Dear Hiring Team, I am writing to express my interest in the Audio Engineer position for your feature film. With over a decade of professional experience in film and series post-production, I have developed a strong focus on dialogue editing, sound design, and mixing for streaming platforms such as Netflix, Disney+, and Gain. Throughout my career, I have worked on projects that required a high level of technical precision and creative sensitivity. Most recently, I served as a freelance dialogue editor and mixer for Netflix Türkiye’s KÜBRA limited series and as a Foley recordist and mixer for Dünyayla Benim Aramda (Disney+). These projects strengthened my ability to maintain consistent dialogue levels, enhance clarity, and shape a cohesive sonic landscape that supports the visual narrative. My workflow is based primarily in Pro Tools, using iZotope RX, FabFilter Pro-Q 3, and McDSP SA-3 for dynamic control, spectral repair, and tonal balance. I am meticulous about meeting loudness and delivery specifications for major streaming platforms, ensuring technical compliance without compromising artistic integrity. I take pride in understanding a director’s intention and translating it into a detailed, emotionally resonant mix. I would be delighted to review your film’s current stereo mix and contribute to elevating its overall sound quality to industry standards. Thank you for considering my application. I look forward to the possibility of collaborating with your team and helping bring this film’s sound to its full potential. Warm regards, Can Doğduaslan Sound Designer & Mixing Engineer Kadıköy, Istanbul 📧 _Email not available. Sign in: https://www.twine.net/signup_ | 📞_Phone details not available. Sign in: https://www.twine.net/signup_

Can Dogduaslan

Dear Hiring Team, I am writing to express my interest in the Audio Engineer position for your feature film. With over a decade of professional experience in film and series post-production, I have developed a strong focus on dialogue editing, sound design, and mixing for streaming platforms such as Netflix, Disney+, and Gain. Throughout my career, I have worked on projects that required a high level of technical precision and creative sensitivity. Most recently, I served as a freelance dialogue editor and mixer for Netflix Türkiye’s KÜBRA limited series and as a Foley recordist and mixer for Dünyayla Benim Aramda (Disney+). These projects strengthened my ability to maintain consistent dialogue levels, enhance clarity, and shape a cohesive sonic landscape that supports the visual narrative. My workflow is based primarily in Pro Tools, using iZotope RX, FabFilter Pro-Q 3, and McDSP SA-3 for dynamic control, spectral repair, and tonal balance. I am meticulous about meeting loudness and delivery specifications for major streaming platforms, ensuring technical compliance without compromising artistic integrity. I take pride in understanding a director’s intention and translating it into a detailed, emotionally resonant mix. I would be delighted to review your film’s current stereo mix and contribute to elevating its overall sound quality to industry standards. Thank you for considering my application. I look forward to the possibility of collaborating with your team and helping bring this film’s sound to its full potential. Warm regards, Can Doğduaslan Sound Designer & Mixing Engineer Kadıköy, Istanbul 📧 _Email not available. Sign in: https://www.twine.net/signup_ | 📞_Phone details not available. Sign in: https://www.twine.net/signup_

Available to hire

Dear Hiring Team,

I am writing to express my interest in the Audio Engineer position for your feature film. With over a decade of professional experience in film and series post-production, I have developed a strong focus on dialogue editing, sound design, and mixing for streaming platforms such as Netflix, Disney+, and Gain.

Throughout my career, I have worked on projects that required a high level of technical precision and creative sensitivity. Most recently, I served as a freelance dialogue editor and mixer for Netflix Türkiye’s KÜBRA limited series and as a Foley recordist and mixer for Dünyayla Benim Aramda (Disney+). These projects strengthened my ability to maintain consistent dialogue levels, enhance clarity, and shape a cohesive sonic landscape that supports the visual narrative.

My workflow is based primarily in Pro Tools, using iZotope RX, FabFilter Pro-Q 3, and McDSP SA-3 for dynamic control, spectral repair, and tonal balance. I am meticulous about meeting loudness and delivery specifications for major streaming platforms, ensuring technical compliance without compromising artistic integrity.

I take pride in understanding a director’s intention and translating it into a detailed, emotionally resonant mix. I would be delighted to review your film’s current stereo mix and contribute to elevating its overall sound quality to industry standards.

Thank you for considering my application. I look forward to the possibility of collaborating with your team and helping bring this film’s sound to its full potential.

Warm regards,
Can Doğduaslan
Sound Designer & Mixing Engineer
Kadıköy, Istanbul
📧 Email not available. Sign in: https://www.twine.net/signup
| 📞_Phone details not available. Sign in: https://www.twine.net/signup_

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Language

Turkish
Fluent
English
Advanced

Work Experience

Sound Designer & Composer at Nevşehir Kültür Yolu Festivali
January 1, 2024 - Present
Sound design and composition for the festival project La Réponse.
Sound Designer at Freelance
July 1, 2022 - Present
Freelance sound design and mixing for campaigns and brand work (e.g., Turkcell, Koç Group, Anadolu Group, Fiat, Ford).
Senior Sound Engineer at Anima Istanbul
July 1, 2020 - Present
Sound design and engineering for various projects.
Senior Sound Engineer at Istanbul Post Production (ABTI Istanbul Post Production)
July 1, 2020 - October 15, 2025
Senior Sound Engineer at Istanbul ABTI Istanbul Post Production.
Sound Engineer at Istanbul Post Production
November 1, 2018 - October 15, 2025
Sound recording, editing, and mixing for various productions.
Junior Sound Engineer at Melodika Music Production
January 1, 2016 - October 15, 2025
Junior sound engineer.
Production Interpreter at Organizma Productions
January 1, 2011 - October 15, 2025
Translation between foreign and local production units.
Interpreter at IKSV
June 1, 2004 - October 15, 2025
Translation and hosting for foreign guests.
Volunteer at GRENZENLOS / Vienna International Youth Camp
September 1, 2007 - October 15, 2025
Volunteer work
Interpreter at IKSV
June 1, 2004 - October 15, 2025
Translation and event hosting for foreign guests (additional entry).

Education

Master of Sound Engineering and Design at Istanbul Technical University
September 1, 2008 - June 1, 2011
Philosophy Degree at Istanbul University
September 1, 2002 - June 1, 2007

Qualifications

Master's Degree in Sound Engineering and Design
September 1, 2008 - June 1, 2011
Philosophy Degree
September 1, 2002 - June 1, 2007

Industry Experience

Media & Entertainment, Professional Services, Telecommunications, Software & Internet