What's up? My name is Connor and I am a 3D Artist in Plano, Texas. I love sculpting in Zbrush and painting textures in Substance Painter. I am a Metal head, an avid horror enjoyer, and surreal art.…What's up? My name is Connor and I am a 3D Artist in Plano, Texas. I love sculpting in Zbrush and painting textures in Substance Painter. I am a Metal head, an avid horror enjoyer, and surreal art.WWW…
What's up? My name is Connor and I am a 3D Artist in Plano, Texas. I love sculpting in Zbrush and painting textures in Substance Painter. I am a Metal head, an avid horror enjoyer, and surreal art.…What's up? My name is Connor and I am a 3D Artist in Plano, Texas. I love sculpting in Zbrush and painting textures in Substance Painter. I am a Metal head, an avid horror enjoyer, and surreal art.WWWW…
Available to hire
$200 per day ($25 per hour)
What’s up? My name is Connor and I am a 3D Artist in Plano, Texas. I love sculpting in Zbrush and painting textures in Substance Painter.
I am a Metal head, an avid horror enjoyer, and surreal art.
Skills
See more
Experience Level
ZBrush
Expert
Substance Painter
Expert
3D Model
Expert
Autodesk Maya
Expert
Adobe Photoshop
Intermediate
Unreal Engine 4
Intermediate
Blender
Intermediate
Language
English
Fluent
Qualifications
Anatomy for Production Certificate
January 20, 2023 - March 31, 202310 week CGMA course
Industry Experience
Gaming
Fire Hydrant and Sidewalk
This piece of work is used to show some of my texturing skills. I really wanted to try and create an interesting scene that just shows a small story but I also thought it would be fun to draw with chalk.…This piece of work is used to show some of my texturing skills. I really wanted to try and create an interesting scene that just shows a small story but I also thought it would be fun to draw with chalk.WW…
Assassin's Creed Valhalla Shield
The concept for this shield was made by Pierre Raveneau. You can find him on art station:
Pierre Raveneau
Senior concept artist @ Ubisoft : AC:Valhalla
I blocked out the shape of the shield and size in 3DSMax. Then I took that into ZBrush and sculpted out the details for baking in SubstancePainter. The texturing was pretty fun to mess around with and didn't take too long. The render was taken in UE4.…The concept for this shield was made by Pierre Raveneau. You can find him on art station:
Pierre Raveneau
Senior concept artist @ Ubisoft : AC:Valhalla
I blocked out the shape of the shield and size in 3DSMax. Then I took that into ZBrush and sculpted out the details for baking in SubstancePainter. The texturing was pretty fun to mess around with and didn't take too long. The render was taken in UE4.WW…
Sci-Fi Gun
I wanted to practice more hard-surface and weapon modeling for this project. I searched around for some different concepts to see what caught my eye and settled on a Railgun concept by https://www.twine.net/signin that they made for https://www.twine.net/signin . I think I had the most fun making the scope for the gun. I think it is pretty fun to make weapon attachments.
I stuck with only using 3DS Max for this piece. I did not feel that I needed to do any sculpting for the details in this case. I must say that modeling guns is certainly a new thing for me and its pretty tricky to model some of these bigger weirdly shaped areas like the body of the gun for instance. I tried my hand at some boolean modeling on this project but I was only able to make limited use of it since I am not super familiar with the process. I tried to be a bit more efficient with my UVs this time around by stacking a lot of the duplicated pieces. It does help with allocating space but I guess at the trade off of less texture variation in some areas. I felt worried at first when I started texturing on if there would be enough resolution for all the parts with only two sets of UVs. After a bit of elbow grease and hours staring at the screen I think I remedied that worry a little bit. I still feel like it could use a bit more resolution in some places but I believe it came out pretty well.
I limited myself to two sets of UV's for texturing.
Modeled in 3DSMax.
Textures at 2048.
Rendered in UE4.
Painted in SubstancePainter
UnrealEngine
Scifi Gun…I wanted to practice more hard-surface and weapon modeling for this project. I searched around for some different concepts to see what caught my eye and settled on a Railgun concept by https://www.twine.net/signin that they made for https://www.twine.net/signin . I think I had the most fun making the scope for the gun. I think it is pretty fun to make weapon attachments.
I stuck with only using 3DS Max for this piece. I did not feel that I needed to do any sculpting for the details in this case. I must say that modeling guns is certainly a new thing for me and its pretty tricky to model some of these bigger weirdly shaped areas like the body of the gun for instance. I tried my hand at some boolean modeling on this project but I was only able to make limited use of it since I am not super familiar with the process. I tried to be a bit more efficient with my UVs this time around by stacking a lot of the duplicated pieces. It does help with allocating space but I guess at the trade off of less texture variation in some areas. I felt worried at first when I started texturing on if there would be enough resolution for all the parts with only two sets of UVs. After a bit of elbow grease and hours staring at the screen I think I remedied that worry a little bit. I still feel like it could use a bit more resolution in some places but I believe it came out pretty well.
I limited myself to two sets of UV's for texturing.
Modeled in 3DSMax.
Textures at 2048.
Rendered in UE4.
Painted in SubstancePainter
UnrealEngine
Scifi GunWW…
Casket Mimic
Casket Mimic
Casket Mimic
I wanted to try my hand at something a bit more organic in its nature so I decided to create a mimic. Most mimics you see on the internet are typically treasure chests since that tends to be the popular trope, but I wanted to branch out and do something a little different to have it stand out a little bit from the rest. My design is based off of a casket instead. The concept/design is all something that I came up with and developed over the length of the project, starting with an initial rough photobash of what I had in mind.
These screenshots feature the Mimic in 3 different angles, rendered in UE4, painted in Substance, and using two 2048 texture sheets for the materials. I started by modeling the casket in Max and then blocking out some of the other pieces to fit into it. Once I had a rough idea of the silhouette in a 3D space I take it to Zbrush to sculpt and combine pieces that I feel need to be meshed together. Once I have the hi poly from the sculpt or multi SubD levels I will make duplicates and then reduce the poly count for my pieces. A lot of the organic pieces can be tricky to reduce with out loosing too much of their detail and shape while still maintaining a decent topology. This is where I probably struggled the most, but I messed with it until I found something that I could work with. I also did some of my unwrapping with UV Master in ZBrush for mostly the organic bits since it can UV general areas pretty quickly. I took the model and UV's back into max so I could finish UVing the rest and make some minor adjustments where needed. Max was also where I used the Bend modifier to give the mimic its warped/jumpy look.
Once I had all of that figured out I took it into Substance painter. The texturing process was pretty fun this time around because I got to try some new things. I also stumbled upon some cool designs by accident when I was messing around with a few of my layers. I was limiting myself to two texture sheets to see how far I could push the realism while still not having it be too expensive. When I started the texturing I was thinking "oh man, I am not really feeling this. This isn't how I want this to look." but after a few hours of focusing the design started to really come together. I can say I am really happy with how it turned out!
3dsmax Zbrush Photoshop unrealengine SubstancePainter…I wanted to try my hand at something a bit more organic in its nature so I decided to create a mimic. Most mimics you see on the internet are typically treasure chests since that tends to be the popular trope, but I wanted to branch out and do something a little different to have it stand out a little bit from the rest. My design is based off of a casket instead. The concept/design is all something that I came up with and developed over the length of the project, starting with an initial rough photobash of what I had in mind.
These screenshots feature the Mimic in 3 different angles, rendered in UE4, painted in Substance, and using two 2048 texture sheets for the materials. I started by modeling the casket in Max and then blocking out some of the other pieces to fit into it. Once I had a rough idea of the silhouette in a 3D space I take it to Zbrush to sculpt and combine pieces that I feel need to be meshed together. Once I have the hi poly from the sculpt or multi SubD levels I will make duplicates and then reduce the poly count for my pieces. A lot of the organic pieces can be tricky to reduce with out loosing too much of their detail and shape while still maintaining a decent topology. This is where I probably struggled the most, but I messed with it until I found something that I could work with. I also did some of my unwrapping with UV Master in ZBrush for mostly the organic bits since it can UV general areas pretty quickly. I took the model and UV's back into max so I could finish UVing the rest and make some minor adjustments where needed. Max was also where I used the Bend modifier to give the mimic its warped/jumpy look.
Once I had all of that figured out I took it into Substance painter. The texturing process was pretty fun this time around because I got to try some new things. I also stumbled upon some cool designs by accident when I was messing around with a few of my layers. I was limiting myself to two texture sheets to see how far I could push the realism while still not having it be too expensive. When I started the texturing I was thinking "oh man, I am not really feeling this. This isn't how I want this to look." but after a few hours of focusing the design started to really come together. I can say I am really happy with how it turned out!
3dsmax Zbrush Photoshop unrealengine SubstancePainterWW…
Hire a 3D Visualizer
We have the best 3d visualizer experts on Twine. Hire a 3d visualizer in Dallas today.