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I began professionally performing music and operating audio systems in 1965. In 1970 I built my own PA for use in concert venues and clubs, and in 1987 I created a sync-to-picture multi-channel recording and production system that now includes 64 channels of microphone and line level inputs, Avid Pro Tools, Presonus Studio One, CakeWalk/BandLab Sonar, on PC and Mac. Over the decades I have operated audio for live, recorded, and complex productions for hundreds of radio and TV commercials, voice over projects, corporate events, albums, presentations, meetings, live and recorded streaming, and broadcasting. I have worked as a technician, manager, coordinator and performer at hundreds of events. In the last year and a half I have been responsible for live streaming, managing two remote cameras, four simultaneous audio mixes, a VMix-based switching system, and the placement and processing of microphones and cameras for voice, instruments, playback and capture. I have mixed audio for numerous live events, including projects broadcast to various outlets and live TV.…I began professionally performing music and operating audio systems in 1965. In 1970 I built my own PA for use in concert venues and clubs, and in 1987 I created a sync-to-picture multi-channel recording and production system that now includes 64 channels of microphone and line level inputs, Avid Pro Tools, Presonus Studio One, CakeWalk/BandLab Sonar, on PC and Mac. Over the decades I have operated audio for live, recorded, and complex productions for hundreds of radio and TV commercials, voice over projects, corporate events, albums, presentations, meetings, live and recorded streaming, and broadcasting. I have worked as a technician, manager, coordinator and performer at hundreds of events. In the last year and a half I have been responsible for live streaming, managing two remote cameras, four simultaneous audio mixes, a VMix-based switching system, and the placement and processing of microphones and cameras for voice, instruments, playback and capture. I have mixed audio for numerous live events, including projects broadcast to various outlets and live TV.

Johnathan Paul McClellan

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I began professionally performing music and operating audio systems in 1965. In 1970 I built my own PA for use in concert venues and clubs, and in 1987 I created a sync-to-picture multi-channel recording and production system that now includes 64 channels of microphone and line level inputs, Avid Pro Tools, Presonus Studio One, CakeWalk/BandLab Sonar, on PC and Mac. Over the decades I have operated audio for live, recorded, and complex productions for hundreds of radio and TV commercials, voice over projects, corporate events, albums, presentations, meetings, live and recorded streaming, and broadcasting. I have worked as a technician, manager, coordinator and performer at hundreds of events. In the last year and a half I have been responsible for live streaming, managing two remote cameras, four simultaneous audio mixes, a VMix-based switching system, and the placement and processing of microphones and cameras for voice, instruments, playback and capture. I have mixed audio for numerous live events, including projects broadcast to various outlets and live TV.…I began professionally performing music and operating audio systems in 1965. In 1970 I built my own PA for use in concert venues and clubs, and in 1987 I created a sync-to-picture multi-channel recording and production system that now includes 64 channels of microphone and line level inputs, Avid Pro Tools, Presonus Studio One, CakeWalk/BandLab Sonar, on PC and Mac. Over the decades I have operated audio for live, recorded, and complex productions for hundreds of radio and TV commercials, voice over projects, corporate events, albums, presentations, meetings, live and recorded streaming, and broadcasting. I have worked as a technician, manager, coordinator and performer at hundreds of events. In the last year and a half I have been responsible for live streaming, managing two remote cameras, four simultaneous audio mixes, a VMix-based switching system, and the placement and processing of microphones and cameras for voice, instruments, playback and capture. I have mixed audio for numerous live events, including projects broadcast to various outlets and live TV.

Available to hire

I began professionally performing music and operating audio systems in 1965. In 1970 I built my own PA for use in concert venues and clubs, and in 1987 I created a sync-to-picture multi-channel recording and production system that now includes 64 channels of microphone and line level inputs, Avid Pro Tools, Presonus Studio One, CakeWalk/BandLab Sonar, on PC and Mac. Over the decades I have operated audio for live, recorded, and complex productions for hundreds of radio and TV commercials, voice over projects, corporate events, albums, presentations, meetings, live and recorded streaming, and broadcasting.

I have worked as a technician, manager, coordinator and performer at hundreds of events. In the last year and a half I have been responsible for live streaming, managing two remote cameras, four simultaneous audio mixes, a VMix-based switching system, and the placement and processing of microphones and cameras for voice, instruments, playback and capture. I have mixed audio for numerous live events, including projects broadcast to various outlets and live TV.

Skills

Experience Level

Pro Tools

Expert

Cakewalk Sonar

Expert

Language

English

Fluent

Work Experience

Director of AV operations and live video shoots at Regency O’Hare Convention Center, Chicago

June 1, 2006 - Present

Directed AV operations for a multi-room, multi-day convention; specified equipment for double-screen general sessions with live recording to hard disk for DVD sales, contracted rentals, supervised AV/Video volunteers and equipment, oversaw payment to vendors, and coordinated setup and teardown across three days with multiple room turnovers.

Director of AV Operations at Regency O’Hare Convention Center

June 1, 2006 - June 3, 2006

Directed AV operations and live video shoots for multi-room, multi-day convention; oversaw equipment for general sessions and multiple breakout rooms; coordinated AV staff, equipment allocation, and vendor payments; delivered multi-room AV solutions and live recording for DVD sales.

Chief Engineer/Producer at Vincent Recording Studios, Jacksonville, FL

January 1, 1973 - January 1, 1975

Chief Engineer/Producer responsible for producing, recording, editing and mixing audio for radio and television commercials; managed studio operations and staff.

Chief Engineer/Producer at Vincent Recording Studios

January 1, 1973 - January 1, 1975

Chief Engineer/Producer at Vincent Recording Studios in Jacksonville, FL; produced, recorded, edited, and mixed audio for radio and television commercials and for artists in the greater Jacksonville area; music published.

Freelance Musician / Technical Director / Live Streaming / AV Technician at Self-employed / Freelance

January 1, 1965 - Present

1965–Present: Freelance work across live and recording engineering, audio/visual production, stage lighting, camera operation, video switching and direction, and live streaming; performer in numerous venues and corporate events; experience with multi-channel live sound and broadcasting.

Freelance Musician / Recording Engineer / Composer at Self-employed

January 1, 1965 - Present

Wrote and performed music; recorded, edited, and mixed audio for radio and television commercials and for artists; composed music for ads; performed as pianist, guitarist, vocalist, and more; produced music for Norm Vincent Studios in Jacksonville.

Freelance Live Sound Engineer / AV Technician / Musician at Self-employed

January 1, 1965 - Present

Provided live and recording audio for private, public, and corporate events; operated multi-channel sound systems, stage lighting, projection, camera operation, video switching, and live streaming; performed voice and instrument music; produced and edited audio for various media.

NA at Self Employed

August 1, 1964 - Present

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