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A reel of 3D design and animation work from 2026, spanning brand identity, product visualization, and motion design for clients including Microsoft, DENSO, and Eagle Ottawa.

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A LEAR Corporation brand designing and manufacturing luxury leather interiors for automotive since 1865.

InterAuto 2026 — “The Quest”

I brought logo and icon design, style frames, typography, patterns, poster design, photogrammetry, and 2D/3D design and animation to this identity package. Photogrammetry captured the leather samples and rebuilt the collection as accurate 3D materials, carrying the story of discovery and refinement across every deliverable.

InterAuto 2024 — “Leather is”

I worked on style frames and 2D/3D design and animation for this collection, exploring abstract 3D spaces, objects, and materials to show the full range of what leather can do.

Tech Modules

I helped shape storyboards, style frames, and 2D/3D design and animation for a series of short videos demonstrating the advanced methods and technology behind Eagle Ottawa’s leather craft.

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Building the tools and intelligence that power how the world creates, collaborates, and works.

Supply Chain Vision

I handled style frames and 3D design and animation for Microsoft Supply Chain Vision, a miniature, abstracted 3D world where logistics and inventory become tangible, moving objects tracking data as it flows through the space. Physical metaphor stands in for literal UI, making an abstract software process easy to follow at a glance.

Whiteboard

As a freelance contractor, I designed and animated a series of videos demonstrating new Microsoft Whiteboard templates, giving ideas and sticky notes physical form as they float above the screen in a 3D collaborative space. The playful, tactile treatment makes a software feature feel approachable rather than technical.

Copilot Studio

I took on style frames and 3D design and animation for this Copilot Studio piece, turning the agent-building process into something tactile as UI fragments and interface pieces drift, snap, and assemble into a central form. The goal was to make an abstract AI workflow feel like something you could reach out and touch.

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Newlab is a global venture platform for critical technology startups building a sustainable future.

Michigan Central Opening

I contributed style frames and 3D design and animation to a video celebrating the grand opening of Newlab Detroit’s headquarters inside the restored Michigan Central Book Depository, a 1936 Albert Kahn-designed Art Deco landmark reimagined as a creative workspace. The design direction drew on the physical scale models architects relied on before CAD tools took hold in the 1980s and 90s, tying the building’s history to the way the piece itself was made.

Challenge: Multi-Modal Logistics

I led 3D design and animation on this recruitment video exploring the strain that oversized freight haulers place on global logistics, making the case for smaller, more flexible delivery methods built for adaptability at scale, and contributed 2D design and animation as well. The freight itself breaks apart and reforms into smaller units to visualize the shift.

Challenge: Newlab Riyadh

I contributed style frames and 2D/3D design and animation to this recruitment video for Newlab’s Mining Innovation Studio in Riyadh, developed alongside Saudi Arabia’s Ministry of Industry and Mineral Resources, Ma’aden, ESNAD, and the Saudi Geological Survey. The piece positions Saudi Arabia as a new hub in the global mining value chain, part of Newlab’s expansion under Vision 2030.