Hello! I’m Léa Corvisy, an interior architect and designer trained at École Bleue. I blend technical rigor with artistic sensitivity, developed through a foundation in applied arts and formal training in interior design, furniture design and graphic design.
I’ve led projects from initial sketches to site delivery, collaborated with renowned designers like Fabrice Berrux and Guillaume Delvigne, and recently designed detail-driven interiors and bespoke furniture for luxury spaces, including two Airbnb suites. I’ve also tackled internal design challenges for brands such as Louis Vuitton, exploring concept stores and modular seating systems.
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The Cocoa chocolate bar project, designed to showcase chocolate in all its forms through a journey across two distinct atmospheres. At the entrance, the sales area reflflects the clean lines of a chocolate bar: crisp lines, light materials and an oak/beige colour scheme to highlight the products. Behind the counter, a structure of half-lap jointed panels forms a grid inspired by a chocolate square, incorporating the display of pieces sold individually. Opposite, glass dispensers, supported by a brass structure, offer pastry discs sold by weight. The second room transitions into the tasting area, with curved elements on the ceiling evoking the movement of melting chocolate. A luminous false ceiling hangs above the counter, extended to the flfloor in the same shape to defifine its boundaries. Above the tables, undulating ceramics create a sense of gentle enclosure, fostering an intimate experience. The colour scheme is warmed by deep chestnut and walnut tones, fostering a sense of conviviality and indulgence.
Visual identity designed for Almée, an experimental contemporary dance school located in the former pumping station in Lille. The graphic concept conveys the notion of ‘seeing and being seen,’ between symmetries and asymmetries of the gaze, echoing the space and the stage. The name is inspired by the almées, Egyptian dancers from the Ottoman era, who were complete artists combining music, storytelling and theatre — a reference to the multidisciplinary nature of contemporary dance.
The logo, hand-drawn in black ink, reinterprets Arabic calligraphy to anchor the identity in a strong cultural origin. The universe becomes ‘dancing’ thanks to moving silhouettes inspired by Arabic symbols. In contrast, pixelated and colourful patterns represent fragments of bodies, with a negative effect and visual vibration. The meeting of these two languages creates an identity that is both expressive and structured. Used in signage, it punctuates the journey and affirms a school where the arts intersect and take centre stage.
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