Created and edited digital content and promotional assets for regional and global campaigns for brands such as SRI, Bayer, Dyson, contributing to Netflix trailer post-production and internal promotional reels with strict delivery specifications. Supported motion graphics production and post-operations including LTO archiving, media management, and conform/Prep-for-Online workflows for broadcast delivery. Collaborated across workflows, maintaining versioning control and technical turnovers for finishing departments while ensuring creative consistency. Managed conform processes using EDL/AAF/XML workflows for seamless handoffs between editorial and colorist.

Editor & Videographer at Freelance

June 1, 2018 - December 1, 2022

Delivered end-to-end video production from concept to final cut across dance content and branded campaigns; conceptualized, shot and edited interviews, promotional content and live events for diverse client base. Created motion graphics elements and performed audio cleanup and sound design when required; developed creative solutions for clients including Chatime, MyPerks, and Seoul-based creative agencies. Coordinated small-scale production pipelines and media management systems for rapid turnover projects while maintaining quality standards and creative excellence. Developed client relationships and project workflows spanning Malaysia, Singapore and South Korea markets through consistent creative delivery. Transitioned into lead creative producer and post-focused roles on larger-scale projects from 2022 onward.

Creative Produce / Colorist at Visual Track

April 6, 2022 - Present

Creative Producer at Visual Track (Seoul) leading music video and branded productions from early alignment through final delivery. I translate briefs into visual direction, plan practical execution strategies, and manage post pipelines so projects stay creatively consistent while meeting tight timelines. My role sits between creative and technical, partnering with directors and producers while handling finishing details including color grading, conform, and delivery. • Develop concepts, treatments and visual strategies for music videos and branded content • Align directors, production and post teams from prep through mastering • Build and optimize post-production workflows across editorial, online and color • Perform color grading and look development in DaVinci Resolve • Handle on-set DIT and data workflows to maintain continuity into post • Flag feasibility risks early and propose alternatives without inflating scope Focus: protecting creative intent while ensuring disciplined delivery.

Education

B.A. (Hons) in Broadcasting, Minor in Advertising at Taylor's University

January 1, 2017 - January 1, 2020

Foundation in Business at Taylor's University

January 1, 2016 - January 1, 2017

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Consumer Goods

YOUNG POSSE (영파씨) * BENZO LOSE YOUR SHXT MV

As Assistant Director, I supported on-set coordination, helping manage production logistics and ensuring the shooting schedule ran efficiently across performance and narrative setups. In the role of DIT, I handled on-set media management and color pipeline preparation—verifying footage integrity, organizing camera data, and preparing viewing LUTs to maintain visual consistency between set and post. I later completed the final color grade in DaVinci Resolve, shaping the visual tone of the project and balancing the stylized performance lighting with a cohesive look across locations and camera setups. This multi-role involvement allowed continuity from production through post, ensuring the creative intent carried through the entire pipeline.…As Assistant Director, I supported on-set coordination, helping manage production logistics and ensuring the shooting schedule ran efficiently across performance and narrative setups. In the role of DIT, I handled on-set media management and color pipeline preparation—verifying footage integrity, organizing camera data, and preparing viewing LUTs to maintain visual consistency between set and post. I later completed the final color grade in DaVinci Resolve, shaping the visual tone of the project and balancing the stylized performance lighting with a cohesive look across locations and camera setups. This multi-role involvement allowed continuity from production through post, ensuring the creative intent carried through the entire pipeline.

1st Assistant DirectorColourist

JOOHONEY STING Performance Video

The visual direction for this project was conceived around references closer to military and post-apocalyptic checkpoints rather than literal boxing. The intent was to place the choreography within a restrained, industrial environment; concrete, metal, and muted surfaces. The location and set dressing were selected to support this direction, prioritizing neutrality and repetition over overt thematic cues. This established a deliberately narrow visual palette before production, where restraint was part of the design, not an absence of style.…The visual direction for this project was conceived around references closer to military and post-apocalyptic checkpoints rather than literal boxing. The intent was to place the choreography within a restrained, industrial environment; concrete, metal, and muted surfaces. The location and set dressing were selected to support this direction, prioritizing neutrality and repetition over overt thematic cues. This established a deliberately narrow visual palette before production, where restraint was part of the design, not an absence of style.

Colourist

LE SSERAFIM ‘ANTIFRAGILE’ Special Performance Video

Blended multiple lighting setups Ensure members "pop" Enhanced mood Maintained crucial K-pop skin tones…

Colourist

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