Looks like you have JavaScript disabled. For the full Twine experience, you will need to re-enable it.

I'm Beverly Maguire, an animatic editor and editor specializing in shaping story pacing and narrative flow for animated series and features. I’ve contributed to major productions including DogMan, The Twits, Wolf King, and The Gentleman, and I enjoy solving editorial challenges under tight deadlines. I’ve worked closely with directors, producers, and animators to ensure smooth workflows from animatics through to final animation, and I’ve taken on editorial supervisory roles to coordinate end-to-end delivery. I also developed an editorial tool to streamline file ingestion, improving efficiency across projects and across multiple teams. My approach blends creative storytelling with technical precision, consistently maintaining creative integrity while keeping projects on track and delivering strong creative outcomes.…I'm Beverly Maguire, an animatic editor and editor specializing in shaping story pacing and narrative flow for animated series and features. I’ve contributed to major productions including DogMan, The Twits, Wolf King, and The Gentleman, and I enjoy solving editorial challenges under tight deadlines. I’ve worked closely with directors, producers, and animators to ensure smooth workflows from animatics through to final animation, and I’ve taken on editorial supervisory roles to coordinate end-to-end delivery. I also developed an editorial tool to streamline file ingestion, improving efficiency across projects and across multiple teams. My approach blends creative storytelling with technical precision, consistently maintaining creative integrity while keeping projects on track and delivering strong creative outcomes.

Beverly Maguire





I'm Beverly Maguire, an animatic editor and editor specializing in shaping story pacing and narrative flow for animated series and features. I’ve contributed to major productions including DogMan, The Twits, Wolf King, and The Gentleman, and I enjoy solving editorial challenges under tight deadlines. I’ve worked closely with directors, producers, and animators to ensure smooth workflows from animatics through to final animation, and I’ve taken on editorial supervisory roles to coordinate end-to-end delivery. I also developed an editorial tool to streamline file ingestion, improving efficiency across projects and across multiple teams. My approach blends creative storytelling with technical precision, consistently maintaining creative integrity while keeping projects on track and delivering strong creative outcomes.…I'm Beverly Maguire, an animatic editor and editor specializing in shaping story pacing and narrative flow for animated series and features. I’ve contributed to major productions including DogMan, The Twits, Wolf King, and The Gentleman, and I enjoy solving editorial challenges under tight deadlines. I’ve worked closely with directors, producers, and animators to ensure smooth workflows from animatics through to final animation, and I’ve taken on editorial supervisory roles to coordinate end-to-end delivery. I also developed an editorial tool to streamline file ingestion, improving efficiency across projects and across multiple teams. My approach blends creative storytelling with technical precision, consistently maintaining creative integrity while keeping projects on track and delivering strong creative outcomes.

Available to hire

I’m Beverly Maguire, an animatic editor and editor specializing in shaping story pacing and narrative flow for animated series and features. I’ve contributed to major productions including DogMan, The Twits, Wolf King, and The Gentleman, and I enjoy solving editorial challenges under tight deadlines. I’ve worked closely with directors, producers, and animators to ensure smooth workflows from animatics through to final animation, and I’ve taken on editorial supervisory roles to coordinate end-to-end delivery.

I also developed an editorial tool to streamline file ingestion, improving efficiency across projects and across multiple teams. My approach blends creative storytelling with technical precision, consistently maintaining creative integrity while keeping projects on track and delivering strong creative outcomes.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Toon Boom Storyboard Pro

Expert

Adobe InDesign

Expert

ShotGrid

Intermediate

Work Experience

Animatic Editor at Wild Child Animation Ltd.

September 1, 2025 - April 1, 2026

Edited animatics and assisted with animation sequences; collaborated with directors and animators to maintain storytelling pace.

Animatic Editor at Hanna Barbera Studios Europe

April 1, 2025 - August 1, 2025

Provided editorial support across multiple animated series, including Living the Dream (Netflix); performed animatic editing and worked closely with Directors and Production teams.

Editor at Jellyfish Pictures Ltd.

July 1, 2022 - March 1, 2025

Edited animatics and animation for multiple projects; troubleshooting technical challenges and supporting delivery to schedule.

Editorial Supervisor at Jellyfish Pictures Ltd.

July 1, 2022 - March 1, 2025

Edited animatics & animation for Messy Goes to Okido (20 x 11 min); ensured seamless storytelling and technical precision; collaborated with directors and production teams; helped streamline workflows and delivery.

Animatic Editor at Doodle Productions

September 1, 2021 - June 1, 2022

Edited animatics to support narrative pacing and timing for various projects.

Editor at Blue-Zoo Productions

August 1, 2020 - September 1, 2021

Edited animatics for It’s Pony (40 x 11 min) for Nickelodeon; ensured smooth narrative flow; used Toon Boom Storyboard Pro.

Editor at Blinkink

April 1, 2020 - July 1, 2020

Edited animatics for Dead End: Paranormal Park, a Netflix animated series; contributed to pacing and narrative clarity.

Editor at Prime Focus

March 1, 2020 - April 1, 2020

Edited animatics for Rally Road Racers; utilized Avid for editing; prepared sequences for downstream processes.

Editor at A Productions (Bristol)

December 1, 2019 - December 1, 2019

Notes: Additional editing for The Monster at the End of This Story; used Avid.

Editor at A Productions (Bristol)

December 1, 2019 - December 1, 2019

Additional editing for the 30-minute HBO animated special The Monster at the End of This Story; worked in Avid.

Editor at Passion Pictures / Disney

January 1, 2018 - September 1, 2019

Edited 50 episodes of 101 Dalmatian Street (11 min each) for Disney; refined timing and narrative clarity.

Editor at Passion Pictures / Disney

January 1, 2018 - September 1, 2019

Edited 50 episodes of 101 Dalmatian Street (11 min each) for Disney; handled animatics and animation; refined timing and narrative clarity using Toon Boom Storyboard Pro and Premiere Pro.

Animatic & Animation Editor at Jellyfish Pictures Ltd.

March 1, 2017 - December 1, 2017

Edited Dennis & Gnasher (26 x 10 min), a 3D animated BBC series; refined timing and narrative clarity with Premiere Pro.

Animatic & Animation Editor at Beakus Animations

January 1, 2017 - March 1, 2017

Edited Olobob Top (7 x 10 min) for CBeebies; refined pacing and storytelling using Premiere Pro.

Animatic Editor at M2 Entertainment

October 1, 2014 - March 1, 2017

Edited LEGO Nexo Knights (21 x 22 min) for Cartoon Network; managed full process from animatics to final comps.

Animatic Editor at Blue-Zoo Productions

December 1, 2012 - September 1, 2014

Edited Tree Fu Tom (26 x 22 min) for CBeebies; ensured smooth transitions from animatics to final comps while preserving educational and visual style.

Editor at Jellyfish Pictures Ltd.

March 1, 2010 - December 1, 2012

Edited Planet Dinosaur (6 x 30 min) for BBC; contributed to editorial pipeline from animatics to final deliverables.

Editor & Co-ordinator at Big Soul Productions Inc, Toronto

July 1, 2008 - September 1, 2009

Managed a team of 30 animators for By The Rapids (24 x 22 min); oversaw sequences, tracked animation progress, and ensured efficient workflow; edited entire production from animatics to final compositing.

Editor & IT Consultant at Max The Mutt Animation School

July 1, 2007 - May 1, 2008

Delivered lectures and provided technical support on editing tools and workflows.

Editor & IT Consultant at Max The Mutt Animation School

July 1, 2007 - May 1, 2008

Delivered lectures on Premiere Pro, Toon Boom, Final Cut, and Photoshop; provided technical support and guidance on industry-standard software.

Lecturer, Non-Linear Editing at Sheridan College, Toronto

September 1, 2006 - April 1, 2007

Mentored students on final films; delivered lectures on Premiere Pro, After Effects, Photoshop, Toon Boom, and related workflows.

Lecturer, Non-Linear Editing at The Art Institute of Toronto

September 1, 2005 - April 1, 2006

Taught editing techniques using Premiere Pro; focused on industry workflows and best practices.