COA graduate with concentration on Audio Engineering, Ethnomusicology, Documentary Film and Education. My work focuses on how music technologies shape listening, memory, and cultural preservation. My senior project explores sampling as a method of storytelling and culture preservation through sound.
I work across audio production, music performance, sound art, and documentary film—building recordings, designing sound, and facilitating music/technology learning. I’m particularly interested in preserving vintage audio technologies through modern software and gear, alongside creating platforms for socio-cultural and political expression with music. I have worked as a producer, composer and arranger, live mixer and quadraphonic sound artist.
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