I have provided 1-to-1 Ableton Live tuition to developing musicians and producers, working with students to build their confidence and practical understanding of music production. Sessions have been tailored to individual experience levels and creative goals, covering areas including DAW workflow, composition, arrangement, sound design, recording, mixing and production techniques.

My approach focuses on helping students understand the creative and technical processes behind production rather than simply teaching software functions. I adapt sessions around each student’s existing knowledge and musical interests, helping them develop their own workflow and approach to producing music.

Working with multiple students each week has also developed my ability to communicate complex technical concepts clearly, provide constructive feedback and manage different projects and requirements simultaneously.

I provide technical and live-production support for Big Wayne’s Blues Experience, an established nine-piece blues, soul and rock’n’roll band. My role covers the preparation, setup and management of the band’s live audio requirements, working across a large ensemble featuring vocals, rhythm section and a prominent three-piece horn section.

I support the band through equipment setup, microphone placement, soundchecking and live audio mixing, balancing multiple instruments and vocalists to create a clear and cohesive live sound. During performances, I monitor the mix and respond to technical issues in real time, making adjustments to levels, EQ and effects where required.

Alongside the technical side, I help coordinate the practical requirements of the band before and during performances, communicating with musicians and adapting the setup to different venues and performance environments. This project has developed my experience in live sound engineering, technical problem-solving, event preparation and working effectively with larger musical ensembles.

Joejoemojo is a dance music production project blending UK Garage and Tech House, built around energetic club-focused production, distinctive sound design and a strong understanding of what works on the dancefloor.

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With multiple vinyl releases and a growing catalogue of independent music, Joejoemojo has established a presence within the UK garage and underground dance music scene. Releases have appeared through respected independent labels including Leeds-based UKG label Bumpcast Recordings and Wrong’uns, with Joejoemojo featuring on both of Wrong’uns’ first two 12-inch releases. His debut vinyl appearance, Ya’ll Ready For This, opened Wrong’uns’ first-ever release as the A1 track, while Shake The Funk featured on the label’s second 12-inch. Both releases have subsequently sold out.

Alongside label releases, Joejoemojo has developed a strong independent following through self-released music on Bandcamp and SoundCloud. His music has accumulated thousands of plays online, with tracks appearing in DJ mixes and gaining significant listener engagement. Sound of the Treble, for example, has appeared in hundreds of Bandcamp user collections and has been featured in UK garage DJ mixes.

The project is rooted in a hands-on approach to production, covering composition, arrangement, sound design, recording, editing, mixing and mastering. With a focus on UKG, 2-step, speed garage and tech-house influences, Joejoemojo’s music combines heavy low-end, intricate rhythmic production and energetic arrangements designed for both club environments and recorded releases.

Joejoemojo continues to develop new music, collaborate with artists and producers, and work across production and creative projects within the wider electronic music scene.