I am a senior script writer and editor specialising in theatre and audio narrative. I refine dialogue, structure, pacing, and character across stage and audio projects, including song-led and score-driven work. I elevate early-stage scripts into cohesive, production-ready pieces through close collaboration with composers, directors, and creative teams. My work on The Flock earned a British Podcast Award nomination, and I’m an Oxford graduate.…

Jack Sanderson-Thwaite

I am a senior script writer and editor specialising in theatre and audio narrative. I refine dialogue, structure, pacing, and character across stage and audio projects, including song-led and score-driven work. I elevate early-stage scripts into cohesive, production-ready pieces through close collaboration with composers, directors, and creative teams. My work on The Flock earned a British Podcast Award nomination, and I’m an Oxford graduate.…

Available to hire

I am a senior script writer and editor specialising in theatre and audio narrative. I refine dialogue, structure, pacing, and character across stage and audio projects, including song-led and score-driven work.

I elevate early-stage scripts into cohesive, production-ready pieces through close collaboration with composers, directors, and creative teams. My work on The Flock earned a British Podcast Award nomination, and I’m an Oxford graduate.

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Language

English
Fluent
Japanese
Advanced

Work Experience

Writer/Script Editor at The Flock
January 1, 2021 - Present
Wrote and structured a multi-part scripted narrative incorporating songs and musical transitions; refined dialogue, pacing, and character arcs to integrate with the score; collaborated closely with the composer/sound designer to balance narrative clarity with musical storytelling. Podcast nominated for a British Podcast Award.
Writer at Our Blood Is An Ocean
January 1, 2018 - Present
Developed a dialogue-driven stage play through workshops and rehearsals; focused on rhythm, subtext, and character voice within performance constraints; adapted text in response to director and performer feedback.
Co-Director/Writer at Welcome To You
January 1, 2023 - Present
Developed performance script for immersive theatre project incorporating immersive technology; balanced narrative clarity with experiential and emotional beats; collaborated with stakeholders across multiple disciplines.
Creative Director/Lead Writer at Project Diagnosis
January 1, 2023 - Present
Designed and refined complex character arcs and branching dialogue; ensured tonal consistency across multiple narrative pathways; delivered structured, deadline-driven narrative drafts within a funded development pipeline.
Deputy Head Reviewer at Mort Reports
January 1, 2010 - January 1, 2025
Edited and proofread high-stakes documents requiring clarity, structure, and tonal precision; managed redrafting processes and feedback integration under tight deadlines; contributed senior editorial judgment to unfinished material.

Education

BA (Hons) Oriental Studies (Japanese) at University of Oxford
January 11, 2030 - January 7, 2026

Qualifications

Curtis Brown Creative – Novel Writing (2025)
January 1, 2025 - January 7, 2026
Bristol Old Vic – Open Session Writer
January 11, 2030 - January 7, 2026
Royal Court Young Writers Programme
January 11, 2030 - January 7, 2026
Soho Theatre Young Company
January 11, 2030 - January 7, 2026

Industry Experience

Media & Entertainment, Education, Professional Services
    paper The Flock

    The Flock is an audio drama with songs. An environmental fable and epic adventure about the end of the world - told from the point of view of the birds.

    Supported using public funding by Arts Council England.