Caroline Eriksson

Delivered 20-30+ final shots across high-profile episodic productions including The Last of Us, Invasion, Star Trek: Starfleet Academy, and Star Trek: Strange New Worlds. Utilized Deep compositing workflows, 3D scenes, and projection techniques to integrate CG and live-action elements with photo realistic results. Collaborated closely with CG, Lighting, and FX departments, using in-house tools to optimize shot efficiency and maintain continuity.

Delivered compositing work for a high-pressure ATG commercial, responsible for both new shots and taking over partially completed composites from other artists to meet tight delivery deadlines. Provided motion design, tracking, and integration for two television productions – maintaining visual continuity and adapting style to audience and format. Collaborated with production teams and creative leads both on-site and remotely, ensuring technical accuracy, aesthetic consistency, and on-schedule delivery.

Delivered full productions from concept to final delivery, combining 2D + 3D animation, motion design, and compositing depending on project needs. Acted as a versatile pipeline resource, contributing across concept development, asset creation, animation, lighting, and shot integration, ensuring continuity of visual direction. Maintained direct client communication to streamline feedback cycles and accelerate delivery; worked closely with creative departments to align artistic intent and technical feasibility. Provided on-set supervision, collaborating with directors, DPs, and production crews to secure plates, reference, and technical requirements for post-production. Utilized a broad toolset including Maya, Cinema 4D, Nuke, After Effects, Premiere, Illustrator, and Photoshop.