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Jeramiah Ross was born in 1978 in Palmerston North, New Zealand. From a young age, he showed a passion for music, teaching himself to play the piano and guitar. which led into classical training. During his teenage years, he wrote and recorded 1000’s of songs using multi-track tape recorders and early computers. In 2003, Jeramiah started the solo project ‘Module’ after performing with local bands. However, Module quickly became his main focus, and he went on to collaborate with many New Zealand artists and bands. Jeramiah Ross’s debut album, ‘Remarkable Engines’ released through LOOP Recordings, achieved national success in New Zealand. It was used in the ‘Love Affair in Wellington Campaign’ and became a landmark in the country’s electronica and classical music scenes. Ross then joined Fly My Pretties, performing his classical compositions ‘Oh Fair Moonlight & Rain’ in sold-out shows across major theatres and halls throughout New Zealand. His follow-up album, ‘Imagineering’ which blended ambient electronica with live instrumentation, took his career to new heights. He followed that with ‘Love in the Digital’ mixing electronic and digital rock genres. He went on to be employed by PIK POK in Wellington where he created sound design and video game soundtracks, including the innovative game ‘Shatter’ which achieved huge international success on the PlayStation Network and Steam. Many called it one of the best video game soundtracks of its generation. Ross has worked with many creative companies, for international companies remotely and locally in New Zealand, including Weta Workshop, RESN, PIK POK, Activision, Dreamworks, Adult-Swim Games, and Magic Leap. He has provided sound design, audio programming, and music for various interactive and creative projects that were successful in the video game and digital markets, including Robot Unicorn Attack 2, Pudding Monsters, Rise of the Guardians, and How to Train Your Dragon. He has also provided sound design and music for short films, one of which, called ‘Metta Via’ won international awards and was released via DUST’s YouTube channel, reaching over two million views on Facebook and other platforms. Jeramiah Ross has collaborated with many talented musicians in New Zealand, including playing keyboards for Rhombus and The Black Seeds. He has also performed and worked with NZ electronica group Pitch Black and toured with composer Rhian Sheehan in Australia and Spain. He has created music with Paul McLaney and collaborated on various projects with digital artist Matt Pitt (aka redkidone). In addition to his musical talents, Ross is a mixed-media artist with a strong interest in synthesizers, microcomputers, software, design, programming, coding, and interactive audio. He incorporates these interests into his classical compositions, songwriting and electronic music production, as well as his live performances. Ross is signed with LOOP Recordings.…Jeramiah Ross was born in 1978 in Palmerston North, New Zealand. From a young age, he showed a passion for music, teaching himself to play the piano and guitar. which led into classical training. During his teenage years, he wrote and recorded 1000’s of songs using multi-track tape recorders and early computers. In 2003, Jeramiah started the solo project ‘Module’ after performing with local bands. However, Module quickly became his main focus, and he went on to collaborate with many New Zealand artists and bands. Jeramiah Ross’s debut album, ‘Remarkable Engines’ released through LOOP Recordings, achieved national success in New Zealand. It was used in the ‘Love Affair in Wellington Campaign’ and became a landmark in the country’s electronica and classical music scenes. Ross then joined Fly My Pretties, performing his classical compositions ‘Oh Fair Moonlight & Rain’ in sold-out shows across major theatres and halls throughout New Zealand. His follow-up album, ‘Imagineering’ which blended ambient electronica with live instrumentation, took his career to new heights. He followed that with ‘Love in the Digital’ mixing electronic and digital rock genres. He went on to be employed by PIK POK in Wellington where he created sound design and video game soundtracks, including the innovative game ‘Shatter’ which achieved huge international success on the PlayStation Network and Steam. Many called it one of the best video game soundtracks of its generation. Ross has worked with many creative companies, for international companies remotely and locally in New Zealand, including Weta Workshop, RESN, PIK POK, Activision, Dreamworks, Adult-Swim Games, and Magic Leap. He has provided sound design, audio programming, and music for various interactive and creative projects that were successful in the video game and digital markets, including Robot Unicorn Attack 2, Pudding Monsters, Rise of the Guardians, and How to Train Your Dragon. He has also provided sound design and music for short films, one of which, called ‘Metta Via’ won international awards and was released via DUST’s YouTube channel, reaching over two million views on Facebook and other platforms. Jeramiah Ross has collaborated with many talented musicians in New Zealand, including playing keyboards for Rhombus and The Black Seeds. He has also performed and worked with NZ electronica group Pitch Black and toured with composer Rhian Sheehan in Australia and Spain. He has created music with Paul McLaney and collaborated on various projects with digital artist Matt Pitt (aka redkidone). In addition to his musical talents, Ross is a mixed-media artist with a strong interest in synthesizers, microcomputers, software, design, programming, coding, and interactive audio. He incorporates these interests into his classical compositions, songwriting and electronic music production, as well as his live performances. Ross is signed with LOOP Recordings.

JeramiahRoss

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Jeramiah Ross was born in 1978 in Palmerston North, New Zealand. From a young age, he showed a passion for music, teaching himself to play the piano and guitar. which led into classical training. During his teenage years, he wrote and recorded 1000’s of songs using multi-track tape recorders and early computers. In 2003, Jeramiah started the solo project ‘Module’ after performing with local bands. However, Module quickly became his main focus, and he went on to collaborate with many New Zealand artists and bands. Jeramiah Ross’s debut album, ‘Remarkable Engines’ released through LOOP Recordings, achieved national success in New Zealand. It was used in the ‘Love Affair in Wellington Campaign’ and became a landmark in the country’s electronica and classical music scenes. Ross then joined Fly My Pretties, performing his classical compositions ‘Oh Fair Moonlight & Rain’ in sold-out shows across major theatres and halls throughout New Zealand. His follow-up album, ‘Imagineering’ which blended ambient electronica with live instrumentation, took his career to new heights. He followed that with ‘Love in the Digital’ mixing electronic and digital rock genres. He went on to be employed by PIK POK in Wellington where he created sound design and video game soundtracks, including the innovative game ‘Shatter’ which achieved huge international success on the PlayStation Network and Steam. Many called it one of the best video game soundtracks of its generation. Ross has worked with many creative companies, for international companies remotely and locally in New Zealand, including Weta Workshop, RESN, PIK POK, Activision, Dreamworks, Adult-Swim Games, and Magic Leap. He has provided sound design, audio programming, and music for various interactive and creative projects that were successful in the video game and digital markets, including Robot Unicorn Attack 2, Pudding Monsters, Rise of the Guardians, and How to Train Your Dragon. He has also provided sound design and music for short films, one of which, called ‘Metta Via’ won international awards and was released via DUST’s YouTube channel, reaching over two million views on Facebook and other platforms. Jeramiah Ross has collaborated with many talented musicians in New Zealand, including playing keyboards for Rhombus and The Black Seeds. He has also performed and worked with NZ electronica group Pitch Black and toured with composer Rhian Sheehan in Australia and Spain. He has created music with Paul McLaney and collaborated on various projects with digital artist Matt Pitt (aka redkidone). In addition to his musical talents, Ross is a mixed-media artist with a strong interest in synthesizers, microcomputers, software, design, programming, coding, and interactive audio. He incorporates these interests into his classical compositions, songwriting and electronic music production, as well as his live performances. Ross is signed with LOOP Recordings.…Jeramiah Ross was born in 1978 in Palmerston North, New Zealand. From a young age, he showed a passion for music, teaching himself to play the piano and guitar. which led into classical training. During his teenage years, he wrote and recorded 1000’s of songs using multi-track tape recorders and early computers. In 2003, Jeramiah started the solo project ‘Module’ after performing with local bands. However, Module quickly became his main focus, and he went on to collaborate with many New Zealand artists and bands. Jeramiah Ross’s debut album, ‘Remarkable Engines’ released through LOOP Recordings, achieved national success in New Zealand. It was used in the ‘Love Affair in Wellington Campaign’ and became a landmark in the country’s electronica and classical music scenes. Ross then joined Fly My Pretties, performing his classical compositions ‘Oh Fair Moonlight & Rain’ in sold-out shows across major theatres and halls throughout New Zealand. His follow-up album, ‘Imagineering’ which blended ambient electronica with live instrumentation, took his career to new heights. He followed that with ‘Love in the Digital’ mixing electronic and digital rock genres. He went on to be employed by PIK POK in Wellington where he created sound design and video game soundtracks, including the innovative game ‘Shatter’ which achieved huge international success on the PlayStation Network and Steam. Many called it one of the best video game soundtracks of its generation. Ross has worked with many creative companies, for international companies remotely and locally in New Zealand, including Weta Workshop, RESN, PIK POK, Activision, Dreamworks, Adult-Swim Games, and Magic Leap. He has provided sound design, audio programming, and music for various interactive and creative projects that were successful in the video game and digital markets, including Robot Unicorn Attack 2, Pudding Monsters, Rise of the Guardians, and How to Train Your Dragon. He has also provided sound design and music for short films, one of which, called ‘Metta Via’ won international awards and was released via DUST’s YouTube channel, reaching over two million views on Facebook and other platforms. Jeramiah Ross has collaborated with many talented musicians in New Zealand, including playing keyboards for Rhombus and The Black Seeds. He has also performed and worked with NZ electronica group Pitch Black and toured with composer Rhian Sheehan in Australia and Spain. He has created music with Paul McLaney and collaborated on various projects with digital artist Matt Pitt (aka redkidone). In addition to his musical talents, Ross is a mixed-media artist with a strong interest in synthesizers, microcomputers, software, design, programming, coding, and interactive audio. He incorporates these interests into his classical compositions, songwriting and electronic music production, as well as his live performances. Ross is signed with LOOP Recordings.

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Jeramiah Ross was born in 1978 in Palmerston North, New Zealand. From a young age, he showed a passion for music, teaching himself to play the piano and guitar. which led into classical training. During his teenage years, he wrote and recorded 1000’s of songs using multi-track tape recorders and early computers.

In 2003, Jeramiah started the solo project ‘Module’ after performing with local bands. However, Module quickly became his main focus, and he went on to collaborate with many New Zealand artists and bands. Jeramiah Ross’s debut album, ‘Remarkable Engines’ released through LOOP Recordings, achieved national success in New Zealand. It was used in the ‘Love Affair in Wellington Campaign’ and became a landmark in the country’s electronica and classical music scenes. Ross then joined Fly My Pretties, performing his classical compositions ‘Oh Fair Moonlight & Rain’ in sold-out shows across major theatres and halls throughout New Zealand. His follow-up album, ‘Imagineering’ which blended ambient electronica with live instrumentation, took his career to new heights. He followed that with ‘Love in the Digital’ mixing electronic and digital rock genres.

He went on to be employed by PIK POK in Wellington where he created sound design and video game soundtracks, including the innovative game ‘Shatter’ which achieved huge international success on the PlayStation Network and Steam. Many called it one of the best video game soundtracks of its generation.

Ross has worked with many creative companies, for international companies remotely and locally in New Zealand, including Weta Workshop, RESN, PIK POK, Activision, Dreamworks, Adult-Swim Games, and Magic Leap. He has provided sound design, audio programming, and music for various interactive and creative projects that were successful in the video game and digital markets, including Robot Unicorn Attack 2, Pudding Monsters, Rise of the Guardians, and How to Train Your Dragon. He has also provided sound design and music for short films, one of which, called ‘Metta Via’ won international awards and was released via DUST’s YouTube channel, reaching over two million views on Facebook and other platforms.

Jeramiah Ross has collaborated with many talented musicians in New Zealand, including playing keyboards for Rhombus and The Black Seeds. He has also performed and worked with NZ electronica group Pitch Black and toured with composer Rhian Sheehan in Australia and Spain. He has created music with Paul McLaney and collaborated on various projects with digital artist Matt Pitt (aka redkidone).

In addition to his musical talents, Ross is a mixed-media artist with a strong interest in synthesizers, microcomputers, software, design, programming, coding, and interactive audio. He incorporates these interests into his classical compositions, songwriting and electronic music production, as well as his live performances. Ross is signed with LOOP Recordings.