I’m a hands-on audio-visual systems designer and live-event producer with a passion for translating artistic vision into fully realized sonic experiences. I blend artistic sensibility with engineering precision to deliver immersive, high-fidelity sound for concerts, corporate events, and community showcases. As the founder and executive manager of HRIZEN, I lead end-to-end audio-visual system design and live event production, delivering bespoke, scalable solutions for high-profile venues and festivals. My work focuses on clear, consistent sound, emotional impact, and strong collaboration with artists and organizers to elevate every production.
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Provided full audio support for the EagleWings Group Membership App Launch, a corporate hospitality event involving presentations, product demos, and live entertainment. Managed FOH mixing, wireless microphone systems, and playback integration to deliver clear, polished speech reinforcement and smooth transitions throughout the programme.
Oversaw system setup and optimization within a premium lifestyle venue, coordinating closely with event managers and the production team to meet branding, timing, and technical requirements. Ensured reliable audio performance for VIP segments, media moments, and customer-engagement activities central to the launch.
Served as FOH engineer and system lead for Sunbleached / Saltbleached, an intimate indie/underground music event series curated by Mirrorchol. Managed full audio reinforcement for a diverse lineup of alternative, shoegaze, and experimental acts, ensuring genre-appropriate tonal balance and dynamic control.
Handled complete system setup—including speaker deployment, stage plotting, wireless coordination, and backline integration—while working within tight changeovers and low-light, high-energy environments. Collaborated closely with artists and organizers to deliver immersive, atmospheric mixes that supported the event’s creative direction and audience experience.
Provided full audio support for the Singapore Orthopaedic Association’s 47th Annual Scientific Meeting, a multi-session medical conference involving keynote lectures, symposiums, research presentations, and panel discussions. Delivered speech-critical FOH mixing, managed multiple wireless channels, podium microphones, media playback, and live Q&A segments.
Worked closely with conference organizers, medical faculty, and venue technicians to maintain consistent clarity, zero-feedback operation, and smooth programme flow across a tightly scheduled scientific agenda. Ensured seamless presenter transitions, proactively resolved on-site technical changes, and upheld professional standards suitable for a clinical and academic audience.
Part of *SCAPE’s youth-culture festival, Supersonic.mp3 featured emerging regional artists across R&B, hip-hop, and indie electronica.
The rapid changeovers and stacked line-up — ICEBOX, YAØ, lovlaine, OUT THE MIDDLE!, and RESORT — required disciplined FOH control, flexible monitoring, and confident communication with each artist.
I delivered FOH engineering and technical support for this festival. I managed tight soundchecks and rapid multi-artist changeovers while maintaining consistent mix quality across multiple acts including ICEBOX, YAØ, lovlaine, OUT THE MIDDLE!, and RESORT.
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