In this section I’m presenting a selection of film-focused editorial work, including cinema reels, film trailers, and making-of pieces. The reels highlight my ability to curate moments, build rhythm, and communicate tone quickly, balancing narrative clarity with visual impact. The trailers focus on structuring story beats, tension, and pacing, shaping footage into a coherent arc while staying faithful to the film’s identity and audience expectations.

The making-of pieces show my approach to documentary-style storytelling around a production: capturing process, performance, and behind-the-scenes detail, then assembling it into engaging, informative content. Across all formats, I pay close attention to timing, sound, and finishing clean dialogue and sound design, music-driven momentum, and polished delivery for different platforms and outputs.

This section brings together a selection of my audiovisual work linked to theater, where the camera doesn’t just document, but dialogues with the scene, amplifying its power and reinterpreting it.

As a trailer and visual pieces creator for various companies and scenic creators, my role extends beyond recording: I actively participate in the creation of worlds, atmospheres, and senses, with a collaborative approach.

Antonella Díaz, a 30-year-old deaf trans woman and drag performer living in northern Chile, travels to santiago after months of lockdown due tothe pandemic to present her first solo drag show.

The camera follows her journey: the rehearsals, the trip, the final performance, but also her fears, memories, and the dream of finding her own space in a society that has often excluded her.

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If we were to visit an amusement park where we could look back at our childhood, which ‘attractions’ from our memories would we ride?

Wandering through this seemingly fun place, and through the exercise of the video essay, dark and painful memories are explored, but also exciting ones, as if inaudible screams from a roller coaster could finally be heard. Fragments of the 90s’ childhood audiovisual imagination are reassembled into a new narrative, an innocent maturity that reflects and reconstructs memories scattered between chile and the united states. An adult present searching, among ruins and flashes, for their own path to healing.

Exhibition and selections:
June 2024 "Détour, video essay jornada” at Sala Zumzeig, Barcelona, Spain.
October 2024 Online exhibition “First time filmmaker sessions,” by liftoff global network, UK.
2025 Selected for the quarter-finals of the “CMCS wall of fame festival,” Canada.
2025 Exhibition at Bridge Film Festival and Cagliari Essay-film Festival, Italy.