Judd Dylan Video Editor,Composer/Sound Designer/Musician/Sound Engineer/Producer. I play; Piano, Synthesizers Bass Guitar Classical & Electric Guitars I specialise in Electronic, Blues & Rock but also involved in Ambient, Classical, Jazz & Musique Concrete (experimental) _Website not available. Sign in: https://www.twine.net/signup_ I have been involved in creating music since I was 16 (1983) using Guitars, Anologue /Digital Synthesisers, Drum Machines & Sequencers to present & over 20 years experience with Propellerhead Reason Studio Software (D.A.W) Digital Audio Workstation. I understand Music Theory & have studied World Music History. I have lived all over the world since a child on all continents & have a natural curiosity into all Music whatever it may be.... Searching for the Knowledge. I love Classical Music, its the Zenith and have written Orchestral Arrangement mixed with Synthesisers. And have a reasonable knowledge of all the components of the Orchestra. But I also feel quite confortable with Synthesisers & Drum Machines. As the Sonic Landscape is so vast. An Orchestra has it's Sounds. Structure/Scales/Octaves. A Piano always sounds like a Piano, as a French Horn or a Cello, etc, etc, etc..... only the arrangement changes. The Sonic Landscape is vast but also comes with it's limitations. Synthesisers own the Sonic Landscape. Sample any Sound & enter it into a Grain Synthesiser & search for the frequencies between the notes, play it backwards & throw in an FX Rack & you enter a rabbit hole. Infinite possibility from white noise. Mix the Orchestra with a Synthesiser/Effects Rack & the only limitation is your imagination. Fortunately is not my deficit. I have a Diploma in Studio Sound Engineering at the Canberra Institute of Technology in Australia (2020) I have a keen interest in Cinema (Sound Design, Sound Scaping) with heros such as; Hans Zimmer, Ennio Morricone, Brian Eno, Ben Burt, Jean Michel Jarre.  I take Dialogue from Cinema & create original content music to it.  I make all genres of music with the Dialogue and also incorporate Sound Effects from Nature to Society depending on the theme.  check out some of my tracks on SoundCloud _Website not available. Sign in: https://www.twine.net/signup_ I hope to hear from you soon Regards Judd Dylan

Judd Dylan

Judd Dylan Video Editor,Composer/Sound Designer/Musician/Sound Engineer/Producer. I play; Piano, Synthesizers Bass Guitar Classical & Electric Guitars I specialise in Electronic, Blues & Rock but also involved in Ambient, Classical, Jazz & Musique Concrete (experimental) _Website not available. Sign in: https://www.twine.net/signup_ I have been involved in creating music since I was 16 (1983) using Guitars, Anologue /Digital Synthesisers, Drum Machines & Sequencers to present & over 20 years experience with Propellerhead Reason Studio Software (D.A.W) Digital Audio Workstation. I understand Music Theory & have studied World Music History. I have lived all over the world since a child on all continents & have a natural curiosity into all Music whatever it may be.... Searching for the Knowledge. I love Classical Music, its the Zenith and have written Orchestral Arrangement mixed with Synthesisers. And have a reasonable knowledge of all the components of the Orchestra. But I also feel quite confortable with Synthesisers & Drum Machines. As the Sonic Landscape is so vast. An Orchestra has it's Sounds. Structure/Scales/Octaves. A Piano always sounds like a Piano, as a French Horn or a Cello, etc, etc, etc..... only the arrangement changes. The Sonic Landscape is vast but also comes with it's limitations. Synthesisers own the Sonic Landscape. Sample any Sound & enter it into a Grain Synthesiser & search for the frequencies between the notes, play it backwards & throw in an FX Rack & you enter a rabbit hole. Infinite possibility from white noise. Mix the Orchestra with a Synthesiser/Effects Rack & the only limitation is your imagination. Fortunately is not my deficit. I have a Diploma in Studio Sound Engineering at the Canberra Institute of Technology in Australia (2020) I have a keen interest in Cinema (Sound Design, Sound Scaping) with heros such as; Hans Zimmer, Ennio Morricone, Brian Eno, Ben Burt, Jean Michel Jarre.  I take Dialogue from Cinema & create original content music to it.  I make all genres of music with the Dialogue and also incorporate Sound Effects from Nature to Society depending on the theme.  check out some of my tracks on SoundCloud _Website not available. Sign in: https://www.twine.net/signup_ I hope to hear from you soon Regards Judd Dylan

Available to hire
credit-card $100 per day ($12.5 per hour)

Judd Dylan
Video Editor,Composer/Sound Designer/Musician/Sound Engineer/Producer.

I play;
Piano,
Synthesizers
Bass Guitar
Classical & Electric Guitars

I specialise in Electronic,
Blues & Rock
but also involved in
Ambient, Classical, Jazz

& Musique Concrete (experimental)

Website not available. Sign in: https://www.twine.net/signup

I have been involved in creating music since I was 16 (1983) using Guitars, Anologue /Digital Synthesisers, Drum Machines & Sequencers to present & over 20 years experience with Propellerhead Reason Studio Software (D.A.W) Digital Audio Workstation.

I understand Music Theory
& have studied World Music History.

I have lived all over the world since a child on all continents & have a natural curiosity into all Music whatever it may be…

Searching for the Knowledge.

I love Classical Music,
its the Zenith and have written Orchestral Arrangement mixed with Synthesisers.

And have a reasonable knowledge of all the components of the Orchestra.

But I also feel quite confortable with Synthesisers &
Drum Machines.

As the Sonic Landscape is so vast.

An Orchestra has it’s Sounds.
Structure/Scales/Octaves.

A Piano always sounds like a Piano, as a French Horn or a Cello, etc, etc, etc…

only the arrangement changes.

The Sonic Landscape is vast but also comes with it’s limitations.

Synthesisers own the Sonic Landscape.

Sample any Sound & enter it into a Grain Synthesiser & search for the frequencies between the notes, play it backwards & throw in an FX Rack & you enter a rabbit hole.

Infinite possibility from white noise.

Mix the Orchestra with a Synthesiser/Effects Rack & the only limitation is your imagination.

Fortunately is not my deficit.

I have a Diploma in Studio Sound Engineering at the Canberra Institute of Technology in Australia (2020)

I have a keen interest in Cinema (Sound Design, Sound Scaping)
with heros such as;

Hans Zimmer,
Ennio Morricone,
Brian Eno,
Ben Burt,
Jean Michel Jarre.

I take Dialogue from Cinema & create original content music to it.

I make all genres of music with the Dialogue and also incorporate Sound Effects from Nature to Society depending on the theme.

check out some of my tracks on SoundCloud

Website not available. Sign in: https://www.twine.net/signup

I hope to hear from you soon

Regards Judd Dylan

See more

Skills

So
Soundtrack

Experience Level

Soundtrack
Expert

Language

English
Fluent
Spanish; Castilian
Fluent

Education

Sound Engineer at Canberra Institute of Technology
February 4, 2020 - December 11, 2020

Qualifications

Reason Studio
January 1, 2001 - March 23, 2023
Adobe Premium Pro Certificate
March 1, 2016 - March 1, 2017
I can do Sound & Vision

Industry Experience

Media & Entertainment