Great games don’t just look immersive — they sound alive.

I compose original music for video games that enhances world-building, deepens emotion, and responds to the player experience. From atmospheric exploration to high-intensity combat, the score is designed to support gameplay and make every moment feel meaningful.

Whether you’re developing an indie title, a mobile game, or a larger-scale production, I create music that fits seamlessly into your game’s universe — reinforcing tone, pacing, and player immersion.

My approach to game scoring is both cinematic and adaptive. I write music that can evolve with gameplay — building tension, releasing energy, and supporting narrative beats without ever feeling repetitive or intrusive.

I’m comfortable working with middleware such as Wwise and FMOD. I can deliver assets that are ready to integrate into your pipeline, including loops, stems, and adaptive layers. I can also implement in Unity or Unreal if required.

I design adaptive scores with implementation in mind from the outset — structuring stems, transitions, and vertical layers to respond cleanly to game states, RTPCs, triggers, and switch-based logic.

Rather than treating implementation as an afterthought, the system itself becomes part of the composition. This allows for fluid transitions in intensity, orchestration, and texture — supporting gameplay in a way that feels cohesive rather than reactive.

A small selection of my recent work. I’m a London-based composer and sound designer working across music, film, games and post-production. My work blends cinematic storytelling with strong melodies and modern production. I’ve released multiple albums, collaborated with artists like the Grammy-Nominated DragonForce, Janet Devlin and created music and sound design for clients including Spotify, McDonald’s, T-Mobile, Tonies, Paddy Power, Betfair, Sky Vegas, Papa John’s, Mailchimp and more. Whatever the project, my focus is always on emotion, story and bringing ideas to life through sound.