As Assistant Director, I supported on-set coordination, helping manage production logistics and ensuring the shooting schedule ran efficiently across performance and narrative setups. In the role of DIT, I handled on-set media management and color pipeline preparation—verifying footage integrity, organizing camera data, and preparing viewing LUTs to maintain visual consistency between set and post. I later completed the final color grade in DaVinci Resolve, shaping the visual tone of the project and balancing the stylized performance lighting with a cohesive look across locations and camera setups. This multi-role involvement allowed continuity from production through post, ensuring the creative intent carried through the entire pipeline.
- 1st Assistant Director
- Colourist




