Looks like you have JavaScript disabled. For the full Twine experience, you will need to re-enable it.

I’m a Melbourne-based video editor and camera operator, working across brand campaigns, social content, and visual storytelling. I’ve always been drawn to shaping footage into something that feels natural and engaging — finding the rhythm, the moments, and the small details that make a piece connect. That perspective carries through from how I shoot to how I edit, with a strong focus on capturing what will work in the final cut. Over time, that’s developed into a solid editorial instinct — knowing what to hold onto, what to let go, and how to guide a story without overcomplicating it. I still enjoy learning and evolving with the craft, especially as new tools and workflows come through. I’m selective with what I use though — it always comes back to what genuinely improves the final piece. Clients tend to value the way I work — calm, collaborative, and focused on getting to something that feels right rather than overworked.…I’m a Melbourne-based video editor and camera operator, working across brand campaigns, social content, and visual storytelling. I’ve always been drawn to shaping footage into something that feels natural and engaging — finding the rhythm, the moments, and the small details that make a piece connect. That perspective carries through from how I shoot to how I edit, with a strong focus on capturing what will work in the final cut. Over time, that’s developed into a solid editorial instinct — knowing what to hold onto, what to let go, and how to guide a story without overcomplicating it. I still enjoy learning and evolving with the craft, especially as new tools and workflows come through. I’m selective with what I use though — it always comes back to what genuinely improves the final piece. Clients tend to value the way I work — calm, collaborative, and focused on getting to something that feels right rather than overworked.

Michael De Florio

Video Editor, Camera Operator, Cinematographer, +2





I’m a Melbourne-based video editor and camera operator, working across brand campaigns, social content, and visual storytelling. I’ve always been drawn to shaping footage into something that feels natural and engaging — finding the rhythm, the moments, and the small details that make a piece connect. That perspective carries through from how I shoot to how I edit, with a strong focus on capturing what will work in the final cut. Over time, that’s developed into a solid editorial instinct — knowing what to hold onto, what to let go, and how to guide a story without overcomplicating it. I still enjoy learning and evolving with the craft, especially as new tools and workflows come through. I’m selective with what I use though — it always comes back to what genuinely improves the final piece. Clients tend to value the way I work — calm, collaborative, and focused on getting to something that feels right rather than overworked.…I’m a Melbourne-based video editor and camera operator, working across brand campaigns, social content, and visual storytelling. I’ve always been drawn to shaping footage into something that feels natural and engaging — finding the rhythm, the moments, and the small details that make a piece connect. That perspective carries through from how I shoot to how I edit, with a strong focus on capturing what will work in the final cut. Over time, that’s developed into a solid editorial instinct — knowing what to hold onto, what to let go, and how to guide a story without overcomplicating it. I still enjoy learning and evolving with the craft, especially as new tools and workflows come through. I’m selective with what I use though — it always comes back to what genuinely improves the final piece. Clients tend to value the way I work — calm, collaborative, and focused on getting to something that feels right rather than overworked.

Available to hire

I’m a Melbourne-based video editor and camera operator, working across brand campaigns, social content, and visual storytelling.

I’ve always been drawn to shaping footage into something that feels natural and engaging — finding the rhythm, the moments, and the small details that make a piece connect. That perspective carries through from how I shoot to how I edit, with a strong focus on capturing what will work in the final cut.

Over time, that’s developed into a solid editorial instinct — knowing what to hold onto, what to let go, and how to guide a story without overcomplicating it.

I still enjoy learning and evolving with the craft, especially as new tools and workflows come through. I’m selective with what I use though — it always comes back to what genuinely improves the final piece.

Clients tend to value the way I work — calm, collaborative, and focused on getting to something that feels right rather than overworked.