Career Highlights: -“Star Trek: Picard“, “Mortal Kombat 12“, “Spider-Man: Far from Home“, “and Ready Player One” with Steven Spielberg. On “Solo – A Star Wars Story” Brian worked on the infamous “Kessel Run” sequence. The Sunday LA Times featured Brian’s storyboards for “Now You See Me 2“. “A visionary.” “A genius.” “The fastest storyboard artist I’ve worked with.” Some of the words spoken by top-tier Hollywood Directors regarding Brian “Adobewan” Murray. Traditionally trained, with stylus in hand, Brian uses Photoshop, ZBrush, and SketchUp to create concept art, storyboards, and illustration for film, television, and comic books. Director David Twohy touts Brian’s boards on the “The Chronicles of Riddick” DVD commentary. Brian performed triple-duty on “Chronicles”, as lead storyboard artist, concept art, and designer of “The Hunt for Riddick” web experience. Other highlights: Brian’s co-creation, scripting, and illustrating of Image Comics’ hit ”Supreme“, which Tom Clancy took note of in his novel, “Black Ops“. Brian produced covers and interiors for DC, Marvel, Image, and many more. Brian’s illustrations of the L.A. Dodgers were on large-scale display throughout Los Angeles on banners, billboards, and bus posters.

BRIAN MURRAY

Career Highlights: -“Star Trek: Picard“, “Mortal Kombat 12“, “Spider-Man: Far from Home“, “and Ready Player One” with Steven Spielberg. On “Solo – A Star Wars Story” Brian worked on the infamous “Kessel Run” sequence. The Sunday LA Times featured Brian’s storyboards for “Now You See Me 2“. “A visionary.” “A genius.” “The fastest storyboard artist I’ve worked with.” Some of the words spoken by top-tier Hollywood Directors regarding Brian “Adobewan” Murray. Traditionally trained, with stylus in hand, Brian uses Photoshop, ZBrush, and SketchUp to create concept art, storyboards, and illustration for film, television, and comic books. Director David Twohy touts Brian’s boards on the “The Chronicles of Riddick” DVD commentary. Brian performed triple-duty on “Chronicles”, as lead storyboard artist, concept art, and designer of “The Hunt for Riddick” web experience. Other highlights: Brian’s co-creation, scripting, and illustrating of Image Comics’ hit ”Supreme“, which Tom Clancy took note of in his novel, “Black Ops“. Brian produced covers and interiors for DC, Marvel, Image, and many more. Brian’s illustrations of the L.A. Dodgers were on large-scale display throughout Los Angeles on banners, billboards, and bus posters.

Available to hire

Career Highlights: -“Star Trek: Picard“, “Mortal Kombat 12“, “Spider-Man: Far from Home“, “and Ready Player One” with Steven Spielberg. On “Solo – A Star Wars Story” Brian worked on the infamous “Kessel Run” sequence.
The Sunday LA Times featured Brian’s storyboards for “Now You See Me 2“.

“A visionary.” “A genius.” “The fastest storyboard artist I’ve worked with.”
Some of the words spoken by top-tier Hollywood Directors regarding Brian “Adobewan” Murray.

Traditionally trained, with stylus in hand, Brian uses Photoshop, ZBrush, and SketchUp to create concept art, storyboards, and illustration for film, television, and comic books. Director David Twohy touts Brian’s boards on the “The Chronicles of Riddick” DVD commentary. Brian performed triple-duty on “Chronicles”, as lead storyboard artist, concept art, and designer of “The Hunt for Riddick” web experience.

Other highlights: Brian’s co-creation, scripting, and illustrating of Image Comics’ hit ”Supreme“, which Tom Clancy took note of in his novel, “Black Ops“. Brian produced covers and interiors for DC, Marvel, Image, and many more. Brian’s illustrations of the L.A. Dodgers were on large-scale display throughout Los Angeles on banners, billboards, and bus posters.

See more

Experience Level

Work Experience

Illustrator at Various Projects
January 1, 1998 - Present
Worked on multiple projects including film storyboards, comic books, and promotional material. Collaborated with directors and producers to create compelling visual narratives.
Concept Artist at Extreme Studios
January 1, 1990 - Present
Produced illustrations and color work for various comic series and graphic novels, enhancing storytelling through visuals.
Illustrator at Extreme Studios
January 1, 1998 - Present
Worked as the primary illustrator and colorist on publications, contributing to acclaimed comic series and bringing characters to life through detailed artwork.
Storyboard Artist at Various Productions
January 1, 2000 - Present
Provided storyboarding expertise for a wide range of projects including films and advertisements, collaborating closely with directors and producers to visualize concepts.
Creative Contributor at Independent Projects
January 1, 2000 - Present
Worked on multiple projects in the entertainment industry, including film pitches, character designs, and promotional art.

Education

Bachelor of Fine Arts at Art Center School of Design
January 11, 2030 - January 15, 2026
Illustration at Otis Parsons School of Design, NY
January 1, 1979 - January 1, 1980
Illustration at Fullerton College, CA
January 1, 1981 - January 1, 1983
Illustration at Farmingdale SUNY
January 1, 1978 - January 1, 1979
Illustration at Otis Parsons School of Design, NY
January 1, 1979 - January 1, 1980
Illustration at Fullerton College, CA
January 1, 1981 - January 1, 1983
Illustration at Farmingdale SUNY
January 1, 1978 - January 1, 1979

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services