Award-winning film composer and guitarist specializing in original scores for feature films, shorts, and multimedia projects. Versatile across orchestral, electronic, hybrid, and guitar-based scoring, with festival awards for Best Score and a strong portfolio of independent film credits. Member of the Society of Composers & Lyricists (SCL) and BMI-affiliated songwriter. Selected Film Credits • Bart and Bobbi Kill Each Other (2025) short, score • A Hard Place (2024) – Feature, score • SpookT (2023) –feature, score • Still (2024) – Short, score • The Once and Future Smash (2022) – Feature doc, score • End Zone 2 (2022) – Feature, score • ClickBait (2019) – Nominated Best Score • What Metal Girls Are Into (2018) – Winner, Best Score • Blood of the Tribades (2016) – Winner, Best Score • Magnetic (2015, Amazon Prime) – Winner, Best Score Skills • DAW: Logic Pro X • Scoring-to-picture: sync, cue development, motifs/themes • Instrumentation: orchestral, electronic, hybrid, guitar-based • Production: recording, arranging, mixing, mastering • Collaboration: experienced in remote and in-person workflows Awards & Recognition • Best Score – What Metal Girls Are Into (Women in Horror Film Festival) • Best Score – Blood of the Tribades (Genre Blast Film Festival) • Best Score – Magnetic (Amazon Prime) • Multiple Best Score nominations (ClickBait, others) • Winner, Brian May’s “Red Special” Guitar Contest • First-ballot Grammy nominee, Best Rock Instrumental

Catherine Capozzi

Award-winning film composer and guitarist specializing in original scores for feature films, shorts, and multimedia projects. Versatile across orchestral, electronic, hybrid, and guitar-based scoring, with festival awards for Best Score and a strong portfolio of independent film credits. Member of the Society of Composers & Lyricists (SCL) and BMI-affiliated songwriter. Selected Film Credits • Bart and Bobbi Kill Each Other (2025) short, score • A Hard Place (2024) – Feature, score • SpookT (2023) –feature, score • Still (2024) – Short, score • The Once and Future Smash (2022) – Feature doc, score • End Zone 2 (2022) – Feature, score • ClickBait (2019) – Nominated Best Score • What Metal Girls Are Into (2018) – Winner, Best Score • Blood of the Tribades (2016) – Winner, Best Score • Magnetic (2015, Amazon Prime) – Winner, Best Score Skills • DAW: Logic Pro X • Scoring-to-picture: sync, cue development, motifs/themes • Instrumentation: orchestral, electronic, hybrid, guitar-based • Production: recording, arranging, mixing, mastering • Collaboration: experienced in remote and in-person workflows Awards & Recognition • Best Score – What Metal Girls Are Into (Women in Horror Film Festival) • Best Score – Blood of the Tribades (Genre Blast Film Festival) • Best Score – Magnetic (Amazon Prime) • Multiple Best Score nominations (ClickBait, others) • Winner, Brian May’s “Red Special” Guitar Contest • First-ballot Grammy nominee, Best Rock Instrumental

Available to hire

Award-winning film composer and guitarist specializing in original scores for feature films, shorts, and multimedia
projects. Versatile across orchestral, electronic, hybrid, and guitar-based scoring, with festival awards for Best
Score and a strong portfolio of independent film credits. Member of the Society of Composers & Lyricists (SCL)
and BMI-affiliated songwriter.
Selected Film Credits
• Bart and Bobbi Kill Each Other (2025) short, score
• A Hard Place (2024) – Feature, score
• SpookT (2023) –feature, score
• Still (2024) – Short, score
• The Once and Future Smash (2022) – Feature doc, score
• End Zone 2 (2022) – Feature, score
• ClickBait (2019) – Nominated Best Score
• What Metal Girls Are Into (2018) – Winner, Best Score
• Blood of the Tribades (2016) – Winner, Best Score
• Magnetic (2015, Amazon Prime) – Winner, Best Score
Skills
• DAW: Logic Pro X
• Scoring-to-picture: sync, cue development, motifs/themes
• Instrumentation: orchestral, electronic, hybrid, guitar-based
• Production: recording, arranging, mixing, mastering
• Collaboration: experienced in remote and in-person workflows
Awards & Recognition
• Best Score – What Metal Girls Are Into (Women in Horror Film Festival)
• Best Score – Blood of the Tribades (Genre Blast Film Festival)
• Best Score – Magnetic (Amazon Prime)
• Multiple Best Score nominations (ClickBait, others)
• Winner, Brian May’s “Red Special” Guitar Contest
• First-ballot Grammy nominee, Best Rock Instrumental

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Language

Work Experience

Score Composer at A Hard Place
December 31, 2024 - September 5, 2025
Original score composed for the feature film, blending orchestral, electronic, and guitar-based textures to support the narrative and emotional arc.
Score Composer at SpookT
December 31, 2023 - September 5, 2025
Original score for the feature film, integrating mood-driven instrumentation and thematic motifs to enhance suspense and atmosphere.
Score Composer at Still
December 31, 2024 - September 5, 2025
Original score for the short film, using hybrid textures to support pacing and emotional beats within a concise runtime.
Score Composer at The Once and Future Smash
December 31, 2022 - September 5, 2025
Feature documentary score with an emphasis on orchestral and contemporary textures to underscore narrative themes.
Score Composer at End Zone 2
December 31, 2022 - September 5, 2025
Feature score capturing tension and drama through a hybrid orchestral-electronic palette.
Score Composer at ClickBait
December 31, 2019 - September 5, 2025
Feature score recognized with a Best Score nomination, employing motif-driven themes across a modern thriller framework.
Score Composer at What Metal Girls Are Into
December 31, 2018 - September 5, 2025
Award-winning score for a horror feature, blending aggressive guitar textures with atmospheric orchestration.
Score Composer at Blood of the Tribades
December 31, 2016 - September 5, 2025
Festival-winning score emphasizing mood and rhythm to support a genre-blending narrative.
Score Composer at Magnetic
December 31, 2015 - September 5, 2025
Amazon Prime film score utilizing a hybrid approach with electronic textures and live instrumentation.
Score Composer at Bart and Bobbi Kill Each Other
December 31, 2025 - September 5, 2025
Short-form score exploring dynamic contrasts to complement darkly comic storytelling.

Education

Add your educational history here.

Qualifications

Best Score Renegade Film Fest
August 18, 2023 - August 19, 2023
Best Score Award for Feature Film End Zone II
Best Score WIHFF for What Metal Girls are Made Of
August 1, 2018 - September 5, 2025
Best Score WIHFF for What Metal Girls are Made Of
August 1, 2018 - August 1, 2018

Industry Experience

Media & Entertainment