Holding an undergraduate degree in Music Production and a Master’s in Music Composition, I bring rigorous formal training to the practical demands of visual media. My professional credits span commercial scoring and sound design for established brands like Terroni, the Spaccio restaurant group, and comedic work with Jeanne Robertson. I worked at Fever/Clearlake studio in North Hollywood and Record Plant after university as a sound and audio engineer before moving to composition.
Today, I specialize in crafting hybrid orchestral scores for indie animations, short films, and character-driven media. Rather than relying on generic stock loops, I build rich, custom sonic worlds using high-end symphonic sample libraries and precision percussion engines. My core strength lies in frame-accurate synchronization—locking every musical hit, transition, and emotional swell directly to your visual pacing so the music feels inextricably bound to the art. Every cue is mixed, mastered, and engineered to give your project a massive, broadcast-ready finish.
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