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My work is particularly well-known for the soundtrack of the film La Cité rose or "Asphalt Playground", directed by Julien Abraham. For this project, I sought to create a sincere and immersive musical identity, capable of complementing the energy of the narrative while avoiding clichés. Throughout my career, I have had the opportunity to compose for several film and television productions, including Death Race 2050, Fall Girls, and Ma sacrée jeunesse. Each project represents a new sonic exploration for me and a different way of telling a story through music. My artistic approach is based primarily on emotion, storytelling, and the creation of soundscapes capable of strengthening the connection between the images and the viewer.…My work is particularly well-known for the soundtrack of the film La Cité rose or "Asphalt Playground", directed by Julien Abraham. For this project, I sought to create a sincere and immersive musical identity, capable of complementing the energy of the narrative while avoiding clichés. Throughout my career, I have had the opportunity to compose for several film and television productions, including Death Race 2050, Fall Girls, and Ma sacrée jeunesse. Each project represents a new sonic exploration for me and a different way of telling a story through music. My artistic approach is based primarily on emotion, storytelling, and the creation of soundscapes capable of strengthening the connection between the images and the viewer.

Laurent Casano

PRO

Composer, Music Producer, Musician, +6

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My work is particularly well-known for the soundtrack of the film La Cité rose or "Asphalt Playground", directed by Julien Abraham. For this project, I sought to create a sincere and immersive musical identity, capable of complementing the energy of the narrative while avoiding clichés. Throughout my career, I have had the opportunity to compose for several film and television productions, including Death Race 2050, Fall Girls, and Ma sacrée jeunesse. Each project represents a new sonic exploration for me and a different way of telling a story through music. My artistic approach is based primarily on emotion, storytelling, and the creation of soundscapes capable of strengthening the connection between the images and the viewer.…My work is particularly well-known for the soundtrack of the film La Cité rose or "Asphalt Playground", directed by Julien Abraham. For this project, I sought to create a sincere and immersive musical identity, capable of complementing the energy of the narrative while avoiding clichés. Throughout my career, I have had the opportunity to compose for several film and television productions, including Death Race 2050, Fall Girls, and Ma sacrée jeunesse. Each project represents a new sonic exploration for me and a different way of telling a story through music. My artistic approach is based primarily on emotion, storytelling, and the creation of soundscapes capable of strengthening the connection between the images and the viewer.

Available to hire

Paris, France

My work is particularly well-known for the soundtrack of the film La Cité rose or “Asphalt Playground”, directed by Julien Abraham. For this project, I sought to create a sincere and immersive musical identity, capable of complementing the energy of the narrative while avoiding clichés.

Throughout my career, I have had the opportunity to compose for several film and television productions, including Death Race 2050, Fall Girls, and Ma sacrée jeunesse. Each project represents a new sonic exploration for me and a different way of telling a story through music.

My artistic approach is based primarily on emotion, storytelling, and the creation of soundscapes capable of strengthening the connection between the images and the viewer.