I am an editor with over 20 years’ experience delivering compelling, polished content for some of the world’s biggest broadcasters and platforms, including BBC, Netflix, Discovery, ITV, Channel 4 and Channel 5. My work spans high-end documentaries, prime-time entertainment, trailers, promos, sizzle reels, and social edits — always with a focus on rhythm, emotion, and storytelling. Whether working alongside a director or taking the lead on a solo project, I bring creative ideas, strong editorial judgement, and a proven ability to shape narratives from vast amounts of footage. I’m equally comfortable cutting long-form factual programmes or high-energy short-form pieces, tailoring the pace, tone, and structure to the audience and brief. Fluent in Avid, DaVinci Resolve and Adobe Premiere Pro, I combine technical skill with a collaborative approach, and have a track record of delivering to the highest standard under tight deadlines.…

Adam Eddy

I am an editor with over 20 years’ experience delivering compelling, polished content for some of the world’s biggest broadcasters and platforms, including BBC, Netflix, Discovery, ITV, Channel 4 and Channel 5. My work spans high-end documentaries, prime-time entertainment, trailers, promos, sizzle reels, and social edits — always with a focus on rhythm, emotion, and storytelling. Whether working alongside a director or taking the lead on a solo project, I bring creative ideas, strong editorial judgement, and a proven ability to shape narratives from vast amounts of footage. I’m equally comfortable cutting long-form factual programmes or high-energy short-form pieces, tailoring the pace, tone, and structure to the audience and brief. Fluent in Avid, DaVinci Resolve and Adobe Premiere Pro, I combine technical skill with a collaborative approach, and have a track record of delivering to the highest standard under tight deadlines.…

Available to hire

I am an editor with over 20 years’ experience delivering compelling, polished content for some of the world’s biggest broadcasters and platforms, including BBC, Netflix, Discovery, ITV, Channel 4 and Channel 5. My work spans high-end documentaries, prime-time entertainment, trailers, promos, sizzle reels, and social edits — always with a focus on rhythm, emotion, and storytelling.

Whether working alongside a director or taking the lead on a solo project, I bring creative ideas, strong editorial judgement, and a proven ability to shape narratives from vast amounts of footage. I’m equally comfortable cutting long-form factual programmes or high-energy short-form pieces, tailoring the pace, tone, and structure to the audience and brief. Fluent in Avid, DaVinci Resolve and Adobe Premiere Pro, I combine technical skill with a collaborative approach, and have a track record of delivering to the highest standard under tight deadlines.

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Language

English
Fluent

Work Experience

Video editor at Freelance
February 2, 2018 - Present
Working across a range of broadcast and digital-first projects, delivering both long-form documentaries and short-form social media content. Responsibilities include: Editing factual and entertainment programmes for major broadcasters (BBC, Channel 4, Channel 5, ITV, Netflix). Creating short-form content, promos and reels for YouTube, Instagram and TikTok, often incorporating graphics and motion design in After Effects. Providing online/finishing services, including final grade, sound mix, graphics integration and mastering to broadcaster technical specifications. Collaborating directly with producers and directors to shape compelling narratives under tight deadlines. This role combines creative storytelling with technical precision, equally focused on high-impact digital content and broadcast-quality delivery.
Senior Editor / DS Artist / Nuke Compositor at Encore (Deluxe)
October 31, 2001 - January 31, 2018
Senior editor, DS artist and Nuke compositor on high-end TV dramas, documentaries and feature films as part of a four-person team. Key projects included Broadchurch, Humans, Fortitude, The Suspicions of Mr Whicher, Death In Paradise, The Smoke and Marley. Responsibilities covered online and offline editing, titles, grading, ensuring broadcaster specifications, as well as creating custom effects, keying blues/greenscreen, sky replacement, and extensive compositing in Nuke/DS workflows. Proficient with Avid Symphony, DS Nitris, After Effects, Mocha and Photoshop; fixed problematic shots and delivered to tight deadlines.

Education

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Qualifications

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Industry Experience

Media & Entertainment
    social media showreel
    Some samples of the work I have created for social media - this short reel was originally built for YouTube and the reformatted into 9:16 video videoeditor…
    sizzle showreel
    This is a sample of short form promo / sizzle style that I have cut using a DaVinci Resolve. I created the graphics and effects in After Effects mainly and some in DaVinci Fusion - although I am perfectly fluent in Adobe Premiere and Avid too! video videoeditor…
    broadcast showreel
    Showreel of a few of the long form programmes I have edited for major clients videoeditor video…
    Ross Kemp Promo

    Promo cut using Premiere Pro and After Effects, combining graphics, text and music into a fast-paced, attention-grabbing short film. Delivered in multiple formats for YouTube, Instagram and broadcast, designed to hook audiences quickly and showcase the series with maximum impact.

    Social media showreel

    A collection of short-form edits designed for YouTube, Instagram and TikTok, showcasing fast-paced storytelling, graphics integration, and platform-specific formatting. Cut in Premiere Pro and After Effects, with an emphasis on grabbing attention within the first seconds and delivering concise, engaging narratives optimised for social audiences.

    Scripted Trailer Show reel

    A showcase of trailer editing for scripted drama and feature film. Includes:

    The Hit Man – fast-paced action trailer cut to highlight tension, rhythm and character beats.

    The Last Knights – epic feature trailer combining cinematic pacing, dramatic score and impactful graphics to build scale and atmosphere.

    This reel demonstrates skills in story-driven promo cutting, music-driven pacing, and cinematic trailer structure, designed to captivate audiences and sell the drama.

    Broadcast Television Showreel

    A showcase of long-form factual and documentary editing for leading UK broadcasters. Includes:

    Heart Hospital: Life on the Line (BBC Studios/Channel 5) – series-opening episode weaving together the emotional journeys of three transplant patients.

    Five Star Chef (Netflix/Channel 4) – high-pressure competition format, cut from a nine-camera setup, following professional chefs competing to run a restaurant.

    Inside Dubai (BBC2) – fine cut episodes exploring the lives of the ultra-wealthy in the Middle East, balancing glossy visuals with strong narrative drive.

    Our Yorkshire Farm (Channel 5) – family documentary series, shaping engaging, character-led stories from extensive rural footage.

    This reel demonstrates versatility across documentary storytelling, factual entertainment and observational formats, with a focus on narrative clarity, pace, and emotional impact.

    Compositor/Finishing Editor

    A selection of high-end drama and documentary finishing work completed while at Deluxe (Encore) as a Senior Editor / DS Artist. Includes projects such as Broadchurch (ITV), Death in Paradise (BBC1), The Smoke (Sky1) and feature documentaries including Marley.

    Work showcased covers online editing, VFX compositing, grading and finishing, with responsibilities including:

    Creating and integrating complex visual effects (greenscreen/bluescreen composites, sky replacements, title sequences).

    Balancing grade and sound to deliver polished, broadcast-ready masters.

    Ensuring all content met strict technical delivery specifications for major broadcasters.

    This reel demonstrates expertise in precision finishing, advanced compositing and broadcast compliance, bringing a creative yet meticulous eye to every frame.