I’m a senior creative and art director fluent in all things brand. My practice operates at the intersection of culture and digital innovation—translating sharp conceptual thinking into high-impact design and creative. I’m currently Creative Lead at Sheep Inc., partnering with global brands to shape their visual narratives through a highly collaborative, ego-free, multi-disciplinary approach.
I lead hands-on art direction and creative systems, defining how brands connect with modern audiences. With a strong focus on performance-aware creative, I oversee end-to-end visual storytelling across email and paid acquisition funnels, driving measurable revenue while maintaining uncompromising design standards.
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Sheep Inc. is the world’s first carbon negative label. I creatively directed the brand’s visual world. Leading on ecomm styling, campaign art direction, brand voice and developed the brand’s creative platform, Our Stories Go Deeper.
All assets are created using generative artificial intelligence.
The official rollout announcing that Arcadia’s golden child was now an e-commerce exclusive. We launched a global campaign across social, OOH and online to let shoppers know they could finally buy Topshop denim without having to navigate Oxford Circus.
Black Friday at ASOS is retail at its most competitive.
I led the art direction and 3D design, creating a scalable visual language that could evolve week by week whilst maintaining a distinctive, consistent identity across every customer touchpoint.
A CGI campaign featuring giant cosmetics taking over London.
We managed to spark a full-blown internet controversy when media outlets accused us of stealing a Maybelline concept…a physical impossibility in 3D animation timelines but an absolute masterclass in getting everyone on the internet to talk about the launch.
To mark Black Friday, we built the first physical space in ASOS’s history.
It was a manifestation of the ASOS app in Soho. Four floors, 30+ brands and live panel talks designed to remind Gen Z that before online shopping, people used to walk into buildings, try on clothes and wait in lines.
A SS24 campaign that dropped Madeline Argy and AntsLive into a dreamlike dimension.
It was rolled out globally across OOH, paid social, and organic channels.
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