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I'm a senior offline and broadcast editor with 10 years of experience across television, streaming, advertising, and high-end film and trailer production. Recently, I've been delivering fast-turnaround broadcast and promo work in Australia, including Foxtel/Binge campaigns via LUTION and Endemol Shine Australia projects like Hunted Series 3 and Dream Home. I shape narrative from post-producer assemblies, craft pacing and tension, and deliver broadcast-ready episodes under tight deadlines, often guiding voiceover direction in studio sessions. My background spans high-end scripted and studio projects as well as trailer and marketing work for The Witcher, 007: No Time to Die, Fast 9, Maleficent: Mistress of Evil, and RuneScape campaigns. I thrive on balancing long-form storytelling with short-form promotional content, keeping a strong focus on structure, rhythm, and audience engagement under pressure.…I'm a senior offline and broadcast editor with 10 years of experience across television, streaming, advertising, and high-end film and trailer production. Recently, I've been delivering fast-turnaround broadcast and promo work in Australia, including Foxtel/Binge campaigns via LUTION and Endemol Shine Australia projects like Hunted Series 3 and Dream Home. I shape narrative from post-producer assemblies, craft pacing and tension, and deliver broadcast-ready episodes under tight deadlines, often guiding voiceover direction in studio sessions. My background spans high-end scripted and studio projects as well as trailer and marketing work for The Witcher, 007: No Time to Die, Fast 9, Maleficent: Mistress of Evil, and RuneScape campaigns. I thrive on balancing long-form storytelling with short-form promotional content, keeping a strong focus on structure, rhythm, and audience engagement under pressure.

Liam Dunne

Assistant Editor, Podcast Editor, Video Editor, +4

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I'm a senior offline and broadcast editor with 10 years of experience across television, streaming, advertising, and high-end film and trailer production. Recently, I've been delivering fast-turnaround broadcast and promo work in Australia, including Foxtel/Binge campaigns via LUTION and Endemol Shine Australia projects like Hunted Series 3 and Dream Home. I shape narrative from post-producer assemblies, craft pacing and tension, and deliver broadcast-ready episodes under tight deadlines, often guiding voiceover direction in studio sessions. My background spans high-end scripted and studio projects as well as trailer and marketing work for The Witcher, 007: No Time to Die, Fast 9, Maleficent: Mistress of Evil, and RuneScape campaigns. I thrive on balancing long-form storytelling with short-form promotional content, keeping a strong focus on structure, rhythm, and audience engagement under pressure.…I'm a senior offline and broadcast editor with 10 years of experience across television, streaming, advertising, and high-end film and trailer production. Recently, I've been delivering fast-turnaround broadcast and promo work in Australia, including Foxtel/Binge campaigns via LUTION and Endemol Shine Australia projects like Hunted Series 3 and Dream Home. I shape narrative from post-producer assemblies, craft pacing and tension, and deliver broadcast-ready episodes under tight deadlines, often guiding voiceover direction in studio sessions. My background spans high-end scripted and studio projects as well as trailer and marketing work for The Witcher, 007: No Time to Die, Fast 9, Maleficent: Mistress of Evil, and RuneScape campaigns. I thrive on balancing long-form storytelling with short-form promotional content, keeping a strong focus on structure, rhythm, and audience engagement under pressure.

Available to hire

I’m a senior offline and broadcast editor with 10 years of experience across television, streaming, advertising, and high-end film and trailer production. Recently, I’ve been delivering fast-turnaround broadcast and promo work in Australia, including Foxtel/Binge campaigns via LUTION and Endemol Shine Australia projects like Hunted Series 3 and Dream Home. I shape narrative from post-producer assemblies, craft pacing and tension, and deliver broadcast-ready episodes under tight deadlines, often guiding voiceover direction in studio sessions.

My background spans high-end scripted and studio projects as well as trailer and marketing work for The Witcher, 007: No Time to Die, Fast 9, Maleficent: Mistress of Evil, and RuneScape campaigns. I thrive on balancing long-form storytelling with short-form promotional content, keeping a strong focus on structure, rhythm, and audience engagement under pressure.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Intermediate

Intermediate

DaVinci Resolve Studio

Intermediate

Language

English

Fluent

Work Experience

Offline Editor & Senior Video Creative at lution

September 1, 2024 - June 1, 2026

Lead Offline Editor and Senior Video Creative delivering broadcast, promotional and digital content for Foxtel, BINGE, Kayo and Main Event. Key responsibilities: - Editing broadcast promotions, trailers, marketing campaigns and digital content - Leading creative development from brief through final delivery - Managing and mentoring a team of offshore editors, providing creative direction, quality control and workflow oversight - Reviewing edits and ensuring consistency with brand guidelines and broadcast standards - Collaborating with producers, marketing teams and stakeholders across multiple concurrent projects - Managing project delivery in fast-paced broadcast and streaming environments - Offline editing in Adobe Premiere Pro

Offline Editor at WildBear Entertainment

August 1, 2024 - October 1, 2024

Offline Editor on broadcast documentary series for PBS International, working across structured factual programming and episodic storytelling. - Edited full episodes for internationally distributed documentary series, including World’s Greatest Transportation Marvels (Episodes 1 & 3) and World’s Greatest Myths & Mysteries (Episodes 1–3) - Shaped narrative structure, pacing and story flow across long-form factual content - Worked within established series formats and broadcast standards for international distribution - Collaborated with producers and post-production teams to refine episode structure and ensure editorial clarity - Managed multiple episodes concurrently under tight delivery timelines - Delivered broadcast-ready edits using Adobe Premiere Pro

Offline Editor at Endemol Shine Australia

October 1, 2023 - August 1, 2024

Offline Editor across high-profile unscripted and reality television series for major Australian broadcasters, including Channel 7 and Channel 10. Selected Credits: - Hunted Australia (Series 3) – Episodes 2, 3, 6, 10 & 11 - Episode 11 nominated for the 2024 ASE Ellie Award – Best Editing in Reality - Dream Home (Episode 8 & 17) Key Responsibilities: - Shaped narrative structure and emotional pacing across complex, multi-threaded reality storylines - Developed character arcs and story beats from large volumes of observational and structured footage - Identified key moments, dialogue and performances to build compelling episodic narratives - Collaborated closely with Post Producers, Series Producers and Executive Producers throughout edit and review stages - Participated in edit screenings and incorporated executive feedback under tight revision cycles - Worked collaboratively with other editors to maintain tonal and stylistic consistency across shared episodes - Selected and integrated music to enhance emotional tone, tension and storytelling impact - Delivered broadcast-ready episodes within strict production deadlines in fast-turnaround environments

Senior Offline Editor & Creative Manager at LUTION

October 1, 2024 - June 1, 2026

Lead editor on Foxtel, Binge & Main Event broadcast advertising campaigns; Create 30-second promotional spots for streaming platforms and partners (Netflix, Disney+); Develop narrative, tone, and pacing using music, VO, and performance direction; Deliver to tight broadcast deadlines with multiple stakeholder feedback rounds; Direct voiceover talent in studio sessions.

Offline Editor at JAGEX GAMES STUDIO

January 1, 2021 - April 1, 2022

Sole editor on RuneScape and Old School RuneScape trailers and campaigns; Created narrative-driven marketing trailers from concept to delivery.

Assistant Editor at THE WORKHOUSE PICTURE COMPANY

April 1, 2019 - October 1, 2020

Created assembly edits; Supported editorial and marketing teams across major studio film and streaming productions; Managed ingest, logging, and media workflows (Silverstack, Avid, Premiere Pro); Prepared and conformed media for editorial and marketing delivery pipelines.

Education

BA (Hons) Film Production at Arts University Bournemouth

September 1, 2009 - May 1, 2013

Grade: Upper Second Class Specialised in film editing and post-production, developing a strong foundation in narrative storytelling, visual communication and editorial craft across scripted and documentary filmmaking.