Game sound designer at Netease

Game Audio Design & Production * Pre-production: Engaged in initial project phases to define music style direction and audio architecture, establishing AAA-quality standards. * Production: Designed interactive music systems based on core gameplay, managed end-to-end audio asset production and Wwise integration testing; optimized overall auditory experience through dynamic mixing and acoustic spatial design; drove audio toolchain improvements and collaborated with engineering on playback system implementation. * Post-launch: Provided live audio support and led audio-driven marketing strategy planning and asset delivery. Lead Audio Coordinator * Managed resource allocation and budget control for internal and external audio teams. * Implemented multi-criteria quality assurance pipelines for technical and artistic validation of delivered assets. * Conducted vendor capability assessments, matched suppliers to project needs, and fostered strategic partnerships with key providers. Project Experience * 《Once Human》
▸ Led composition and production of post-apocalyptic band-themed soundtrack and IP audio identity system.
▸ Directed cross-platform audio design integrating in-game systems and external promotional content to strengthen IP recognition. * 《LifeAfter》
▸ Directed pre-production music style definition, modular architecture setup, and dynamic audio system optimization.
▸ Led custom music design and high-fidelity asset production for marketing campaigns. * 《Flotopia》
▸ Conducted style R&D and adaptive audio system development based on art direction.
▸ Designed cross-layer music/SFX interaction schemes for immersive environmental soundscapes. * 《Ego effect》
▸ Owned full-cycle audio production including style, asset pipeline setup, and system tuning.
▸ Coordinated with composer Kenji Kawai on main theme and character theme production.
▸ Designed non-linear narrative scoring system and produced character-centric soundtrack albums.