I'm a results-driven audio professional with 20+ years of full-time experience in sound engineering, analogue/hybrid mastering, mixing, editing, composition, production and restoration. I own Fat As Funk (est. 2006), a boutique studio specialising in high-end analogue hardware combined with precision digital tools. I transform raw mixes into polished, radio-ready, vinyl-optimized masters that preserve dynamics while maximizing impact. I've mixed/mastered around 18,000 tracks for major UK pressing plants, independent labels, Hollywood trailers, TV sync, music libraries, publishers, podcasts, other studios and global artists.\n\nAs in-house mastering engineer for 3 major UK vinyl pressing plants for 10+ years, I optimised thousands of difficult tracks for safe cutting and superior playback. I'm also a composer/producer with credits including Star Wars: The Book Of Boba Fett, Nine Perfect Strangers, Alien: Covenant, Antlers, Logan, Sprite, YOTO. I emphasise client collaboration, zero-preset craftsmanship, and delivering emotionally impactful sound across genres. I'm passionate about audio restoration and post-production that rescues legacy recordings for modern release.

Lawrence “Loz” Gill

I'm a results-driven audio professional with 20+ years of full-time experience in sound engineering, analogue/hybrid mastering, mixing, editing, composition, production and restoration. I own Fat As Funk (est. 2006), a boutique studio specialising in high-end analogue hardware combined with precision digital tools. I transform raw mixes into polished, radio-ready, vinyl-optimized masters that preserve dynamics while maximizing impact. I've mixed/mastered around 18,000 tracks for major UK pressing plants, independent labels, Hollywood trailers, TV sync, music libraries, publishers, podcasts, other studios and global artists.\n\nAs in-house mastering engineer for 3 major UK vinyl pressing plants for 10+ years, I optimised thousands of difficult tracks for safe cutting and superior playback. I'm also a composer/producer with credits including Star Wars: The Book Of Boba Fett, Nine Perfect Strangers, Alien: Covenant, Antlers, Logan, Sprite, YOTO. I emphasise client collaboration, zero-preset craftsmanship, and delivering emotionally impactful sound across genres. I'm passionate about audio restoration and post-production that rescues legacy recordings for modern release.

Available to hire

I’m a results-driven audio professional with 20+ years of full-time experience in sound engineering, analogue/hybrid mastering, mixing, editing, composition, production and restoration. I own Fat As Funk (est. 2006), a boutique studio specialising in high-end analogue hardware combined with precision digital tools. I transform raw mixes into polished, radio-ready, vinyl-optimized masters that preserve dynamics while maximizing impact. I’ve mixed/mastered around 18,000 tracks for major UK pressing plants, independent labels, Hollywood trailers, TV sync, music libraries, publishers, podcasts, other studios and global artists.\n\nAs in-house mastering engineer for 3 major UK vinyl pressing plants for 10+ years, I optimised thousands of difficult tracks for safe cutting and superior playback. I’m also a composer/producer with credits including Star Wars: The Book Of Boba Fett, Nine Perfect Strangers, Alien: Covenant, Antlers, Logan, Sprite, YOTO. I emphasise client collaboration, zero-preset craftsmanship, and delivering emotionally impactful sound across genres. I’m passionate about audio restoration and post-production that rescues legacy recordings for modern release.

See more

Language

English
Fluent

Work Experience

Principal Mastering & Mixing Engineer / Owner at Fat As Funk Mastering & Mixing
January 1, 2006 - Present
End-to-end mixing, mastering, editing and restoration for approximately 18,000 tracks, building a global client base through word-of-mouth and repeat business. In-house mastering engineer for three major UK vinyl pressing plants for a decade, optimizing difficult tracks for safe cutting and superior playback. Sound design and mixing for music in Hollywood trailers; Netflix/BBC/Canal+/NBCUni sync placements; high-pressure trailer work for Pusher Music; audio post-production and restoration for Netflix, Sky, All About The Music, podcasts, and forensic cleanup for court cases. Mastered high-profile releases and specialized in vinyl pre-mastering and restoration of aged recordings. Maintains a first-pass client satisfaction with a personal, stress-free revision process.

Education

Add your educational history here.

Qualifications

A-Level Music Technology
January 1, 2000 - April 14, 2026
New Deal For Musicians Scheme
January 11, 2030 - April 14, 2026

Industry Experience

Media & Entertainment, Professional Services, Other