I’m a senior film and television editor specializing in premium documentaries, nature programming, true crime, and high-end factual series. I bring clear structure, confident pacing, and strong editorial judgement to demanding projects, and I’m trusted on pilots and flagship episodes to help set tone, story approach, and workflow when stakes are high and time is tight. My experience spans the full production and post pipeline, including field directing, location shooting, interviews, and drone work. I’ve guided projects from ingest through assembly, conform, online, colour, and mix supervision to final delivery, ensuring consistency, clarity, and creative intent across complex, multi-part productions. I work comfortably in collaborative, remote, and multi-editor environments, contributing hands-on editing while also helping teams navigate editorial decisions and problem-solve story challenges. I value efficiency without sacrificing craft, and I’m known for maintaining quality and perspective when projects get complicated.…

Kelly Morris

I’m a senior film and television editor specializing in premium documentaries, nature programming, true crime, and high-end factual series. I bring clear structure, confident pacing, and strong editorial judgement to demanding projects, and I’m trusted on pilots and flagship episodes to help set tone, story approach, and workflow when stakes are high and time is tight. My experience spans the full production and post pipeline, including field directing, location shooting, interviews, and drone work. I’ve guided projects from ingest through assembly, conform, online, colour, and mix supervision to final delivery, ensuring consistency, clarity, and creative intent across complex, multi-part productions. I work comfortably in collaborative, remote, and multi-editor environments, contributing hands-on editing while also helping teams navigate editorial decisions and problem-solve story challenges. I value efficiency without sacrificing craft, and I’m known for maintaining quality and perspective when projects get complicated.…

Available to hire

I’m a senior film and television editor specializing in premium documentaries, nature programming, true crime, and high-end factual series. I bring clear structure, confident pacing, and strong editorial judgement to demanding projects, and I’m trusted on pilots and flagship episodes to help set tone, story approach, and workflow when stakes are high and time is tight.

My experience spans the full production and post pipeline, including field directing, location shooting, interviews, and drone work. I’ve guided projects from ingest through assembly, conform, online, colour, and mix supervision to final delivery, ensuring consistency, clarity, and creative intent across complex, multi-part productions.

I work comfortably in collaborative, remote, and multi-editor environments, contributing hands-on editing while also helping teams navigate editorial decisions and problem-solve story challenges. I value efficiency without sacrificing craft, and I’m known for maintaining quality and perspective when projects get complicated.

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Language

English
Fluent

Work Experience

Editor at Cheetah: Fast and Wild
January 1, 2026 - Present
Natural History documentary, 4 x 52 min; shaping edit structure and pacing.
Co-Producer / Editor at The Imperfect Mothers Club
January 1, 2025 - Present
Documentary, 18 min; co-produced and edited.
Editor at Mafia Most Wanted
January 1, 2025 - Present
True Crime, 3 x 60 min; editorial direction and assembly.
Editor at Sandpipers’ Last Supper
January 1, 2025 - Present
Natural History, 25 min; responsible for edits and narrative flow.
Director / Cinematography at Robin’s Dojo
January 1, 2023 - Present
Development Pitch / Telus Originals; director and cinematography.
Editor at 500 Days in the Wild
January 1, 2023 - Present
Rough Cut / Workflow Lead; 100 min feature.
Editor at @Home
January 1, 2023 - December 31, 2024
Lifestyle Docuseries, 13 x 23 min; editorial lead.
Cinematography at After the Storm
January 1, 2022 - December 31, 2022
Great Pacific Television / Discovery; cinematography.
Cinematography at Ending Real Fur
January 1, 2022 - December 31, 2022
Arise Productions / Independent; cinematography.
Editor at Pets and Pickers
January 1, 2022 - Present
Series, 3 x 46 min; editor.
Co-Producer / Editor / Cinematographer at Ending Real Fur
January 1, 2022 - December 31, 2022
Feature Documentary, 90 min; co-produced, edited, and shot.
Senior Editor / Cinematographer at After the Storm
January 1, 2022 - December 31, 2022
Limited Docuseries, 2 x 46 min; editing and cinematography.
Senior Editor at Jade Fever
January 1, 2021 - Present
Series, 3 x 46 min; senior editor.
Director / Drone at Highway Thru Hell
December 31, 2020 - December 30, 2021
Great Pacific Television / Discovery; director and drone work.
Editor at Citizen Bio
January 1, 2020 - December 31, 2020
90 min documentary; editor.
Senior Editor at High Arctic Haulers
January 1, 2020 - Present
Series, 5 x 46 min; senior editing.
Editor / Story Editor at Edna’s Bloodline
January 1, 2017 - December 31, 2017
60 min documentary; editor and story editor.
Editor / Story Editor at Wild Bear Rescue
January 1, 2017 - Present
Series, 3 x 26 min; editor and story editing.
Editor at Facing Suge Knight
January 1, 2016 - December 31, 2016
46 min documentary; editor.
Senior Editor / Director / Drone at Highway Thru Hell
January 1, 2016 - December 31, 2021
Docuseries, 40 eps (Editor), 6 eps (Director), 17 eps (Drone).
Lead Editor at Polar Bear Town
January 1, 2015 - Present
Series, 12 x 26 min; lead editor.
Editor at The Search for Freedom
January 1, 2014 - December 31, 2014
100 min documentary; editor.
Editor at Bahama Blue
January 1, 2014 - Present
Series, 3 x 48 min; editor.
Editor / Story By at The Meeting
January 1, 2013 - December 31, 2013
Indie short, 17 min; editor and story by.
Editor at Moosemeat & Marmelade
January 1, 2013 - Present
Series, 10 x 24 min; editor.
Editor at A Wolf Called Storm
January 1, 2012 - December 31, 2012
58 min documentary; editor.
Editor at Very Bad Men
January 1, 2012 - December 31, 2013
Series, 5 x 26 min; editor.
Editor at For the Love of Elephants
January 7, 2010 - April 30, 2010
44 min documentary; editor.
Editor at Circle of Pain
January 1, 2010 - December 31, 2010
90 min; editor.
Editor at Canyon War: The Untold Story
January 1, 2010 - December 31, 2010
60 min documentary; editor.
Editor at The Devil You Know
January 1, 2010 - December 31, 2011
Series, 4 x 46 min; editor.
Editor at Hairstyle Confidential
January 1, 2007 - December 31, 2007
46 min documentary; editor.
Editor at Nuclear Jihad
January 1, 2007 - December 31, 2008
46 min documentary; editor.
Series Editor at Jetstream
January 1, 2007 - December 31, 2008
Series, 8 x 46 min; series editor.
Editor at Royal Canadian Air Farce
January 1, 2006 - December 31, 2006
60 min; editor.
Editor at The Greatest Canadian: Terry Fox
January 1, 2004 - December 31, 2004
46 min documentary; editor.
Editor at Crisis Zone
January 1, 2002 - December 31, 2002
2 x 46 min; editor.
Editor at Bushmeat: Extinction of the Apes
January 1, 2000 - December 31, 2000
46 min documentary; editor.
Editor / Co-Creator / Cinematographer at Sex: The Annabel Chong Story
January 1, 1999 - December 31, 1999
90 min documentary; editor, co-creator, cinematography.
Editor at The Fifth Estate
January 1, 1999 - December 31, 2006
CBC series, 23 episodes; editor.

Education

BA at Simon Fraser University
September 1, 1988 - June 1, 1992
Communications - honours media studies

Qualifications

President
January 1, 2014 - December 31, 2018
Secretary
January 1, 2012 - December 31, 2014

Industry Experience

Media & Entertainment, Professional Services
    Cheetah: Fast and Wild

    Senior editor on a premium UHD natural history documentary for CBC and ZDF Studios. Led editorial from pre-production through delivery, liaising closely with the director across production and post. Established and managed a remote editorial workflow for director, assistant, and post team. Responsible for picture editing, sound editing, story structure, and pacing through picture lock. Supervised online and colour grade to final delivery.

    Fast Cat Films / CBC The Nature of Things / ZDF Studios, Natural History, 44 / 52 min

    Mafia Most Wanted

    A Toronto crime dynasty collides with the ‘Ndrangheta—power and betrayal span three tense hours

    Screen Siren Pictures / Crave / Netflix, True Crime, 3 x 60 min