With over 12 years in the animation industry, I’ve led teams on high-profile productions - including The Glassworker, Pakistan’s first Oscar-submitted animated feature, and managing LunaCanvas Studio’s work on Avatar: Seven Havens. My expertise spans from traditional hand-drawn animation to modern, technology-driven pipelines, allowing me to adapt seamlessly across styles and formats while keeping productions efficient and creatively uncompromising.
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Luna is the result of bringing together a talented team and building a collaborative pipeline from the ground up. I led the project, combining traditional animation with smart digital techniques to create a hand crafted look in record time. The short stands as both a showcase of our craft and a testament to what can be achieved with the right team and approach.
Brought on as the first hire, I designed the entire animation pipeline from the ground up, shaped the film’s visual identity, and led the compositing effort across nearly 1,200 shots - directly building and managing the department that delivered the final look of the film.
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