VIVIANA RAMOS (1988/Cuba), is a composer, sound artist and art curator. She graduated from the “José White” Conservatory in Camagüey and later graduated from theUniversity of the Arts of Cuba (ISA), Havana, Cuba. She is the general director, curator and organizer of the "HavanaModerno" project. She is an essayist and creator of the HavanaModerno Blog. She collaborates with the National Laboratory of Electroacoustic Music (LNME). Musical director and voice and singing teacher at the “La Chinche” Theater Studio. She worked at the Higher Institute of Art (ISA) as a professor of the "Sound Workshop" in the New Media Laboratory of the ISA School of Visual Arts. She has been part of different exhibitions such as "What is cooking?" (ISA, 2011), “135 Acktion” (Participation in the performance carried out by the Austrian artist Hermann Nitsch at the ISA, during the 11th Havana Biennial, 2012), “Zone” (collateral collective exhibition to the 11th Havana Biennial, 2012), ̈Trans-late ̈ (Collective exhibition. Norwegian Culture Week in Cuba, 2012), “Pan y Circo” (Collective Exhibition, ISA, 2014), “With Contact Lenses” (Collective Exhibition. ISA. 12th Havana Biennial, 2015), “Anima. Preamble I” (Collective Exhibition, Ibsen Spaces. Artistic Creation Residence, 2015),“ District, a subjective territorial demarcation ”(Collective Exhibition, 2016),“ Blind Spot ”, (Collective Exhibition, ISA, 2016),“ Voces del Ser. Preludio y Postludio ”(Galleria Taller Gorría, 2018),“ La Última Ópera China ”(Galleria Continua, 2018),“ Listening to thought ”(Sound art project during the XIII Havana Biennial where important invited artists such as Renata Roman (Brazil), Félix Blume (France), Peter Ablinger (Austria), Javier Bustos (Argentina), Sebastián Verea (Argentina), Florencia Curci (Argentina), Lera Auerbach (Russia), 2019), among others. She is one of the most active artists in the field of sound installations on the island and its promotion and at the same time carries out a very interesting investigation on the current role of sound and musical production as well as its architects and staging. She is currently investigating the immense possibilities of sound as a catalyst for content in contemporary times and the vulnerability of listening to manipulation and media distortion.…VIVIANA RAMOS (1988/Cuba), is a composer, sound artist and art curator. She graduated from the “José White” Conservatory in Camagüey and later graduated from theUniversity of the Arts of Cuba (ISA), Havana, Cuba. She is the general director, curator and organizer of the "HavanaModerno" project. She is an essayist and creator of the HavanaModerno Blog. She collaborates with the National Laboratory of Electroacoustic Music (LNME). Musical director and voice and singing teacher at the “La Chinche” Theater Studio. She worked at the Higher Institute of Art (ISA) as a professor of the "Sound Workshop" in the New Media Laboratory of the ISA School of Visual Arts. She has been part of different exhibitions such as "What is cooking?" (ISA, 2011), “135 Acktion” (Participation in the performance carried out by the Austrian artist Hermann Nitsch at the ISA, during the 11th Havana Biennial, 2012), “Zone” (collateral collective exhibition to the 11th Havana Biennial, 2012), ̈Trans-late ̈ (Collective exhibition. Norwegian Culture Week in Cuba, 2012), “Pan y Circo” (Collective Exhibition, ISA, 2014), “With Contact Lenses” (Collective Exhibition. ISA. 12th Havana Biennial, 2015), “Anima. Preamble I” (Collective Exhibition, Ibsen Spaces. Artistic Creation Residence, 2015),“ District, a subjective territorial demarcation ”(Collective Exhibition, 2016),“ Blind Spot ”, (Collective Exhibition, ISA, 2016),“ Voces del Ser. Preludio y Postludio ”(Galleria Taller Gorría, 2018),“ La Última Ópera China ”(Galleria Continua, 2018),“ Listening to thought ”(Sound art project during the XIII Havana Biennial where important invited artists such as Renata Roman (Brazil), Félix Blume (France), Peter Ablinger (Austria), Javier Bustos (Argentina), Sebastián Verea (Argentina), Florencia Curci (Argentina), Lera Auerbach (Russia), 2019), among others. She is one of the most active artists in the field of sound installations on the island and its promotion and at the same time carries out a very interesting investigation on the current role of sound and musical production as well as its architects and staging. She is currently investigating the immense possibilities of sound as a catalyst for content in contemporary times and the vulnerability of listening to manipulation and media distortion.WWWW…