I am an Industrial Designer focused on transforming concepts into production-ready products. I coordinate international suppliers (primarily in China), validate technical documentation, and ensure manufacturing feasibility to bring ideas to life at scale.
I have contributed to furniture and product development for international markets (the United States and Canada), as well as commercial interiors and exhibition systems. My approach centers on Design for Manufacturability (DFM), cost optimization, and solving technical challenges in real production environments.
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Acting as the Technical Lead and 3D Fabrication Consultant for a specialized fine art commission, I translated complex, organic artistic geometries into a structural, large-format FDM 3D-printed monumental piece. I engineered a strategic slicing system to manage massive print volumes while maintaining structural stability, and designed a custom modular assembly layout featuring internal interlocking connectors and alignment pins for seamless, high-precision joinery. By optimizing technical parameters—such as infill density, orientation, and wall thickness—I achieved the perfect balance between weight and durability. Furthermore, I directed the systematic buildup and managed the transition from raw 3D print to a “gallery-ready” substrate, supervising the application of structural reinforcements, fillers, and primers to completely eliminate layer lines before the artist’s final intervention.
I managed the end-to-end design and physical realization of a high-end sculptural trophy for the “L’Oréal Style and Color” competition broadcasted globally on YouTube from the Sheraton Hotel. Acting as the 3D Sculptor and Lead Maker, I translated a complex conceptual sketch into a balanced, fluid 3D model using Rhinoceros, artistically combining a colorist’s brush with an organic hair lock. I led the entire manufacturing and craftsmanship cycle, executing a 3D-printed high-resolution core followed by meticulous automotive-grade puttying, multi-stage manual sanding, and a specialized metallic silver coating. The final piece was engineered to be completely “camera-ready,” carefully considering light reflections and structural durability for on-stage handling under strict live-event deadlines.
Working as a 3D Industrial Modeler and Prototyping Specialist for the global brand Cutex, I translated 2D engineering blueprints into production-ready digital masters for international manufacturing. Developed in Rhinoceros, the project required high-precision 3D modeling adhering to strict industrial tolerances for glass wall thickness and cap threading specifications. I managed the material and manufacturing validation by creating 1:1 scale 3D-printed physical mockups for ergonomic and volume verification, performed high-fidelity rendering to study light refraction, and delivered industrial-grade technical assets that served as the master reference for mass production in China.
I designed and developed a high-performance, scalable modular exhibition system for a national hardware distributor, creating an optimized B2B solution for retailers to showcase premium kitchen hardware. Utilizing a Design for Assembly (DFA) approach, I engineered a custom modular library in Rhinoceros and SketchUp, ensuring precise fit-out and structural integrity for complex functional components like pull-out columns, lift-up mechanisms, and waste systems. My role involved building a master product database linking 3D models with SKU codes, acting as the stakeholder bridge between nationwide sales teams and production, and developing the complete pre-sale technical presentation that secured retailer interest prior to the first manufacturing run.
I managed the end-to-end technical translation of a complex, client-provided 3D model into a high-gloss physical masterpiece using advanced mold-engineering techniques. To achieve the organic geometry, I developed a production strategy utilizing a slicing technique with precision laser-cut 18mm MDF sectional molds, carefully balancing material thickness and structural stability. My role involved overseeing external specialized vendors for fiberglass application, leading internal teams during structural assembly, and managing a meticulous automotive-grade painting process. By bridging the gap between digital design constraints and physical manufacturing, I ensured a flawless substrate and delivered a durable, mirror-finish luxury furniture piece that met the highest industry standards.
I successfully bridged the gap between state-of-the-art additive manufacturing and high-end traditional craftsmanship by designing and managing the production of a limited series of 12 collector-item luxury pieces. Utilizing Design for Manufacturing (DFM) principles, I engineered complex organic 3D models with critical tolerance management, factoring in metal shrinkage and flow for a precise “lost-wax” investment casting process. From scaling the initial prototype to supervising precision welding, mirror-like manual polishing, and coordinating with specialized upholstery workshops, this project demonstrates my ability to deliver commercially viable, high-end luxury products through rigorous technical methodologies and flawless quality control.
I transformed a high-end concept into a stunning architectural reality by designing and managing the production of this custom ceiling chandelier, featuring a laser-cut stainless steel structure and over 100 hand-blown emerald crystal droplets. Leveraging advanced 3D modeling, I digitally mapped out the spatial layout across four precise vertical levels to ensure seamless element distribution and optimized light diffusion. From collaborating with the prestigious Cristalería San Carlos workshops in Argentina to coordinating on-site electrical integration for the custom LED system, this project highlights my expertise in fusing cutting-edge digital design with traditional craftsmanship and rigorous technical implementation.
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