Most videos don't lose people because of bad footage. They lose people because of bad cuts — three seconds of dead air, a hook that lands too late, b-roll that arrives after the moment has passed. That's the part I fix. I'm Daniel, founder and lead editor at Dejota Visuals. I cut long-form YouTube, short-form for Reels, Shorts and TikTok, paid social ads, and podcast and talk-head content. Every project includes subtitles, sound design, color and motion graphics as part of the edit — not as add-ons. How I approach a cut: the footage is the product. Pacing, b-roll placement and type all serve one question — does this earn the next five seconds? Premiere Pro, with CapCut and AI tools for motion graphics when a project calls for it. Delivered in English, Portuguese and Spanish. Based in Brazil, which usually means your footage gets edited while you sleep. More of my work: dejotavisuals.com.br…Most videos don't lose people because of bad footage. They lose people because of bad cuts — three seconds of dead air, a hook that lands too late, b-roll that arrives after the moment has passed. That's the part I fix. I'm Daniel, founder and lead editor at Dejota Visuals. I cut long-form YouTube, short-form for Reels, Shorts and TikTok, paid social ads, and podcast and talk-head content. Every project includes subtitles, sound design, color and motion graphics as part of the edit — not as add-ons. How I approach a cut: the footage is the product. Pacing, b-roll placement and type all serve one question — does this earn the next five seconds? Premiere Pro, with CapCut and AI tools for motion graphics when a project calls for it. Delivered in English, Portuguese and Spanish. Based in Brazil, which usually means your footage gets edited while you sleep. More of my work: dejotavisuals.com.brWWWW…