Hi! I’m a video editor working in DaVinci Resolve, and I can take your project from a clean rough cut through polished delivery—tight pacing, sound cleanup, and a consistent, professional grade. I work fast on a powerful workstation with a DeckLink 8K Pro, so monitoring and turnaround are reliable and color-accurate. I can also handle simple on-location shoots with a Blackmagic URSA Mini 4.6K, plus mic and lighting—ideal for interviews, social clips, and small promo content. If you share your brief and references, I’ll propose a clear workflow and deliver a short test segment to match your style.…

Evgen Goncharov

Hi! I’m a video editor working in DaVinci Resolve, and I can take your project from a clean rough cut through polished delivery—tight pacing, sound cleanup, and a consistent, professional grade. I work fast on a powerful workstation with a DeckLink 8K Pro, so monitoring and turnaround are reliable and color-accurate. I can also handle simple on-location shoots with a Blackmagic URSA Mini 4.6K, plus mic and lighting—ideal for interviews, social clips, and small promo content. If you share your brief and references, I’ll propose a clear workflow and deliver a short test segment to match your style.…

Available to hire

Hi! I’m a video editor working in DaVinci Resolve, and I can take your project from a clean rough cut through polished delivery—tight pacing, sound cleanup, and a consistent, professional grade. I work fast on a powerful workstation with a DeckLink 8K Pro, so monitoring and turnaround are reliable and color-accurate.

I can also handle simple on-location shoots with a Blackmagic URSA Mini 4.6K, plus mic and lighting—ideal for interviews, social clips, and small promo content. If you share your brief and references, I’ll propose a clear workflow and deliver a short test segment to match your style.

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English
Intermediate
German
Intermediate
Ukrainian
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Russian
Advanced

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    paper Professional skin-tone and facial color correction

    I provide professional skin-tone and facial color correction using a Parallel Mixer workflow for maximum control and natural results. Working with RED RAW footage, Sony LOG formats (S-Log2/S-Log3), Blackmagic (BRAW/Film), and ARRI Alexa (LogC), I can properly develop the material from RAW/LOG, balance exposure and white point, isolate and refine skin tones, and deliver a clean, cinematic grade while preserving detail and texture.

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