I'm a creative and detail-driven Digital Compositor with extensive experience in the sector, including the last 3 years in high-end VFX for feature films and premium television. I bring a strong understanding of lighting, photoreal integration, and multi-pass compositing, with a passion for creating immersive environments and perfecting the smallest visual details. I'm a collaborative team player willing to offer a top-notch result, constantly seeking to evolve my technical skills and stay updated with industry trends and technologies to continue my career progression. I have a strong foundation in photographic lighting, composition, and colour theory, honed through both artistic education and real-world feature film experience. Capable mentor and team player, experienced in guiding juniors and collaborating across departments (CG, FX, roto, paint). I am curious and solution-oriented with a strong record of solving complex compositing challenges under tight deadlines.

I'm a creative and detail-driven Digital Compositor with extensive experience in the sector, including the last 3 years in high-end VFX for feature films and premium television. I bring a strong understanding of lighting, photoreal integration, and multi-pass compositing, with a passion for creating immersive environments and perfecting the smallest visual details. I'm a collaborative team player willing to offer a top-notch result, constantly seeking to evolve my technical skills and stay updated with industry trends and technologies to continue my career progression. I have a strong foundation in photographic lighting, composition, and colour theory, honed through both artistic education and real-world feature film experience. Capable mentor and team player, experienced in guiding juniors and collaborating across departments (CG, FX, roto, paint). I am curious and solution-oriented with a strong record of solving complex compositing challenges under tight deadlines.

Available to hire

I’m a creative and detail-driven Digital Compositor with extensive experience in the sector, including the last 3 years in high-end VFX for feature films and premium television. I bring a strong understanding of lighting, photoreal integration, and multi-pass compositing, with a passion for creating immersive environments and perfecting the smallest visual details. I’m a collaborative team player willing to offer a top-notch result, constantly seeking to evolve my technical skills and stay updated with industry trends and technologies to continue my career progression.

I have a strong foundation in photographic lighting, composition, and colour theory, honed through both artistic education and real-world feature film experience. Capable mentor and team player, experienced in guiding juniors and collaborating across departments (CG, FX, roto, paint). I am curious and solution-oriented with a strong record of solving complex compositing challenges under tight deadlines.

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Language

English
Fluent
Italian
Beginner
Spanish; Castilian
Fluent
Catalan; Valencian
Fluent

Work Experience

Digital Compositor at UNION VFX
June 1, 2022 - Present
Composited complex visual effects shots integrating live-action plates with multi-pass CG elements, ensuring seamless lighting, shadows, and colour matching. Applied 2D/3D tracking techniques for high-end film and television productions. Performed set extensions, digital environment cleanup, and chroma keying for sequences requiring photoreal precision. Integrated FX simulations such as explosions, debris, and water using advanced blending techniques. Used advanced tools including Smart Vector, KeenTools, and Copycat. Optimized Nuke scripts for performance and consistency across shot sequences. Collaborated closely with supervisors and leads to match visual style and narrative tone for varied creative and technical projects. Worked alongside FX and lighting departments to troubleshoot renders and enhance final comp quality. Key projects included 28 Years Later (Feature Film), The Franchise (HBO Max), Poor Things (BAFTA VFX Winner), Slow Horses (Apple TV+ Seasons 3 & 4), Tattooist of Au
Digital Compositor at SCANLINE VFX
June 30, 2022 - September 4, 2025
Delivered high-quality compositing for fast-paced streaming and feature film content. Performed chroma keying for driving sequences requiring photoreal precision. Applied roto and paint cleanup workflows to support clean plates and DMP integration. Key projects included Andor: Star Wars (Season 1) for Disney+ and Me Time (Netflix Feature Film).
2D Animation Compositor at BOULDER MEDIA
December 31, 2021 - September 4, 2025
Composited stylized 2D animation sequences using Toon Boom Harmony and After Effects, working within tight broadcast deadlines. Integrated characters, backgrounds, and effects into cohesive scenes ensuring continuity and visual clarity. Maintained version control across episodes and coordinated with animation and layout departments. Created FX in After Effects for hero shots. Key projects included Bots Bots Transformers (Netflix), Cat Burglar (Netflix), Pony Life (Netflix), and Transformers: Rescue Bots Academy (Netflix Seasons 1 & 2).
Motion Graphics & E-learning Video Compositor at ILLUMINATE LEARNING
June 30, 2019 - September 4, 2025
Created engaging motion graphics and visual content for corporate training and e-learning modules. Designed explainer videos, infographics, and transitions aligned with brand guidelines. Managed full post-production workflow from asset creation to final render.
Digital Compositor at UNION VFX
June 1, 2022 - Present
Composited complex visual effects shots integrating live-action plates with multi-pass CG elements, ensuring seamless lighting, shadows, and colour matching. Utilised 2D/3D tracking techniques for high-end film and television productions. Performed set extensions, digital environment cleanup, and chromakeying for sequences requiring photoreal precision. Integrated FX simulations such as explosions, debris, and water into live-action shots using advanced blending techniques. Optimised Nuke scripts for performance and consistency across shot sequences. Worked closely with supervisors and leads to match the visual style and narrative tone for a large number of creatively and technically diverse projects. Collaborated with FX and lighting departments to troubleshoot renders and enhance final comp quality. Key projects included "28 Years Later" (Feature Film), "The Franchise" (HBO Max), "Poor Things" (Feature Film, BAFTA VFX Winner), "Slow Horses" (Apple TV+ Seasons 3 & 4), "Tattooist of Au
Digital Compositor at SCANLINE VFX
June 1, 2022 - September 4, 2025
Delivered high-quality compositing for fast-paced streaming and feature film content. Provided chromakeying for driving sequences requiring photoreal precision and applied roto and paint cleanup workflows to support clean plates and DMP integration. Key projects included "Andor: Star Wars" (Disney+) Season 1 and "Me Time" (Netflix Feature Film).
2D Animation Compositor at BOULDER MEDIA
December 1, 2021 - September 4, 2025
Composited stylized 2D animation sequences using Toon Boom Harmony and After Effects, working within tight broadcast deadlines. Integrated characters, backgrounds, and effects into cohesive scenes, ensuring continuity and visual clarity. Maintained version control across episodes and coordinated with animation and layout departments. Created FX in After Effects for hero shots. Key projects included "Bots Bots Transformers" (Netflix), "Cat Burglar" (Netflix), "Pony Life" (Netflix, 52 x 5'), "Transformers: Rescue Bots Academy" Seasons 1 & 2 (Netflix).
Motion Graphics & E-learning Video Compositor at ILLUMINATE LEARNING
June 1, 2019 - September 4, 2025
Created engaging motion graphics and visual content for corporate training and e-learning modules. Designed explainer videos, infographics, and transitions aligned with brand guidelines. Managed full post-production workflow from asset creation to final render.

Education

Master’s Degree in Animation at Polytechnic University of Valencia
January 11, 2030 - September 4, 2025
Bachelor’s Degree in Fine Arts at Polytechnic University of Valencia
January 11, 2030 - September 4, 2025
Master's Degree in Animation at Polytechnic University of Valencia
January 11, 2030 - September 4, 2025
Bachelor's Degree in Fine Arts at Polytechnic University of Valencia
January 11, 2030 - September 4, 2025

Qualifications

Master of Light Course (Certified Training and Supported by Foundry)
January 11, 2030 - September 4, 2025
Nuke VFX Compositing Diploma (CG Spectrum)
January 11, 2030 - September 4, 2025
Master of Light Course (Certified Training and Supported by Foundry)
January 11, 2030 - September 4, 2025
Nuke VFX Compositing Diploma (CG Spectrum)
January 11, 2030 - September 4, 2025

Industry Experience

Media & Entertainment, Education