I am a freelance videographer, photographer, and editor with a passion for cinematic, natural, and slightly impressionistic visual storytelling. My experience spans a diverse range of demanding environments. I have worked globally as the primary cameraman for an international documentary, shot and fully edited creative campaigns for high-end fashion (including editorial work for a New York-based designer featured at the Met Gala), and debuted my own solo fine art photography exhibition, "Průřez mým světem." Beyond creative direction, I am highly experienced in high-pressure live environments. I have served as a live broadcast producer and camera operator for major events at prestigious Czech venues, including Prague's Lucerna, the Great Hall at Hotel Thermal, and the Clam-Gallas Palace for the Stanislav Libenský Award. I approach my craft with a strong sense of discipline—a mindset honed by my background as a competitive track-and-field sprinter. Combined with my academic background in management, this ensures that I bring not only a distinct artistic vision to the table but also reliable scheduling, clear communication, and seamless project execution. My goal is always to create visuals that feel authentic and unforced, allowing the true atmosphere of a moment or a subject to speak for itself. (Note: From mid-September through late December 2026, I will be based in Bologna, Italy, and I am fully open to both remote work and local European collaborations during this time.)…I am a freelance videographer, photographer, and editor with a passion for cinematic, natural, and slightly impressionistic visual storytelling. My experience spans a diverse range of demanding environments. I have worked globally as the primary cameraman for an international documentary, shot and fully edited creative campaigns for high-end fashion (including editorial work for a New York-based designer featured at the Met Gala), and debuted my own solo fine art photography exhibition, "Průřez mým světem." Beyond creative direction, I am highly experienced in high-pressure live environments. I have served as a live broadcast producer and camera operator for major events at prestigious Czech venues, including Prague's Lucerna, the Great Hall at Hotel Thermal, and the Clam-Gallas Palace for the Stanislav Libenský Award. I approach my craft with a strong sense of discipline—a mindset honed by my background as a competitive track-and-field sprinter. Combined with my academic background in management, this ensures that I bring not only a distinct artistic vision to the table but also reliable scheduling, clear communication, and seamless project execution. My goal is always to create visuals that feel authentic and unforced, allowing the true atmosphere of a moment or a subject to speak for itself. (Note: From mid-September through late December 2026, I will be based in Bologna, Italy, and I am fully open to both remote work and local European collaborations during this time.)WWW…
I am a freelance videographer, photographer, and editor with a passion for cinematic, natural, and slightly impressionistic visual storytelling. My experience spans a diverse range of demanding environments. I have worked globally as the primary cameraman for an international documentary, shot and fully edited creative campaigns for high-end fashion (including editorial work for a New York-based designer featured at the Met Gala), and debuted my own solo fine art photography exhibition, "Průřez mým světem." Beyond creative direction, I am highly experienced in high-pressure live environments. I have served as a live broadcast producer and camera operator for major events at prestigious Czech venues, including Prague's Lucerna, the Great Hall at Hotel Thermal, and the Clam-Gallas Palace for the Stanislav Libenský Award. I approach my craft with a strong sense of discipline—a mindset honed by my background as a competitive track-and-field sprinter. Combined with my academic background in management, this ensures that I bring not only a distinct artistic vision to the table but also reliable scheduling, clear communication, and seamless project execution. My goal is always to create visuals that feel authentic and unforced, allowing the true atmosphere of a moment or a subject to speak for itself. (Note: From mid-September through late December 2026, I will be based in Bologna, Italy, and I am fully open to both remote work and local European collaborations during this time.)…I am a freelance videographer, photographer, and editor with a passion for cinematic, natural, and slightly impressionistic visual storytelling. My experience spans a diverse range of demanding environments. I have worked globally as the primary cameraman for an international documentary, shot and fully edited creative campaigns for high-end fashion (including editorial work for a New York-based designer featured at the Met Gala), and debuted my own solo fine art photography exhibition, "Průřez mým světem." Beyond creative direction, I am highly experienced in high-pressure live environments. I have served as a live broadcast producer and camera operator for major events at prestigious Czech venues, including Prague's Lucerna, the Great Hall at Hotel Thermal, and the Clam-Gallas Palace for the Stanislav Libenský Award. I approach my craft with a strong sense of discipline—a mindset honed by my background as a competitive track-and-field sprinter. Combined with my academic background in management, this ensures that I bring not only a distinct artistic vision to the table but also reliable scheduling, clear communication, and seamless project execution. My goal is always to create visuals that feel authentic and unforced, allowing the true atmosphere of a moment or a subject to speak for itself. (Note: From mid-September through late December 2026, I will be based in Bologna, Italy, and I am fully open to both remote work and local European collaborations during this time.)WWWW…
Available to hire
I am a freelance videographer, photographer, and editor with a passion for cinematic, natural, and slightly impressionistic visual storytelling.
My experience spans a diverse range of demanding environments. I have worked globally as the primary cameraman for an international documentary, shot and fully edited creative campaigns for high-end fashion (including editorial work for a New York-based designer featured at the Met Gala), and debuted my own solo fine art photography exhibition, “Průřez mým světem.”
Beyond creative direction, I am highly experienced in high-pressure live environments. I have served as a live broadcast producer and camera operator for major events at prestigious Czech venues, including Prague’s Lucerna, the Great Hall at Hotel Thermal, and the Clam-Gallas Palace for the Stanislav Libenský Award.
I approach my craft with a strong sense of discipline—a mindset honed by my background as a competitive track-and-field sprinter. Combined with my academic background in management, this ensures that I bring not only a distinct artistic vision to the table but also reliable scheduling, clear communication, and seamless project execution.
My goal is always to create visuals that feel authentic and unforced, allowing the true atmosphere of a moment or a subject to speak for itself.
(Note: From mid-September through late December 2026, I will be based in Bologna, Italy, and I am fully open to both remote work and local European collaborations during this time.)
Experience Level
Language
English
Advanced
Czech
Fluent
Work Experience
Fine Art Photographer at Solo Exhibition:
June 10, 2026 - September 13, 2026Organized and debuted a solo photography exhibition. Managed the complete creative direction, curation, and spatial layout of the gallery space.
Fashion Photographer at Pono Skousen
June 10, 2026 - June 10, 2026Photographed and fully edited an editorial project for New York-based designer Pono Skousen, whose work includes custom outfits for the Met Gala. Focused on capturing the aesthetic of the garments through an artistic and natural lens, collaborating closely on the creative vision. I was entrusted with complete creative freedom during the shoot and handled the entire post-production process from start to finish, shaping the final visual style.
Primary Cameraman at Independent Documentary Project
June 25, 2025 - September 5, 2025Main camera operator for an international documentary. Spent six weeks traveling and filming globally. Handled dynamic, on-location shooting and adapted to fast-paced production environments.
Live Camera Operator at Stanislav Libenský Award
December 2, 2024 - December 2, 2024Served as a live camera operator for the prestigious Stanislav Libenský Award ceremony held at the Clam-Gallas Palace in Prague. Focused on delivering dynamic, high-quality live visuals during a high-profile, fast-paced event, requiring quick reflexes and a sharp eye for detail.
Freelance Videographer & Photographer at Self-Employed
September 1, 2024 - PresentEnd-to-end audiovisual production. I handle everything from on-location shooting to final post-production, specializing in editorial work in Lightroom and Photoshop. My focus is on creating cinematic, atmospheric, and natural visual content for various clients.
Education
Bachelor of Economics (Business Management) at Prague University of Economics and Business
September 1, 2024 - May 20, 2027Currently finishing my last year of a Business Management bachelor's degree at the Prague University of Economics and Business
Qualifications
Industry Experience
Media & Entertainment
Photographer and editor for fashion designer
Collaborating with New York-based fashion designer Pono Skousen was a defining project in my portfolio. Knowing that his repertoire includes creating custom garments for the Met Gala, I approached the shoot with a deep respect for his craftsmanship and the intricate details of his designs. The objective was to elevate his avant-garde pieces while grounding them in a visual style that felt authentic and unforced.
One of the most rewarding aspects of this project was the complete creative freedom I was entrusted with. Instead of adhering to a rigid, conventional fashion brief, I was encouraged to interpret the garments through my own lens. I leaned into my preferred cinematic and slightly impressionistic aesthetic, focusing on how light and shadow interacted with the textures of the fabrics. The goal was to capture a distinct mood and atmosphere rather than just cataloging clothes.
Because I handled the entire process—from the initial click of the shutter to the final color grading—I could ensure that the creative vision remained intact throughout. I shaped the environment on set. Later, during the post-production phase, I refined the tones to give the final images a cohesive, atmospheric quality.
Being responsible for both the photography and the full editorial post-production allowed me to maintain a consistent visual voice. This collaboration was a true testament to the power of trust between a designer and a visual artist, allowing me to blend high-end fashion with my own organic, natural approach to image-making. photo…Collaborating with New York-based fashion designer Pono Skousen was a defining project in my portfolio. Knowing that his repertoire includes creating custom garments for the Met Gala, I approached the shoot with a deep respect for his craftsmanship and the intricate details of his designs. The objective was to elevate his avant-garde pieces while grounding them in a visual style that felt authentic and unforced.
One of the most rewarding aspects of this project was the complete creative freedom I was entrusted with. Instead of adhering to a rigid, conventional fashion brief, I was encouraged to interpret the garments through my own lens. I leaned into my preferred cinematic and slightly impressionistic aesthetic, focusing on how light and shadow interacted with the textures of the fabrics. The goal was to capture a distinct mood and atmosphere rather than just cataloging clothes.
Because I handled the entire process—from the initial click of the shutter to the final color grading—I could ensure that the creative vision remained intact throughout. I shaped the environment on set. Later, during the post-production phase, I refined the tones to give the final images a cohesive, atmospheric quality.
Being responsible for both the photography and the full editorial post-production allowed me to maintain a consistent visual voice. This collaboration was a true testament to the power of trust between a designer and a visual artist, allowing me to blend high-end fashion with my own organic, natural approach to image-making. photoWW…
Camera operator and main director of photography on international documentary about culture
The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world, visiting more than 21 countries across all continents as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges or quietly observing wildlife in its natural habitat, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, forcing me to manage my equipment efficiently while never compromising on visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.…The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world, visiting more than 21 countries across all continents as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges or quietly observing wildlife in its natural habitat, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, forcing me to manage my equipment efficiently while never compromising on visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.WW…
Camera operator and main director of photography on international documentary about culture
The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world, visiting more than 21 countries across all continents as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges or quietly observing wildlife in its natural habitat, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, forcing me to manage my equipment efficiently while never compromising on visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.…The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world, visiting more than 21 countries across all continents as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges or quietly observing wildlife in its natural habitat, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, forcing me to manage my equipment efficiently while never compromising on visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.WW…
Camera operator and main director of photography on international documentary about culture
The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks across 22 countries on all the continents meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges in Ethiopia or quietly observing wildlife in its natural habitat in Australia or Alaska, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, requiring me to manage my equipment efficiently without compromising visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.…The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks across 22 countries on all the continents meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges in Ethiopia or quietly observing wildlife in its natural habitat in Australia or Alaska, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, requiring me to manage my equipment efficiently without compromising visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.WW…
Camera operator and main director of photography on international documentary about culture
The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks across 22 countries on all the continents meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges in Ethiopia or quietly observing wildlife in its natural habitat in Australia or Alaska, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, requiring me to manage my equipment efficiently without compromising visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.…The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks across 22 countries on all the continents meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges in Ethiopia or quietly observing wildlife in its natural habitat in Australia or Alaska, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, requiring me to manage my equipment efficiently without compromising visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.WW…
Main Camera Operator and Director on documentary about culture around the world
The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks across 22 countries on all the continents meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges in Ethiopia or quietly observing wildlife in its natural habitat in Australia or Alaska, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, requiring me to manage my equipment efficiently without compromising visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.…The Documentary Journey
During the summer of 2025, I had the opportunity to spend more than a month and a half traveling around the world as the primary cameraman for an international documentary project. It was an intense, immersive experience that fundamentally shaped how I approach filmmaking and visual storytelling today.
Working on the road for six consecutive weeks across 22 countries on all the continents meant adapting to constantly shifting conditions. We were moving fast across diverse locations, and my responsibility was to capture the authentic essence of each place without the luxury of a controlled studio environment. This kind of dynamic, on-the-go production requires a careful balance: you need the technical readiness to press record the moment a fleeting moment occurs, alongside the patience to find the right composition and lighting.
Throughout the journey, I found myself deeply inspired by the raw, natural elements of the places we documented. Whether we were navigating rugged mountain ranges in Ethiopia or quietly observing wildlife in its natural habitat in Australia or Alaska, my goal was to capture the true scale and atmosphere of these environments.
This global project pushed me to refine my technical workflow under pressure, requiring me to manage my equipment efficiently without compromising visual quality. More importantly, it reinforced my belief in a natural, unobtrusive approach to camera work. It taught me how to step back and let the environment and the subjects speak for themselves—a philosophy that now directly influences everything I do, from my freelance commercial work to my personal fine art photography.WW…
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