Post Producer / Management (postproduction professionals; also Editor on multiple pilots) at TV Writers Studio, Long Island University

Hired and managed postproduction professionals for TV pilots including Compassion Fatigue (2026), Revelation: The Rest Is Silence (2025), Bullet Wipe (2024), and Solo Act (2023). Served as editor on the above projects and coordinated postproduction workflow through delivery and archiving.

Management / Technical Director at DCTV

Oversaw technology projects and purchases for broadcast documentary, rentals, post, and exhibition departments; supervised technology budgets and ensured compliance with state granting rules. Led projects including engineering for DCTV’s Digital Cinema, equipment selection/purchasing, fiber internet upgrade, facility rewiring, and Avid ISIS/Nexus shared storage upgrades. Built DCTV’s portable TriCaster TV studio system.

Director, Post - Production / Broadcast Support Department at DCTV (Downtown Community Television Center)

Ran DCTV’s Post/Broadcast Support Department for clients and in-house broadcast productions. Advised post clients and arranged editing, color correction, and mastering sessions. Maintained and upgraded editing systems and remodeled suites. Managed post-production workflow from ingest through final delivery and archiving for documentaries including Cuba and the Cameraman (2017), Mariela Castro’s March (2016), Redemption (2013), In Tahrir Square: 18 Days of Egypt’s Unfinished Revolution (2012), and No Contract, No Cookies: The Stella D’oro Strike (2011).

Editor at Cultural Animal LLC

Edit long and short-form content, fiction and nonfiction.

ConnecTV Program Director / Series Producer at DCTV (Downtown Community Television Center)

Created and ran a three-year intensive nonfiction filmmaking program for people with disabilities. Trained producers, managed productions (10 short documentaries and the ConnecTV pilot), hired and managed personnel, created and managed budgets/funds, developed program documentation and promotional materials, and purchased and maintained equipment. Wrote and taught curriculum and partnered with LIU and Queens Library for video conferencing segments with disability groups worldwide. Shorts produced in the program screened at festivals globally.