Hi there! I’m Kane Brassington, a digital media artist and problem solver with a passion for turning complex shots into polished, story-forward visuals. Over the years I’ve specialized in compositing, paintfix, stereo work, and VFX for feature films and TV, delivering high-quality results on tight budgets and schedules. While my background is largely in Nuke, I’ve adapted quickly to After Effects on projects with fast turnarounds.
I’m energized by new challenges—from set integration to motion design and image reconstruction across a range of studios in Portland, San Francisco, and Vancouver—and I bring a collaborative mindset, technical fluency in industry-standard tools, and a track record of consistent results.
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Complex rig and stunt double removal. Rotoscoping
Mostly wire removal and rotoscoping. Taught rig removal paint techniques to team.
Emergency rotoscoping work on bone cage sequence.
Senior Paint Fix Artist. Responsible for complex rig removal, Puppet clean up, teaching advanced techniques, some of the heavier rotoscoping shots.
Rotoscoping on Gringotts robbery sequence
Rig Removal and rotoscoping
Rotoscoping and Rig Removal
Painting out the actor standing in for hero robot. Working on archival footage from 1976 for inclusion in X-Wing scenes. Various other rig removals and rotoscoping.
Comping renders and backgrounds into final shot, matching reference for historical accuracy.
Compositor. Comping shot elements, video embeds, rig removal, etc.
Compositor responsible for advanced rig removal and comping various elements and takes into single shot.
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