I am a fashion and costume designer with broad experience across different sectors of fashion, from corporate to haute couture. My practice is material-oriented and my main focus is to find solutions for discarded or overlooked materials in a fashion context. I hold a Master's Degree in Fashion Design from the Swedish School of Textiles. I am an independent costume designer, designing for leading theaters in Poland, such as Wybrzeże Theatre in Gdańsk and Powszechny in Warsaw. My artistic and socially responsible approach to fashion has been recognized by international competitions such as Fashion Frontier in Japan and Ung Svensk Form in Sweden. I teach fashion illustration and lead costume and fashion design projects. I would like to work more closely with material research.

Alicja Kamaj

I am a fashion and costume designer with broad experience across different sectors of fashion, from corporate to haute couture. My practice is material-oriented and my main focus is to find solutions for discarded or overlooked materials in a fashion context. I hold a Master's Degree in Fashion Design from the Swedish School of Textiles. I am an independent costume designer, designing for leading theaters in Poland, such as Wybrzeże Theatre in Gdańsk and Powszechny in Warsaw. My artistic and socially responsible approach to fashion has been recognized by international competitions such as Fashion Frontier in Japan and Ung Svensk Form in Sweden. I teach fashion illustration and lead costume and fashion design projects. I would like to work more closely with material research.

Available to hire

I am a fashion and costume designer with broad experience across different sectors of fashion, from corporate to haute couture. My practice is material-oriented and my main focus is to find solutions for discarded or overlooked materials in a fashion context. I hold a Master’s Degree in Fashion Design from the Swedish School of Textiles.
I am an independent costume designer, designing for leading theaters in Poland, such as Wybrzeże Theatre in Gdańsk and Powszechny in Warsaw.
My artistic and socially responsible approach to fashion has been recognized by international competitions such as Fashion Frontier in Japan and Ung Svensk Form in Sweden.
I teach fashion illustration and lead costume and fashion design projects. I would like to work more closely with material research.

See more

Language

English
Fluent
Polish
Fluent
Japanese
Beginner

Work Experience

Costume Designer at Modrzejewska Theatre
November 1, 2024 - March 16, 2025
Designing 20 costumes for "Julius Ceasar" dir. Błażej Biegasiewicz
Atelier Assistant at Yuima Nakazato
November 1, 2024 - January 30, 2025
Internship
Costume Designer at Wybrzeże Theatre
November 1, 2023 - February 10, 2024
Designing 14 costume for "Julia and the Empty Lot" dir. Lena Frankiewicz
Fashion Designer Assistant at LPP SA
February 14, 2022 - June 30, 2022

Education

Bachelor of Fashion Design at Academy of Fine Arts
October 1, 2017 - September 15, 2021
Bachelor of Fashion Design at Academy of Fine Arts in Warsaw
October 1, 2017 - September 15, 2021
Master of Fashion Design at The Swedish School of Textiles
August 27, 2022 - June 1, 2024

Qualifications

Fashion Frontier Program finalist
September 1, 2025 - December 10, 2025
UNG Svensk Form Finalist
January 1, 2025 - November 30, 2025

Industry Experience

Media & Entertainment, Education, Professional Services
    Skinning Over
    Skin is the biggest organ of any animal. Wide, spacious surfaces protect the fragility of the insides. Stabbed, cut or taken off reveals the fluid, unstable form invading the outside world. One flushes the other, and the other infects the sailed-out fluid. If the garment states the skin, every cut reveals what is protected. To cut and deconstruct means to expand To peel means to unhide To puncture means to search To reconstruct means to respect To create means to hope. The collection comprises around ten wearable objects that expand spatially. Each form carries the memory of an existing, worn garment. Some pieces are jacquard-knitted and threaded with metal rope; others are worked directly with wire.
    Julia & the Empty Lot
    Julia and Paul are expecting a child. However, from the very beginning, the pregnancy does not go smoothly. As a result of successive complications, the heroine is forced to make a decision that leaves a lasting mark on her psyche. There is someone who will attempt to heal her. The costume design is focused on the visceral and sensual aspect of the play, as people existing in her psyche are merging bodies one into another. The alter ego of the main character, Julia 2, is an unrepressed, free body spirit who helps her walk through the painful memory.
    Surrender
    Over the past years, I experienced a profound sense of uncertainty. What initially felt personal soon happened to be something collective and shared. I come from south-eastern Poland, not that far away from the Ukrainian border. The only reason I am not directly affected by the war is a completely arbitrary fact that I was born on one side of an imaginary line. This awareness made the idea of borders feel extremely fragile to me: I thought about the contradictory of human beings trying to invade the earth by desperately dividing oneself from it. I decided to destabilise a compact form. I reference survival and military clothing as they are solid, protective garments and leather as the primal material. I rebuild the trenchcoat structure piece by piece with my own hand. Thanks to Elmo Leather and Zadora, who donated me their production waste to work with. I ended up with the chaos of patterns, colours, and textures. A chaos of waste, and I decided to let it lead me.
    Skinning Over
    Skin is the biggest organ of any animal. Wide, spacious surfaces protect the fragility of the insides. Stabbed, cut or taken off reveals the fluid, unstable form invading the outside world. One flushes the other, and the other infects the sailed-out fluid. If the garment states the skin, every cut reveals what is protected. To cut and deconstruct means to expand To peel means to unhide To puncture means to search To reconstruct means to respect To create means to hope. The collection comprises around ten wearable objects that expand spatially. Each form carries the memory of an existing, worn garment. Some pieces are jacquard-knitted and threaded with metal rope; others are worked directly with wire.
    Skinning Over
    Skin is the biggest organ of any animal. Wide, spacious surfaces protect the fragility of the insides. Stabbed, cut or taken off reveals the fluid, unstable form invading the outside world. One flushes the other, and the other infects the sailed-out fluid. If the garment states the skin, every cut reveals what is protected. To cut and deconstruct means to expand To peel means to unhide To puncture means to search To reconstruct means to respect To create means to hope. The collection comprises around ten wearable objects that expand spatially. Each form carries the memory of an existing, worn garment. Some pieces are jacquard-knitted and threaded with metal rope; others are worked directly with wire.
    Surrender

    Over the past years, I experienced a profound sense of uncertainty.

    What initially felt personal soon happened to be something collective and shared.

    I come from south-eastern Poland, not that far away from the Ukrainian border. The only reason I am not directly affected by the war is a completely arbitrary fact that I was born on one side of an imaginary line.

    This awareness made the idea of borders feel extremely fragile to me: I thought about the contradictory of human beings trying to invade the earth by desperately dividing oneself from it.

    I decided to destabilise a compact form. I reference survival and military clothing as they are solid, protective garments and leather as the primal material. I rebuild the trenchcoat structure piece by piece with my own hand. Thanks to Elmo Leather and Zadora, who donated me their production waste to work with.

    I ended up with the chaos of patterns, colours, and textures. A chaos of waste, and I decided to let it lead me.
    https://www.twine.net/signin