I work where images go before they’re born. In the quiet glow of timelines and drives, I take raw, tangled reality—Drag Race Brasil, A Fazenda, No Limite, Power Couple, families stranded together—and guide it through cables, codecs and restless machines until it becomes a story people can feel. I coordinate teams, manage floods of media, and cut rhythms out of noise, building invisible architectures so the show can breathe on screen. My hands live in post-production, but my eye is always drifting toward the set, toward the lens, toward the moment someone says “Action” and the dream starts. Until then, I stay in the shadows, stitching together the strange, the beautiful and the brutal into something that looks a lot like truth.…I work where images go before they’re born. In the quiet glow of timelines and drives, I take raw, tangled reality—Drag Race Brasil, A Fazenda, No Limite, Power Couple, families stranded together—and guide it through cables, codecs and restless machines until it becomes a story people can feel. I coordinate teams, manage floods of media, and cut rhythms out of noise, building invisible architectures so the show can breathe on screen. My hands live in post-production, but my eye is always drifting toward the set, toward the lens, toward the moment someone says “Action” and the dream starts. Until then, I stay in the shadows, stitching together the strange, the beautiful and the brutal into something that looks a lot like truth.WWWW…