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Portfolio Link: _Website not available. Sign in: https://www.twine.net/signup_ I’m Arthur Sveshn‍ikov, an editor and colorist who has been producing in post since 2003, originally as the camera operator for my own projects across Ukraine, Dubai, and Europe. Over the years I learned that the hardest part isn’t getting a beautiful shot—it’s making it releasable on a big screen, where skin, texture, and micro-expression have to hold up. Today, I run everything in-house through 23 Production: edit, color in DaVinci Resolve, VFX, sound, and a hybrid AI pipeline where generated footage can sit beside live action without showing the seams. I’m a one-person workflow from concept to master—so if you have footage and a deadline, I can take it through to the final delivery.…Portfolio Link: _Website not available. Sign in: https://www.twine.net/signup_ I’m Arthur Sveshn‍ikov, an editor and colorist who has been producing in post since 2003, originally as the camera operator for my own projects across Ukraine, Dubai, and Europe. Over the years I learned that the hardest part isn’t getting a beautiful shot—it’s making it releasable on a big screen, where skin, texture, and micro-expression have to hold up. Today, I run everything in-house through 23 Production: edit, color in DaVinci Resolve, VFX, sound, and a hybrid AI pipeline where generated footage can sit beside live action without showing the seams. I’m a one-person workflow from concept to master—so if you have footage and a deadline, I can take it through to the final delivery.

ARTHUR SVESHNIKOV

Video Editor, Director of Photography, Camera Operator, +1

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Portfolio Link: _Website not available. Sign in: https://www.twine.net/signup_ I’m Arthur Sveshn‍ikov, an editor and colorist who has been producing in post since 2003, originally as the camera operator for my own projects across Ukraine, Dubai, and Europe. Over the years I learned that the hardest part isn’t getting a beautiful shot—it’s making it releasable on a big screen, where skin, texture, and micro-expression have to hold up. Today, I run everything in-house through 23 Production: edit, color in DaVinci Resolve, VFX, sound, and a hybrid AI pipeline where generated footage can sit beside live action without showing the seams. I’m a one-person workflow from concept to master—so if you have footage and a deadline, I can take it through to the final delivery.…Portfolio Link: _Website not available. Sign in: https://www.twine.net/signup_ I’m Arthur Sveshn‍ikov, an editor and colorist who has been producing in post since 2003, originally as the camera operator for my own projects across Ukraine, Dubai, and Europe. Over the years I learned that the hardest part isn’t getting a beautiful shot—it’s making it releasable on a big screen, where skin, texture, and micro-expression have to hold up. Today, I run everything in-house through 23 Production: edit, color in DaVinci Resolve, VFX, sound, and a hybrid AI pipeline where generated footage can sit beside live action without showing the seams. I’m a one-person workflow from concept to master—so if you have footage and a deadline, I can take it through to the final delivery.

Available to hire

France

Portfolio Link:

Website not available. Sign in: https://www.twine.net/signup

I’m Arthur Sveshn‍ikov, an editor and colorist who has been producing in post since 2003, originally as the camera operator for my own projects across Ukraine, Dubai, and Europe. Over the years I learned that the hardest part isn’t getting a beautiful shot—it’s making it releasable on a big screen, where skin, texture, and micro-expression have to hold up.

Today, I run everything in-house through 23 Production: edit, color in DaVinci Resolve, VFX, sound, and a hybrid AI pipeline where generated footage can sit beside live action without showing the seams. I’m a one-person workflow from concept to master—so if you have footage and a deadline, I can take it through to the final delivery.

Skills

DaVinci Resolve Studio

Experience Level

DaVinci Resolve Studio

Expert

Expert

Expert

Expert

Intermediate

Work Experience

Editor & Colorist / Director of Photography (in the role of post + camera operations) at 23 Production Canada Inc. (Beauty of Poverty)

January 1, 2024 - May 31, 2025

Edited and operated camera on the feature "Beauty of Poverty" (Cannes 2025 premiere), distributed on Apple TV and Prime Video. Worked in a tight workflow with direct creative control over the material, maintaining continuity between production capture and post finishing.

Founder, Lead Editor & Colorist at 23 Production Canada Inc.

January 1, 2023 - Present

Lead editor and colorist overseeing end-to-end post-production and finishing for features, commercials, and brand content, including editing, color grading and look development in DaVinci Resolve, VFX/compositing, sound, and an in-house AI hybrid pipeline for generated footage. Provides frame-by-frame beauty retouching to preserve skin texture and micro-expression (surface tracking/painting) so footage remains readable on large screens. Owns shot-to-master workflow with no handoffs, ensuring consistent creative and technical control from timeline to final output.

Personal brand/content retainer (car video production) at Buy Car Service (car dealer client in Edmonton)

January 1, 2022 - December 31, 2022

Provided a four-month retainer producing about ten vertical videos per month. Delivered production and post-ready outputs that helped the client become the city’s recognized car expert; subsequently the client left the dealership to launch an independent car-buying advocate (buycarservice.ca).

Video / Commercial Producer (camera + edit) at Engel & Völkers (Nuvola Capitanio campaigns)

January 1, 2021 - January 1, 2023

Produced property and branding campaigns for an agent across London, Paris, Venice, and Mallorca. Responsible for filming/cutting brand content to deliver marketing deliverables for international use.

Director of Photography at VERSION9

January 1, 2019 - December 31, 2022

Shot music videos for Mohammed Al Barawui, DB Gad, and Eyad Tannous (tens of millions of streaming views across the artists). Shot the "Cartier De Pasha" commercial across Dubai and covered Capital Club Dubai for event and image films. Led international crews using ARRI Alexa, RED, Phantom Flex, and Panavision.

Director of Photography & Editor (camp films and commercials) at Muscle Intelligence / GrowRev / CFS Recovery Program

January 1, 2019 - January 1, 2023

Shot and cut camp films for Ben Pakulski’s "Muscle Intelligence" (Costa Rica and Spain) and produced commercials for GrowRev and the "CFS Recovery Program" (Germany and Belgium). Delivered streaming-ready marketing/editorial content using a production approach aligned with post finishing quality.

Director of Photography & Editor at Freelance

January 1, 2017 - December 31, 2019

Produced 130+ promotional films for Renty.ae. During the platform’s early stage (when there was no fleet), personally sourced and filmed the cars to enable the launch of the catalogue. Also served as camera and editor for the short drama "Not Now" (dir. Andrew Liulko), earning 23 festival awards and 40 laurels.

Director & Director of Photography at Imagine Production

January 1, 2004 - December 31, 2017

Directed and shot music videos for major Ukrainian artists (e.g., Tina Karol, Vitaliy Kozlovskiy, Kishe, Sergei Pritula), with millions of views and national rotation. Won the National University of Pharmacy tender by writing the anthem, directing it, and producing campaign films for international student recruitment. Covered every aspect on a small crew across script, camera, edit, grade, and sound.