My name is Matt, and I move between two worlds: emerging music scenes and music for visual media. On the artist side, I’ve developed deeply personal projects like Bartam — my playground for bass music, from drum and bass to dubstep. In the past, I also created and shaped projects like Blandine, an electropop project I fully developed from sound to visuals, as well as worked with artists like Kaydo and Pas Souvent, always driven by the desire to bring strong, singular identities to life. In parallel, I compose for screen. My work has featured in international productions for Netflix (The Ultimatum: Marry or Move On, The Ultimatum: Queer Love), SBS (Safe Home), the BBC, Paramount, and more. I love translating emotion or tension into music — whether bold or subtle — always in service of storytelling. Whether in a club or on screen, my goal is the same: to create an immediate, honest connection that transcends genres and formats.…My name is Matt, and I move between two worlds: emerging music scenes and music for visual media. On the artist side, I’ve developed deeply personal projects like Bartam — my playground for bass music, from drum and bass to dubstep. In the past, I also created and shaped projects like Blandine, an electropop project I fully developed from sound to visuals, as well as worked with artists like Kaydo and Pas Souvent, always driven by the desire to bring strong, singular identities to life. In parallel, I compose for screen. My work has featured in international productions for Netflix (The Ultimatum: Marry or Move On, The Ultimatum: Queer Love), SBS (Safe Home), the BBC, Paramount, and more. I love translating emotion or tension into music — whether bold or subtle — always in service of storytelling. Whether in a club or on screen, my goal is the same: to create an immediate, honest connection that transcends genres and formats.WWW…
My name is Matt, and I move between two worlds: emerging music scenes and music for visual media. On the artist side, I’ve developed deeply personal projects like Bartam — my playground for bass music, from drum and bass to dubstep. In the past, I also created and shaped projects like Blandine, an electropop project I fully developed from sound to visuals, as well as worked with artists like Kaydo and Pas Souvent, always driven by the desire to bring strong, singular identities to life. In parallel, I compose for screen. My work has featured in international productions for Netflix (The Ultimatum: Marry or Move On, The Ultimatum: Queer Love), SBS (Safe Home), the BBC, Paramount, and more. I love translating emotion or tension into music — whether bold or subtle — always in service of storytelling. Whether in a club or on screen, my goal is the same: to create an immediate, honest connection that transcends genres and formats.…My name is Matt, and I move between two worlds: emerging music scenes and music for visual media. On the artist side, I’ve developed deeply personal projects like Bartam — my playground for bass music, from drum and bass to dubstep. In the past, I also created and shaped projects like Blandine, an electropop project I fully developed from sound to visuals, as well as worked with artists like Kaydo and Pas Souvent, always driven by the desire to bring strong, singular identities to life. In parallel, I compose for screen. My work has featured in international productions for Netflix (The Ultimatum: Marry or Move On, The Ultimatum: Queer Love), SBS (Safe Home), the BBC, Paramount, and more. I love translating emotion or tension into music — whether bold or subtle — always in service of storytelling. Whether in a club or on screen, my goal is the same: to create an immediate, honest connection that transcends genres and formats.WWWW…
My name is Matt, and I move between two worlds: emerging music scenes and music for visual media.
On the artist side, I’ve developed deeply personal projects like Bartam — my playground for bass music, from drum and bass to dubstep. In the past, I also created and shaped projects like Blandine, an electropop project I fully developed from sound to visuals, as well as worked with artists like Kaydo and Pas Souvent, always driven by the desire to bring strong, singular identities to life.
In parallel, I compose for screen. My work has featured in international productions for Netflix (The Ultimatum: Marry or Move On, The Ultimatum: Queer Love), SBS (Safe Home), the BBC, Paramount, and more. I love translating emotion or tension into music — whether bold or subtle — always in service of storytelling.
Whether in a club or on screen, my goal is the same: to create an immediate, honest connection that transcends genres and formats.
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