Liam Dunne
I'm a senior offline and broadcast editor with 10 years of experience across television, streaming, advertising, and high-end film and trailer production.
About
I’m a senior offline and broadcast editor with 10 years of experience across television, streaming, advertising, and high-end film and trailer production. Recently, I’ve been delivering fast-turnaround broadcast and promo work in Australia, including Foxtel/Binge campaigns via LUTION and Endemol Shine Australia projects like Hunted Series 3 and Dream Home. I shape narrative from post-producer assemblies, craft pacing and tension, and deliver broadcast-ready episodes under tight deadlines, often guiding voiceover direction in studio sessions.
My background spans high-end scripted and studio projects as well as trailer and marketing work for The Witcher, 007: No Time to Die, Fast 9, Maleficent: Mistress of Evil, and RuneScape campaigns. I thrive on balancing long-form storytelling with short-form promotional content, keeping a strong focus on structure, rhythm, and audience engagement under pressure.
- 5 years' experience
- Joined June 2026
Industry experience
- Media & Entertainment
- Gaming
- Professional Services
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Work experience· 6 roles
Lead editor on Foxtel, Binge & Main Event broadcast advertising campaigns; Create 30-second promotional spots for streaming platforms and partners (Netflix, Disney+); Develop narrative, tone, and pacing using music, VO, and performance direction; Deliver to tight broadcast deadlines with multiple stakeholder feedback rounds; Direct voiceover talent in studio sessions.
Lead Offline Editor and Senior Video Creative delivering broadcast, promotional and digital content for Foxtel, BINGE, Kayo and Main Event. Key responsibilities: - Editing broadcast promotions, trailers, marketing campaigns and digital content - Leading creative development from brief through final delivery - Managing and mentoring a team of offshore editors, providing creative direction, quality control and workflow oversight - Reviewing edits and ensuring consistency with brand guidelines and broadcast standards - Collaborating with producers, marketing teams and stakeholders across multiple concurrent projects - Managing project delivery in fast-paced broadcast and streaming environments - Offline editing in Adobe Premiere Pro
Offline Editor on broadcast documentary series for PBS International, working across structured factual programming and episodic storytelling. - Edited full episodes for internationally distributed documentary series, including World’s Greatest Transportation Marvels (Episodes 1 & 3) and World’s Greatest Myths & Mysteries (Episodes 1–3) - Shaped narrative structure, pacing and story flow across long-form factual content - Worked within established series formats and broadcast standards for international distribution - Collaborated with producers and post-production teams to refine episode structure and ensure editorial clarity - Managed multiple episodes concurrently under tight delivery timelines - Delivered broadcast-ready edits using Adobe Premiere Pro
Education
Grade: Upper Second Class Specialised in film editing and post-production, developing a strong foundation in narrative storytelling, visual communication and editorial craft across scripted and documentary filmmaking.
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