Hello, I’m Giuseppe, a self-taught mixing and mastering engineer based in Bari, Italy. I work with independent and underground artists who want a clear, balanced and emotionally effective sound. My approach is based on careful listening, communication and attention to detail. I focus on enhancing the artist’s vision rather than forcing every track into the same sound. Whether I’m working on a mix, a master or a live sound setup, my goal is to deliver a professional result that feels natural, powerful and true to the music. Over the years, I’ve developed my skills through independent study, hands-on freelance work and live sound experience, including festival and underground music events. I’m especially interested in projects where sound, energy and authenticity matter. If you’re looking for a reliable collaborator for mixing, mastering or audio engineering, I’d be happy to help bring your project to life.

Giuseppe Lassandro

Hello, I’m Giuseppe, a self-taught mixing and mastering engineer based in Bari, Italy. I work with independent and underground artists who want a clear, balanced and emotionally effective sound. My approach is based on careful listening, communication and attention to detail. I focus on enhancing the artist’s vision rather than forcing every track into the same sound. Whether I’m working on a mix, a master or a live sound setup, my goal is to deliver a professional result that feels natural, powerful and true to the music. Over the years, I’ve developed my skills through independent study, hands-on freelance work and live sound experience, including festival and underground music events. I’m especially interested in projects where sound, energy and authenticity matter. If you’re looking for a reliable collaborator for mixing, mastering or audio engineering, I’d be happy to help bring your project to life.

Available to hire

Hello, I’m Giuseppe, a self-taught mixing and mastering engineer based in Bari, Italy. I work with independent and underground artists who want a clear, balanced and emotionally effective sound.

My approach is based on careful listening, communication and attention to detail. I focus on enhancing the artist’s vision rather than forcing every track into the same sound. Whether I’m working on a mix, a master or a live sound setup, my goal is to deliver a professional result that feels natural, powerful and true to the music.

Over the years, I’ve developed my skills through independent study, hands-on freelance work and live sound experience, including festival and underground music events. I’m especially interested in projects where sound, energy and authenticity matter.

If you’re looking for a reliable collaborator for mixing, mastering or audio engineering, I’d be happy to help bring your project to life.

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Experience Level

Expert
Expert
Expert

Language

English
Fluent
Italian
Fluent

Work Experience

Freelance Mixing and Mastering Engineer at Indipendent Artist / Freelance
December 31, 2020 - Present
Worked as a freelance mixing and mastering engineer for independent and underground music projects. Responsibilities included balancing tracks, editing audio, EQ, compression, vocal processing, spatial effects, mastering preparation, loudness optimization and final delivery for digital release. Developed a workflow based on communication with the artist, reference tracks and detailed revisions to achieve a polished but authentic sound.
Live Sound Engineer at Crutch Fest 3
June 26, 2021 - June 26, 2021
Worked as live sound engineer during Crutch Fest 3, managing live audio for performing artists. Tasks included basic live sound setup, signal management, monitoring, level balancing and adapting the sound to the needs of the performers and the venue. This experience helped strengthen my ability to work under pressure and make fast, practical audio decisions in a live environment.
Live Sound Engineer at Distorsioni Fest
August 23, 2024 - August 25, 2024
Provided live sound engineering support for Distorsioni Fest 2024. Managed live audio needs during performances, focusing on clarity, balance and consistency across different acts. The role required quick problem-solving, communication with musicians and attention to the energy of the live performance.
Live Sound Engineer at Underground Band Night
December 28, 2024 - December 28, 2024
Worked as live sound engineer for an underground band event in 2024. Supported the live performance by managing sound levels, instrument balance, vocal clarity and overall sonic impact. The experience reinforced my interest in underground music scenes and practical audio work in real performance settings.

Education

Self-Directed Study in Mixing, Mastering & Audio Engineering at U.R.M. Academy
January 1, 2021 - May 26, 2026
Independent study focused on mixing, mastering, audio editing, EQ, compression, gain staging, stereo imaging, vocal processing, loudness, reference listening and workflow development. Training developed through practical projects, critical listening, tutorials, professional references and continuous experimentation with real music material.

Qualifications

Self-Taught Mixing & Mastering Engineer
January 1, 2021 - May 26, 2026
Developed mixing and mastering skills through independent study, freelance work and practical experience with independent music projects.
Live Sound Engineering Experience
January 1, 2021 - May 26, 2026
Practical live sound experience across festival and underground music contexts, including Crutch Fest 3, Distorsioni Fest 2024 and independent band events.
Audio Post-Production and Music Production Workflow
January 1, 2021 - May 26, 2026
Experience with audio editing, mixing preparation, revision management, technical listening, final master delivery and client communication.

Industry Experience

Media & Entertainment
    paper Joe Atkins - Beat

    Worked as mixing engineer on an instrumental beat produced by an independent producer, with the goal of preparing the track for presentation and use with his own clients.

    The mix was focused on enhancing the beat’s clarity, punch and overall balance, while preserving the producer’s original creative direction. Particular attention was given to the relationship between drums, bass, melodic elements and overall loudness, ensuring the instrumental could sound polished, competitive and ready to be used by artists or clients in a professional context.

    The final result was tailored to the producer’s needs, providing a clean, balanced and client-ready mix that could support vocal recording, artist pitching or further production use.

    paper Atom Bomb - Adam Potts

    Worked as mixing and mastering engineer on an independent music project, supporting the artist throughout the creative and technical decision-making process.

    In addition to handling the mix and master, I provided remote guidance during the recording phase, helping the artist make informed choices regarding performance, vocal/instrument capture, takes, arrangement details and overall sonic direction.

    The project required close communication, active listening and a flexible workflow to ensure that every technical decision served the artist’s vision. The final delivery was carefully tailored to the artist’s needs, with a focus on clarity, balance, emotional impact and a polished sound suitable for release.

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