarship and continue exploring harmony, orchestration, and innovative sound textures to elevate every project.…Hi, I’m Han Yu, a film and media scoring composer trained at Berklee College of Music and the USC Master of Screen Scoring program. I create music for film, animation, and games, blending traditional orchestration with contemporary sound design. My projects range from competition scores to graduation game soundtracks, with performances and collaborations at institutions like SVA, Sorbonne University, Emerson College, and various film festivals.
I enjoy collaborating with performers and directors to tell stories through sound, refining my craft through master classes and specialized programs, and expanding my toolkit with advanced music editing and modern scoring tech. I’m currently pursuing a Master of Screen Scoring at USC (2025–2026) with a Warren Prize scholarship and continue exploring harmony, orchestration, and innovative sound textures to elevate every project.WWWW…
More info Expert in: Steinberg Cubase
I am a composer who specializes in putting narrative to music. I have done a few short films and have some experience working with games.…I am a composer who specializes in putting narrative to music. I have done a few short films and have some experience working with games.WWWW…
More info Expert in: Composition, Logic Pro, Soundtrack + 11 more
No BioMore info
Expert in: Dorico, Finale, Izotope Ozone + 9 more
I am a multidisciplinary music producer, composer and sound technician/designer with experience creating music and sound for audiovisual projects, live performances and interactive media. I have a solid background in recording, mixing and mastering, as well as on-set music management and studio production. I enjoy collaborating with creative teams to deliver immersive soundtracks and sound design that supports the story and visuals.
I also teach piano and mentor students in music production, often coordinating with management teams to deliver high-quality productions. I thrive in collaborative environments, coordinating live events, sessions, and post-production workflows to ensure client satisfaction and artistic excellence.…I am a multidisciplinary music producer, composer and sound technician/designer with experience creating music and sound for audiovisual projects, live performances and interactive media. I have a solid background in recording, mixing and mastering, as well as on-set music management and studio production. I enjoy collaborating with creative teams to deliver immersive soundtracks and sound design that supports the story and visuals.
I also teach piano and mentor students in music production, often coordinating with management teams to deliver high-quality productions. I thrive in collaborative environments, coordinating live events, sessions, and post-production workflows to ensure client satisfaction and artistic excellence.WWWW…
More info Expert in: Finale, MuseScore, Sibelius + 12 more
Award winning music industry veteran, specializing in Indie Game music composition.
Alyssa has been writing, producing, and composing for mixed media for over ten years. She has overseen large stage works such as concerts at the House of Blues as well as worked alongside companies to create original music for their projects. A true lover of the arts, Alyssa studied at the Berklee College of Music where she obtained two degrees in Video Game Scoring and in Composition, along with a Conducting Minor. She has studied compositional theory, orchestration, and history along with Video game and Film psychology and analysis. A dedicated talent that strives for greatness and enjoyment in every piece of music she writes.
“There is no greater joy than to achieve complete synergy between a work and a score." - Alyssa…Award winning music industry veteran, specializing in Indie Game music composition.
Alyssa has been writing, producing, and composing for mixed media for over ten years. She has overseen large stage works such as concerts at the House of Blues as well as worked alongside companies to create original music for their projects. A true lover of the arts, Alyssa studied at the Berklee College of Music where she obtained two degrees in Video Game Scoring and in Composition, along with a Conducting Minor. She has studied compositional theory, orchestration, and history along with Video game and Film psychology and analysis. A dedicated talent that strives for greatness and enjoyment in every piece of music she writes.
“There is no greater joy than to achieve complete synergy between a work and a score." - AlyssaWWWW…
More info Expert in: Ableton Live, Composition, Dorico + 3 more
I’m Guido Vignati, a composer from Bologna. My passion started with electronic music and then continued backwards until classical music. I love stories and my mission is to tell them with my music, which is why I specialized myself in composition for movies and games. The key for me is communication, especially with project leads, because it helps me understand an artist's vision and establish a contact with someone who often has a different artistic background from mine, but may share a common goal.
I thrive on collaborating across disciplines, translating narrative and mood into musical language, and delivering scores that support the storytelling. I enjoy the process of shaping soundscapes for film and game worlds and am passionate about virtual orchestration and modern scoring techniques.…I’m Guido Vignati, a composer from Bologna. My passion started with electronic music and then continued backwards until classical music. I love stories and my mission is to tell them with my music, which is why I specialized myself in composition for movies and games. The key for me is communication, especially with project leads, because it helps me understand an artist's vision and establish a contact with someone who often has a different artistic background from mine, but may share a common goal.
I thrive on collaborating across disciplines, translating narrative and mood into musical language, and delivering scores that support the storytelling. I enjoy the process of shaping soundscapes for film and game worlds and am passionate about virtual orchestration and modern scoring techniques.WWWW…
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