I am a London-based music producer and sound engineer with a First-Class Honours degree in Dance Music Production, Performance & Industry from Trinity Laban Conservatoire of Music & Dance, where I studied under ROCKWELL. My work spans international festivals, live venues, and screen productions with credits including Danny Boyle’s Pistol (ft. Underworld), Boomtown Festival (ft. Ray Keith), and Jamiroquai’s Celebration of the Individual. I bring a rare combination of technical precision and creative vision, having worked as FOH engineer, assistant producer, and live sound technician for projects ranging from 28-piece big bands to intimate studio sessions. My experience includes supporting global artists at The Savannah Music Festival, Riyadh Film Music Festival, and Noatune Studios, as well as mixing FOH for Christina Bianco at the Clapham Grand. As a multi-instrumentalist (voice, drums, piano, guitar) and writer/performer, I understand music from both sides of the glass allowing me to produce tracks that feel authentic and emotionally powerful. My technical expertise includes advanced DAW workflows (Logic Pro, Pro Tools, Ableton, Pyramix), plugin development (C++/JUCE), and hands-on experience with large-format analogue/digital consoles (Neve, SSL, Studer). What sets me apart is my ability to merge artistry with cutting-edge technology, creating immersive sonic experiences whether in the studio, on stage, or for the screen.

Henry Dukes

PRO

I am a London-based music producer and sound engineer with a First-Class Honours degree in Dance Music Production, Performance & Industry from Trinity Laban Conservatoire of Music & Dance, where I studied under ROCKWELL. My work spans international festivals, live venues, and screen productions with credits including Danny Boyle’s Pistol (ft. Underworld), Boomtown Festival (ft. Ray Keith), and Jamiroquai’s Celebration of the Individual. I bring a rare combination of technical precision and creative vision, having worked as FOH engineer, assistant producer, and live sound technician for projects ranging from 28-piece big bands to intimate studio sessions. My experience includes supporting global artists at The Savannah Music Festival, Riyadh Film Music Festival, and Noatune Studios, as well as mixing FOH for Christina Bianco at the Clapham Grand. As a multi-instrumentalist (voice, drums, piano, guitar) and writer/performer, I understand music from both sides of the glass allowing me to produce tracks that feel authentic and emotionally powerful. My technical expertise includes advanced DAW workflows (Logic Pro, Pro Tools, Ableton, Pyramix), plugin development (C++/JUCE), and hands-on experience with large-format analogue/digital consoles (Neve, SSL, Studer). What sets me apart is my ability to merge artistry with cutting-edge technology, creating immersive sonic experiences whether in the studio, on stage, or for the screen.

Available to hire

I am a London-based music producer and sound engineer with a First-Class Honours degree in Dance Music Production, Performance & Industry from Trinity Laban Conservatoire of Music & Dance, where I studied under ROCKWELL. My work spans international festivals, live venues, and screen productions with credits including Danny Boyle’s Pistol (ft. Underworld), Boomtown Festival (ft. Ray Keith), and Jamiroquai’s Celebration of the Individual.
I bring a rare combination of technical precision and creative vision, having worked as FOH engineer, assistant producer, and live sound technician for projects ranging from 28-piece big bands to intimate studio sessions. My experience includes supporting global artists at The Savannah Music Festival, Riyadh Film Music Festival, and Noatune Studios, as well as mixing FOH for Christina Bianco at the Clapham Grand.
As a multi-instrumentalist (voice, drums, piano, guitar) and writer/performer, I understand music from both sides of the glass allowing me to produce tracks that feel authentic and emotionally powerful. My technical expertise includes advanced DAW workflows (Logic Pro, Pro Tools, Ableton, Pyramix), plugin development (C++/JUCE), and hands-on experience with large-format analogue/digital consoles (Neve, SSL, Studer).
What sets me apart is my ability to merge artistry with cutting-edge technology, creating immersive sonic experiences whether in the studio, on stage, or for the screen.

See more

Experience Level

Expert
Intermediate
Intermediate
Intermediate
Intermediate
Beginner

Language

English
Fluent

Work Experience

Add your work experience history here.

Education

BA (Hons) Music Production, Performance & Industry – First Class at Trinity Laban Conservatoire of Music & Dance
January 1, 2022 - January 1, 2025
A Levels at Marlborough College
January 11, 2030 - September 23, 2025

Qualifications

First Class Honours Trinity Laban Conservatoire for Music and Dance - BA (Hons) Music Production, performance and Industry
September 7, 2022 - June 25, 2025
Singing Grade 8 Distinction (Trinity)
May 29, 2021 - May 29, 2021
Piano Grade 8 (ABRSM)
May 29, 2021 - May 29, 2021

Industry Experience

Media & Entertainment
    uniE603 Wasting My Time
    Here is an unreleased record I have written. This track has recently been played at Boomtown along with other dance music festivals across the summer.