When I was a child, I always imagined these kinds of creatures hiding under my bed, so I decided to become the one who designs them. An expensive form of therapy, but very effective. My name is David Arévalo, Character and Creature Concept Artist. I know that when developing a project, the importance lies not only in the idea, but especially in the people. Not just their enthusiasm, but also their ability to adapt to teams and production pace, just like I did with Netflix or Immortal Mask. In the end, we’re all trying to land the right concept as early as possible, and in a fast and clear way.

David

When I was a child, I always imagined these kinds of creatures hiding under my bed, so I decided to become the one who designs them. An expensive form of therapy, but very effective. My name is David Arévalo, Character and Creature Concept Artist. I know that when developing a project, the importance lies not only in the idea, but especially in the people. Not just their enthusiasm, but also their ability to adapt to teams and production pace, just like I did with Netflix or Immortal Mask. In the end, we’re all trying to land the right concept as early as possible, and in a fast and clear way.

Available to hire

When I was a child, I always imagined these kinds of creatures hiding under my bed, so I decided to become the one who designs them. An expensive form of therapy, but very effective.
My name is David Arévalo, Character and Creature Concept Artist.
I know that when developing a project, the importance lies not only in the idea, but especially in the people. Not just their enthusiasm, but also their ability to adapt to teams and production pace, just like I did with Netflix or Immortal Mask.
In the end, we’re all trying to land the right concept as early as possible, and in a fast and clear way.

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