I’m a compositor and illustrator who loves bringing images to life and finding that sweet moment when everything just “clicks” and the composition naturally starts telling the story. I really enjoy working across different styles and types of production, and I’m always excited to learn new techniques or software as I go. The mix of technical problem-solving and creative exploration is honestly one of my favourite parts of the job. I care a lot about the work I’m part of and I tend to get fully involved in the vision of each project, always aiming to help push the final result a little further and enjoy the process while I’m at it.…

Nayra Pardo

I’m a compositor and illustrator who loves bringing images to life and finding that sweet moment when everything just “clicks” and the composition naturally starts telling the story. I really enjoy working across different styles and types of production, and I’m always excited to learn new techniques or software as I go. The mix of technical problem-solving and creative exploration is honestly one of my favourite parts of the job. I care a lot about the work I’m part of and I tend to get fully involved in the vision of each project, always aiming to help push the final result a little further and enjoy the process while I’m at it.…

Available to hire

I’m a compositor and illustrator who loves bringing images to life and finding that sweet moment when everything just “clicks” and the composition naturally starts telling the story.

I really enjoy working across different styles and types of production, and I’m always excited to learn new techniques or software as I go. The mix of technical problem-solving and creative exploration is honestly one of my favourite parts of the job.

I care a lot about the work I’m part of and I tend to get fully involved in the vision of each project, always aiming to help push the final result a little further and enjoy the process while I’m at it.

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Language

Spanish; Castilian
Fluent
English
Advanced

Work Experience

Compositing Supervisor at Choc Chip Animation Studios
May 1, 2023 - November 30, 2024
As Compositing Supervisor for the mystery-musical animated television pilot The Art of Murder, I led the compositing team throughout production, overseeing shot execution from initial delivery through final approval and work on the production of reference shots to ensure a final look development for each scene. I established workflows and quality standards, collaborated closely with production and creative leadership, and ensured consistency across all episodes. My role involved mentoring artists, troubleshooting technical challenges, reviewing work for artistic and technical quality, and delivering shots that met both creative and production requirements.
Senior Compositor at Cumulus VFX Studio
February 1, 2023 - May 1, 2023
On the Disney+ produced TV show Nautilus, I worked as a Senior Compositor, integrating live-action footage, CG environments, visual effects, and atmospheric elements into final shots. I collaborated with lighting artists, VFX supervisors, and production teams to achieve a seamless cinematic look while maintaining visual continuity across sequences. My responsibilities included shot assembly, color balancing, relighting, compositing effects passes, and ensuring the final image met the project's creative and technical standards.
Senior Compositor at Flying Bark Productions
March 1, 2022 - May 1, 2022
As Senior Compositor on the teaser Tales from Outer Suburbia, I helped define the compositing approach and contributed to the overall visual direction of the project. I supervised shot production, providing both artistic and technical guidance to ensure consistency across sequences. Working closely with directors and production leads, I supported the development of the final look while maintaining efficiency, continuity, and high-quality standards throughout the production process.
Senior Compositor at None More Productions
February 1, 2022 - June 30, 2023
As a Senior Compositor, I contributed to the final visual storytelling of this award-winning animated short The Boy, the Mole, the Fox and the Horse. By integrating lighting, effects, and rendered elements while preserving the project's delicate hand-painted aesthetic. I worked closely with supervisors and artists across departments to ensure visual continuity and emotional impact, helping deliver shots that supported the film's distinctive artistic vision.
Senior Compositor at Flying Bark Productions
January 1, 2019 - Present
Working on Marvel Studios' What If...?, I composited complex sequences combining stylized environments, character renders, effects, and cinematic lighting. My role involved integrating multiple render layers into cohesive final images while maintaining consistency with the visual language established by the series. I collaborated closely with supervisors and artists across departments to deliver high-quality episodic content within production deadlines.
Assistant Director at Ánima Kitchent
June 15, 2026 - Present
2018 – Cleo & Cuquin As Assistant Director, I supported the overall production of the series by assisting with creative decision-making. I reviewed assets and sequences and worked closely with the director and production teams to ensure episodes were delivered according to creative objectives and deadlines.
Play Writer & Director at Aulladores Teatro
June 15, 2026 - Present
I conceived, wrote, and directed this original theatre production, overseeing the project from initial concept through performance. My responsibilities included script development, artistic direction, staging, rehearsal management, and collaboration with performers and technical staff. The project explored storytelling through visual language, sound, and silence, combining creative experimentation with live performance.
Concept Art Instructor at CEV
June 15, 2026 - Present
2016 – Concept Specialization Course (Bachelor) As an instructor, I designed and delivered a specialized training program focused on concept art, visual development, and storytelling for animation and entertainment industries. I provided mentorship, technical instruction, and constructive feedback while helping students develop both artistic skills and professional workflows relevant to production environments.
Senior Compositor at Sergio Pablos Studio
June 15, 2026 - Present
During the development phase of the animated film Klaus, I contributed to the creation of the teaser that helped define the project's groundbreaking visual style. I worked on integrating lighting, effects, and 2D and 3D elements (animation and background) while supporting the development of techniques that would later become central to the film's production pipeline and artistic identity.

Education

Bachelor at CEV Escuela Superior
January 1, 2013 - January 1, 2016
Master at CICE
September 1, 2007 - June 1, 2010
Course at Central Saint Martins
January 1, 2010 - June 1, 2010

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment
    2017 — Sonidos y Silencios (Theatre Play)

    Original theatrical production exploring storytelling through sound, silence, and visual expression.

    2019 — Klaus (Netflix)

    Netflix’s award-winning animated feature film that revolutionized the look of 2D animation through advanced lighting and compositing techniques.

    2020 — Monkie Kid

    A fast-paced animated action-comedy series inspired by the Chinese legend Journey to the West.

    2021 — What If...? (Disney+)

    Marvel Studios’ animated anthology series exploring alternate realities within the Marvel universe.

    2022 — The Boy, The Mole, The Fox and The Horse

    Academy Award-winning animated short film based on Charlie Mackesy’s beloved illustrated book.

    2022 – Tales from Outer Suburbia (Teaser)

    A teaser adaptation of Shaun Tan’s acclaimed illustrated stories, blending whimsical and surreal visual worlds.

    2023 — Nautilus (Prime Video / Disney Branded Television)

    Nautilus is a live-action adventure television series inspired by Jules Verne’s Twenty Thousand Leagues Under the Sea. The series follows the origin story of Captain Nemo and his legendary submarine, combining large-scale visual effects, underwater environments, and cinematic storytelling. Originally commissioned by Disney, the series was later released internationally through Prime Video.

    2024 — The Art of Murder (Animation Show)

    A crime and mystery television series combining stylized visuals, dramatic storytelling, and complex visual effects integration.