I’m a sound engineer with a strong background in live sound, studio recording, and broadcast across major European cultural institutions.
I currently collaborate with the Royal Opera House, Royal Albert Hall, English National Ballet, Sadler’s Wells, Kings Place, Tate (Modern and Britain) amongst others, delivering front-of-house, recording, and sound design for music, theatre, and installations. I also collaborate with TV and film projects through the BBC and other broadcasters, handling ADR and post-production since 2004.
I value safety, collaboration, and continuous learning.
My technical expertise spans a broad range of tools and platforms:
Software - QLab (advanced use with OSC and scripting), Pro Tools, Cubase, Nuendo, Reaper, Ableton Live, Final Cut Pro, Premiere Pro
Mixing Consoles - Digital (Digico, Yamaha, Avid, Allen & Heath, Midas Pro) and studio analogue setups
Sound System Tools - Tuning (Smaart, Tune Capture), Design (d&b ArrayCalc, Meyer MAPP XT/3D, L-Acoustics SoundVision), and Control (d&b R1, Meyer Compass, Harman Audio Architect)
Video Systems - Blackmagic ATEM, Tricaster, Vmix, DCP 4K projection, AV systems (including Q-SYS and Crestron), and legacy Betacam systems
Immersive Audio - TiMax, d&b Soundscape, Ambisonics
Networking: Advanced knowledge of Dante (Level 3), MADI, and NDI (audio/video)
I’m comfortable touring, working at height, and designing immersive audio experiences for museums, theatres, and live venues. I am fluent in English and Portuguese, and have operational proficiency in Spanish. I also enjoy sharing knowledge as instructor and session engineer.
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