Holding an undergraduate degree in Music Production and a Master’s in Music Composition, I bring rigorous formal training to the practical demands of visual media. My professional credits span commercial scoring and sound design for established brands like Terroni, the Spaccio restaurant group, and comedic work with Jeanne Robertson. I worked at Fever/Clearlake studio in North Hollywood and Record Plant after university as a sound and audio engineer before moving to composition. Today, I specialize in crafting hybrid orchestral scores for indie animations, short films, and character-driven media. Rather than relying on generic stock loops, I build rich, custom sonic worlds using high-end symphonic sample libraries and precision percussion engines. My core strength lies in frame-accurate synchronization—locking every musical hit, transition, and emotional swell directly to your visual pacing so the music feels inextricably bound to the art. Every cue is mixed, mastered, and engineered to give your project a massive, broadcast-ready finish.…

Marco Giorgio

Holding an undergraduate degree in Music Production and a Master’s in Music Composition, I bring rigorous formal training to the practical demands of visual media. My professional credits span commercial scoring and sound design for established brands like Terroni, the Spaccio restaurant group, and comedic work with Jeanne Robertson. I worked at Fever/Clearlake studio in North Hollywood and Record Plant after university as a sound and audio engineer before moving to composition. Today, I specialize in crafting hybrid orchestral scores for indie animations, short films, and character-driven media. Rather than relying on generic stock loops, I build rich, custom sonic worlds using high-end symphonic sample libraries and precision percussion engines. My core strength lies in frame-accurate synchronization—locking every musical hit, transition, and emotional swell directly to your visual pacing so the music feels inextricably bound to the art. Every cue is mixed, mastered, and engineered to give your project a massive, broadcast-ready finish.…

Available to hire

Holding an undergraduate degree in Music Production and a Master’s in Music Composition, I bring rigorous formal training to the practical demands of visual media. My professional credits span commercial scoring and sound design for established brands like Terroni, the Spaccio restaurant group, and comedic work with Jeanne Robertson. I worked at Fever/Clearlake studio in North Hollywood and Record Plant after university as a sound and audio engineer before moving to composition.

Today, I specialize in crafting hybrid orchestral scores for indie animations, short films, and character-driven media. Rather than relying on generic stock loops, I build rich, custom sonic worlds using high-end symphonic sample libraries and precision percussion engines. My core strength lies in frame-accurate synchronization—locking every musical hit, transition, and emotional swell directly to your visual pacing so the music feels inextricably bound to the art. Every cue is mixed, mastered, and engineered to give your project a massive, broadcast-ready finish.

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Experience Level

Expert
Expert
Expert
Expert

Language

English
Fluent
Italian
Fluent

Work Experience

Freelance Composer at Self
August 20, 2019 - Present

Education

B.S Music Production and Recording Arts at Elon University
August 1, 2014 - June 8, 2018
Masters of Professional Media Composition at Arts University Bournemouth
May 1, 2024 - May 20, 2026

Qualifications

Add your qualifications or awards here.

Industry Experience

Education, Media & Entertainment, Gaming
    Monolith Documentary Re-score — Master’s Portfolio Project
    For this master’s project, I composed an original score for the documentary Monolith, focusing entirely on how musical texture dictates pacing and documentary narrative structure.…
    Animation Re-score — Master's Degree Portfolio Project
    For this master’s coursework project, I composed an original score for a fast-paced, quirky children’s animated short, focusing heavily on precise physical-comedy timing and unique instrumentation.…
    Memroize - A short film rescored for my Master's thesis
    For my Master’s in Music Composition thesis, I composed a complete original hybrid score for the sci-fi action short film Memorize. Set in a gritty, dystopian future, the narrative follows an elite agent from the Special Surveillance Unit (SSU) who navigates a high-stakes tactical mission, extracting and reviewing criminal memories to hunt down a primary target. Drawing inspiration from landmark sci-fi thrillers like The Matrix, Minority Report, and Blade Runner, the musical challenge was twofold: blending futuristic, synthetic sound design with sweeping orchestral arrangements, and carving out sonic space across an intensely action-packed, dialogue-free soundscape dominated by heavy sound effects. The resulting score balances relentless suspense with driving, narrative-driven cues. By merging massive symphonic elements with modern hybrid percussion, the composition anchors the dystopian atmosphere, accentuating every tactical movement, frame-locked transition, and pivotal beat without cluttering the mix.…
    Gruppo Terroni - COVID promotional video
    Terroni Restaurant Group approached me to create original promotional music that reflected the warmth, identity, and atmosphere of their restaurants during the uncertainty of the Covid period. With in-person dining limited and constant changes affecting the food and hospitality industry, the goal was to maintain a strong emotional connection with their audience while reinforcing the brand’s sense of quality, comfort, and authenticity. The challenge was to translate the restaurant experience into music at a time when customers could not physically be there. I focused on composing music that felt inviting, human, and familiar, while also carrying a sense of optimism and resilience. The soundtrack needed to support Terroni’s visual content without overpowering it, and to reflect both the heritage of the brand and its ability to adapt during a difficult moment for the industry. Through careful musical choices, subtle textures, and a warm tonal palette, the final composition helped communicate continuity, trust, and hope. The music was composed in Logic, and was delivered within 1 week. It reached 15k views on Instrgram within the month.…