Dear Hiring Team, I am writing to express my interest in the Audio Engineer position for your feature film. With over a decade of professional experience in film and series post-production, I have developed a strong focus on dialogue editing, sound design, and mixing for streaming platforms such as Netflix, Disney+, and Gain. Throughout my career, I have worked on projects that required a high level of technical precision and creative sensitivity. Most recently, I served as a freelance dialogue editor and mixer for Netflix Türkiye’s KÜBRA limited series and as a Foley recordist and mixer for Dünyayla Benim Aramda (Disney+). These projects strengthened my ability to maintain consistent dialogue levels, enhance clarity, and shape a cohesive sonic landscape that supports the visual narrative. My workflow is based primarily in Pro Tools, using iZotope RX, FabFilter Pro-Q 3, and McDSP SA-3 for dynamic control, spectral repair, and tonal balance. I am meticulous about meeting loudness and delivery specifications for major streaming platforms, ensuring technical compliance without compromising artistic integrity. I take pride in understanding a director’s intention and translating it into a detailed, emotionally resonant mix. I would be delighted to review your film’s current stereo mix and contribute to elevating its overall sound quality to industry standards. Thank you for considering my application. I look forward to the possibility of collaborating with your team and helping bring this film’s sound to its full potential. Warm regards, Can Doğduaslan Sound Designer & Mixing Engineer Kadıköy, Istanbul 📧 _Email not available. Sign in: https://www.twine.net/signup_ | 📞_Phone details not available. Sign in: https://www.twine.net/signup_

Can Dogduaslan

Dear Hiring Team, I am writing to express my interest in the Audio Engineer position for your feature film. With over a decade of professional experience in film and series post-production, I have developed a strong focus on dialogue editing, sound design, and mixing for streaming platforms such as Netflix, Disney+, and Gain. Throughout my career, I have worked on projects that required a high level of technical precision and creative sensitivity. Most recently, I served as a freelance dialogue editor and mixer for Netflix Türkiye’s KÜBRA limited series and as a Foley recordist and mixer for Dünyayla Benim Aramda (Disney+). These projects strengthened my ability to maintain consistent dialogue levels, enhance clarity, and shape a cohesive sonic landscape that supports the visual narrative. My workflow is based primarily in Pro Tools, using iZotope RX, FabFilter Pro-Q 3, and McDSP SA-3 for dynamic control, spectral repair, and tonal balance. I am meticulous about meeting loudness and delivery specifications for major streaming platforms, ensuring technical compliance without compromising artistic integrity. I take pride in understanding a director’s intention and translating it into a detailed, emotionally resonant mix. I would be delighted to review your film’s current stereo mix and contribute to elevating its overall sound quality to industry standards. Thank you for considering my application. I look forward to the possibility of collaborating with your team and helping bring this film’s sound to its full potential. Warm regards, Can Doğduaslan Sound Designer & Mixing Engineer Kadıköy, Istanbul 📧 _Email not available. Sign in: https://www.twine.net/signup_ | 📞_Phone details not available. Sign in: https://www.twine.net/signup_

Available to hire

Dear Hiring Team,

I am writing to express my interest in the Audio Engineer position for your feature film. With over a decade of professional experience in film and series post-production, I have developed a strong focus on dialogue editing, sound design, and mixing for streaming platforms such as Netflix, Disney+, and Gain.

Throughout my career, I have worked on projects that required a high level of technical precision and creative sensitivity. Most recently, I served as a freelance dialogue editor and mixer for Netflix Türkiye’s KÜBRA limited series and as a Foley recordist and mixer for Dünyayla Benim Aramda (Disney+). These projects strengthened my ability to maintain consistent dialogue levels, enhance clarity, and shape a cohesive sonic landscape that supports the visual narrative.

My workflow is based primarily in Pro Tools, using iZotope RX, FabFilter Pro-Q 3, and McDSP SA-3 for dynamic control, spectral repair, and tonal balance. I am meticulous about meeting loudness and delivery specifications for major streaming platforms, ensuring technical compliance without compromising artistic integrity.

I take pride in understanding a director’s intention and translating it into a detailed, emotionally resonant mix. I would be delighted to review your film’s current stereo mix and contribute to elevating its overall sound quality to industry standards.

Thank you for considering my application. I look forward to the possibility of collaborating with your team and helping bring this film’s sound to its full potential.

Warm regards,
Can Doğduaslan
Sound Designer & Mixing Engineer
Kadıköy, Istanbul
📧 Email not available. Sign in: https://www.twine.net/signup
| 📞_Phone details not available. Sign in: https://www.twine.net/signup_

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Language

Turkish
Fluent
English
Advanced

Work Experience

Sound Designer & Composer at Nevşehir Kültür Yolu Festivali
January 1, 2024 - Present
Sound design and composition for the festival project La Réponse.
Sound Designer at Freelance
July 1, 2022 - Present
Freelance sound design and mixing for campaigns and brand work (e.g., Turkcell, Koç Group, Anadolu Group, Fiat, Ford).
Senior Sound Engineer at Istanbul Post Production (ABTI Istanbul Post Production)
July 1, 2020 - October 15, 2025
Senior Sound Engineer at Istanbul ABTI Istanbul Post Production.
Senior Sound Engineer at Anima Istanbul
July 1, 2020 - Present
Sound design and engineering for various projects.
Sound Engineer at Istanbul Post Production
November 1, 2018 - October 15, 2025
Sound recording, editing, and mixing for various productions.
Junior Sound Engineer at Melodika Music Production
January 1, 2016 - October 15, 2025
Junior sound engineer.
Production Interpreter at Organizma Productions
January 1, 2011 - October 15, 2025
Translation between foreign and local production units.
Volunteer at GRENZENLOS / Vienna International Youth Camp
September 1, 2007 - October 15, 2025
Volunteer work
Interpreter at IKSV
June 1, 2004 - October 15, 2025
Translation and event hosting for foreign guests (additional entry).
Interpreter at IKSV
June 1, 2004 - October 15, 2025
Translation and hosting for foreign guests.

Education

Master of Sound Engineering and Design at Istanbul Technical University
September 1, 2008 - June 1, 2011
Philosophy Degree at Istanbul University
September 1, 2002 - June 1, 2007

Qualifications

Master's Degree in Sound Engineering and Design
September 1, 2008 - June 1, 2011
Philosophy Degree
September 1, 2002 - June 1, 2007

Industry Experience

Media & Entertainment, Professional Services, Telecommunications, Software & Internet