Music production isn't just a skill for me — it's the thing I think in. I mix and master with one goal: make your song sound like the version you heard in your head when you wrote it. Tight low end, vocals that sit right, masters that hold their punch across systems — no over-processed, plugin-soup nonsense. Clear communication, honest feedback if something's not working, and quick turnaround. Send your rough mix, let's get it club-ready or radio-ready, whichever it needs.

Md Junead Ali

Music production isn't just a skill for me — it's the thing I think in. I mix and master with one goal: make your song sound like the version you heard in your head when you wrote it. Tight low end, vocals that sit right, masters that hold their punch across systems — no over-processed, plugin-soup nonsense. Clear communication, honest feedback if something's not working, and quick turnaround. Send your rough mix, let's get it club-ready or radio-ready, whichever it needs.

Available to hire

Music production isn’t just a skill for me — it’s the thing I think in. I mix and master with one goal: make your song sound like the version you heard in your head when you wrote it. Tight low end, vocals that sit right, masters that hold their punch across systems — no over-processed, plugin-soup nonsense. Clear communication, honest feedback if something’s not working, and quick turnaround. Send your rough mix, let’s get it club-ready or radio-ready, whichever it needs.

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Experience Level

Expert
Expert

Work Experience

Mix & Master Engg. at Black Night Music Studio
November 20, 2024 - May 9, 2025

Education

Music Production at Ranchi School of music
March 1, 2022 - July 20, 2025

Qualifications

Add your qualifications or awards here.

Industry Experience

Professional Services
    Milke Bhi

    Mil Ke Bhi — A sad romantic track I mastered, where the goal was to let the heartbreak breathe without losing punch. Careful balance of dynamics and tonal warmth so the emotion stays raw and intimate, while the master still holds up clean and full across every system — headphones, speakers, everywhere.

    Thopsa Watwi

    Thopsa Watwi — A romantic track in Kokborok that I mixed, bringing the language’s distinct rhythm and warmth to life. The focus was on keeping the vocals intimate and clear while giving the instrumentation enough space to breathe — a mix that honors the roots of the sound while still feeling polished and radio-ready.

    Sanjho Na Jana

    Sanjho Na Jana — An Indian pop track with EDM energy, where I handled the mix and master. The challenge was balancing punchy, club-ready electronic elements with the emotion of Indian pop vocals — tight low end and drops that hit hard, without losing the warmth and clarity of the voice on top. A master built to translate across club systems and earbuds alike.

    Tum Aaogay

    Tum Aaogay — An emotional ballad I mixed and mastered, built around raw, intimate vocals that carry the weight of the song. Focus was on keeping the emotion front and center: clean vocal presence, warm low end, and a master that holds its feel whether you’re listening on headphones or speakers. A track that hits you the way it’s meant to.

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