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I’m a cinematographer and filmmaker based between Denmark and Norway. I’ve spent the last few years working globally—from the US and Australia to Ukraine and the Middle East—capturing stories in environments that range from high-end sets to unpredictable conflict zones. I tend to work best when I can bridge the roles of Director, DOP, and Editor, ensuring that what we capture in the field actually translates into a compelling narrative in the suite. Owner/Operator: I’m fully self-contained with a Sony Burano CineAlta package. It’s a beast of a camera that gives me that high-end cinema look even when I’m working solo or in small teams. Full Kit: I come ready with my own lighting and audio gear, tailored for documentary and commercial work where agility and quality have to coexist. Global Reach: My passport stays busy. Whether it's "mainland" Europe or more remote locations, I’m used to the logistics and the pressure of international shoots. Story First: Because I also edit, I don't just "hit record." I’m constantly looking for the coverage and the beats that make the final cut work. If you need a self-sufficient DOP who can take a project from concept to delivery.…I’m a cinematographer and filmmaker based between Denmark and Norway. I’ve spent the last few years working globally—from the US and Australia to Ukraine and the Middle East—capturing stories in environments that range from high-end sets to unpredictable conflict zones. I tend to work best when I can bridge the roles of Director, DOP, and Editor, ensuring that what we capture in the field actually translates into a compelling narrative in the suite. Owner/Operator: I’m fully self-contained with a Sony Burano CineAlta package. It’s a beast of a camera that gives me that high-end cinema look even when I’m working solo or in small teams. Full Kit: I come ready with my own lighting and audio gear, tailored for documentary and commercial work where agility and quality have to coexist. Global Reach: My passport stays busy. Whether it's "mainland" Europe or more remote locations, I’m used to the logistics and the pressure of international shoots. Story First: Because I also edit, I don't just "hit record." I’m constantly looking for the coverage and the beats that make the final cut work. If you need a self-sufficient DOP who can take a project from concept to delivery.

Mathias Wehrsdorf

PRO

Camera Operator, Cinematographer, Director of Photography, +3

5.0 (2 reviews)

I’m a cinematographer and filmmaker based between Denmark and Norway. I’ve spent the last few years working globally—from the US and Australia to Ukraine and the Middle East—capturing stories in environments that range from high-end sets to unpredictable conflict zones. I tend to work best when I can bridge the roles of Director, DOP, and Editor, ensuring that what we capture in the field actually translates into a compelling narrative in the suite. Owner/Operator: I’m fully self-contained with a Sony Burano CineAlta package. It’s a beast of a camera that gives me that high-end cinema look even when I’m working solo or in small teams. Full Kit: I come ready with my own lighting and audio gear, tailored for documentary and commercial work where agility and quality have to coexist. Global Reach: My passport stays busy. Whether it's "mainland" Europe or more remote locations, I’m used to the logistics and the pressure of international shoots. Story First: Because I also edit, I don't just "hit record." I’m constantly looking for the coverage and the beats that make the final cut work. If you need a self-sufficient DOP who can take a project from concept to delivery.…I’m a cinematographer and filmmaker based between Denmark and Norway. I’ve spent the last few years working globally—from the US and Australia to Ukraine and the Middle East—capturing stories in environments that range from high-end sets to unpredictable conflict zones. I tend to work best when I can bridge the roles of Director, DOP, and Editor, ensuring that what we capture in the field actually translates into a compelling narrative in the suite. Owner/Operator: I’m fully self-contained with a Sony Burano CineAlta package. It’s a beast of a camera that gives me that high-end cinema look even when I’m working solo or in small teams. Full Kit: I come ready with my own lighting and audio gear, tailored for documentary and commercial work where agility and quality have to coexist. Global Reach: My passport stays busy. Whether it's "mainland" Europe or more remote locations, I’m used to the logistics and the pressure of international shoots. Story First: Because I also edit, I don't just "hit record." I’m constantly looking for the coverage and the beats that make the final cut work. If you need a self-sufficient DOP who can take a project from concept to delivery.

Available to hire

I’m a cinematographer and filmmaker based between Denmark and Norway. I’ve spent the last few years working globally—from the US and Australia to Ukraine and the Middle East—capturing stories in environments that range from high-end sets to unpredictable conflict zones.

I tend to work best when I can bridge the roles of Director, DOP, and Editor, ensuring that what we capture in the field actually translates into a compelling narrative in the suite.

Owner/Operator: I’m fully self-contained with a Sony Burano CineAlta package. It’s a beast of a camera that gives me that high-end cinema look even when I’m working solo or in small teams.

Full Kit: I come ready with my own lighting and audio gear, tailored for documentary and commercial work where agility and quality have to coexist.

Global Reach: My passport stays busy. Whether it’s “mainland” Europe or more remote locations, I’m used to the logistics and the pressure of international shoots.

Story First: Because I also edit, I don’t just “hit record.” I’m constantly looking for the coverage and the beats that make the final cut work.

If you need a self-sufficient DOP who can take a project from concept to delivery.